Table ronde - le Cinéma iranien aujourd'hui

Le cinéma entre parfois en résonance avec l'Histoire en train de se faire, des films rencontrent un moment politique ou le provoquent. Le cinéma iranien des dix dernières années se révèle comme un écho puissant des déchirures et des évolutions de la société iranienne. Depuis un an, la contestation prouve que le pays réel veut faire entendre sa voix et reprendre en mains sa destinée. Des cinéastes tournent...
À lRencontre avec Marjane Satrapi (Persepolis),
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Synthesis of neutral anion receptor 5,10-bis-(2-(4-fluorophenyl)phenylurea)-15,20-diphenylporphyrin
Binding studies were performed with a bisurea-picket porphyrin host receptor (a,a)-5,10- Bis-(2-(4-fuorophenyl)phenylurea)-15,20-diphenylporphyrin (1a) and TBA salts as its guest. Previously our group reported1 on the binding studies of tetrakis-urea-picket porphyrin (a,a,a,a)-5,10,15,20-tetrakis-(2-(4-fuorophenyl)phenylurea)porphyrin (3) and tris-urea-picket porphyrin (a,a,a)-5,10,15-tri(2-(4-fuorophenyl)phenylurea)-20-phenylporphyrin (2) using polar solvent, DMSO, where a strong binding prefer
Author(s): Calderon-Kawasaki, Kenichi E.

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Copyright Kenichi E.Calderon-Kawasaki, 2006. All rights reserved.

The histories of each: a collection of short fiction
The used couch -- Indian graveyard -- Heart disease -- Tree house -- Cravings -- Henderson’s grocery.,Thesis (M.A.)--Wichita State University, Dept. of English.,"May 2006."
Author(s): Bernard, David Benjamin

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Copyright David Benjamin Bernard, 2006. All rights reserved.

Dynamic voice codec determination mechanism for VoIP
Emerging voice over IP networks dictate a need for efficient network resource management schemes to mitigate the best-effort nature of IP. Traditional quality of service and call admission control mechanisms provide network resource allocation to static voice flows with parameters fixed by a selected voice codec. Frequently, the available bandwidth is not efficiently utilized, which results in a lower-than-possible average voice quality and potential wastage of resources. In this thesis, the aut
Author(s): Osipov, Andrey E.

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Copyright Andrey E.Osipov, 2006. All rights reserved.

A History of the County of Oxford: Volume 4 The City of Oxford
The political, economic, social and religious history of Oxford.
Author(s): Alan Crossley, C R Elrington (Editors), Eleanor Ch

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http://www.british-history.ac.uk/terms.asp

Title: statuette of servant girl, carrying an unguent jar
VADS Collection: Artwor

Description: Cosmetic container in the form of a finely carved boxwood statuette of a naked servant girl walking and carrying a large jar on her left hip. The statuette stands on a rectangular wooden pedestal. Her head is shaved except for one lock of hair painted on the right side of the head. The right ear is missing and there is a small circular hole on both sides of the head. There is an ivory mushroom-shaped stud in the left ear lobe. The face is finely carved and painted using blac
Author(s): Artist: Bes, Dwarf-God

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Rights: Oriental Museum, University of Durham, Durham, 2002. All Rights reserved
Rights Owner: OM

Title: funerary statuette of Ptah-Sokar-Osiris
VADS Collection: Artworld: Sainsbu

Description: Elaborately painted wooden funerary statuette of Ptah-Sokar-Osiris, standing on a wooden base.
Ptah-Sokar-Osiris is depicted as a mummiform man and wears a blue and yellow striped nemes headdress and wesekh collar. The face is gilded with facial features painted in black and white. The ears are large and naturalistic. Gilded hands are clenched and crossed on the chest; bracelets are painted on both wrists in black. The body is brightly painted in red, blue, green, white a

Author(s): Artist: Ptah-Sokar-Osiris, God

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Rights: Oriental Museum, University of Durham, Durham, 2002. All Rights reserved
Rights Owner: OM

Title: statuette of Duamutef, Son of Horus
VADS Collection: Artworld: Sainsbury C

Description: Painted wooden funerary statuette of the jackal-headed Duamutef, one of four Sons of Horus.
Duamutef is depicted mummiform and wears a blue and yellow striped nemes headdress and wesekh collar. The jackal-head is painted black with facial features in yellow. The front of the body is brightly painted in blue, green, white and yellow on a red background. The falcon-head of Re-Horakhty crowned with a solar disc and uraeus is depicted on both shoulders. Below is a multicolour

Author(s): Artist: Duamutef, God Responsible For Prot

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Rights: Oriental Museum, University of Durham, Durham, 2002. All Rights reserved
Rights Owner: OM

Title: Coptic ostracon
VADS Collection: Artworld: Sainsbury Centre for Visual Art

Description: Coptic ostracon of white limestone. Irregularly shaped.
Coptic inscription written in black ink on both sides of a piece of white limestone. The inscription is a letter written by a man called Abraham to his father.
The front of the ostracon is badly worn and the inscription on the back is complete but faded in places.

Author(s): Creator not set

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Rights: Oriental Museum, University of Durham, Durham, 2002. All Rights reserved
Rights Owner: OM

Title: funerary stela of Amunhotep
VADS Collection: Artworld: Sainsbury Centre fo

Description: Round-topped funerary stela, with two registers.
The upper register depicts mummiform Osiris, wearing the white crown and holding the crook, flail and was-sceptre, standing on a pedestal before an ewer on an offering table. Amenhotep, the scribe of god's wife, and his son the 'Troop Captain' Amenemhat (called Haty) stand before Osiris offering incense, water and flowers. Both men are wearing bag wigs and long transparent garments over shendyt kilts. There are six columns

Author(s): Artist: Osiris, God Of Duat, The Underworl

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Rights: Oriental Museum, University of Durham, Durham, 2002. All Rights reserved
Rights Owner: OM

Title: equestrian polo player figurine
VADS Collection: Artworld: Sainsbury Centr

Description: Hollow-moulded, soft, buff earthenware figure of an equestrienne dressed for playing polo, on horseback. All four legs of the horse are outstretched as if galloping; the head looks straight ahead and the ears are pricked. The rider sits on a saddle with a saddlecloth and wears a long robe, striped trousers and a tall hat. The left hand is held just above the saddle as if holding onto reins and the right hand is held beside the body as if holding a mallet. The facial features
Author(s): Creator not set

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Rights: Oriental Museum, University of Durham, Durham, 2002. All Rights reserved
Rights Owner: OM

Conversations with Berkeley Faculty: Michael Nacht (1/9/03)
Conversations with History Presents Faculty Research at the University of California, Berkeley Michael Nacht Dean and Professor of Public Policy, UC Berkeley "Changing Paradigms in National Security Policy" January 9, 2003. A complete transcript is available. Professor Nacht teaches and writes in the fields of U.S. national security and foreign policy, and on management strategies for public organizations. He was a founding coeditor of the journal International Security, and he served in the
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Fractal landscape 2 (colourway)
Image from research project Textiles, Techniques & Technology. This project is aiming to challenge the frontiers of the relationship of traditional practice and production through the use of CAD/CAM in textile design. This image is produced using film positives from Robustelli scanner to litho film - Betree System Italy.
Author(s): Cocks, Malcolm

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Colour and drawing: garden table
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Author(s): Faure-Walker, James

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Antarctic Village - Metisse Flag
By way of calling the Orta Antarctic expedition to an end, the artists staged the first in a series of symbolic football games, ‘Heads or Tails, Tails or Heads’. Meteorologists, paleontologists and geologists from the Marambio Antarctic Base joined the Orta team to play a symbolic ‘All Nation’ match. The Metisse Flag and the Antarctic football shirts, created by the artists make it difficult to identify the adversary. The front and back of the players' shirts are stitched together with d
Author(s): Orta, Lucy,Orta, Jorge

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11 - Médiatisation de la science / Clôture

La place de la science dans la société s’est modifiée au cours des dernières décennies, à la fois du fait des scientifiques eux-mêmes, mais aussi des risques liés à l’idée de progrès qu’elle pouvait incarner, en particulier dans les sciences dites exactes. De plus, la libéralisation croissante de l’économie, la construction d’un espace politique supra-national et le mouvement de réformes des années quatrevingt-dix en Europe sont autant de questions qui interrogent le
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La peinture animée depuis Emile Reynaud

En 1880 avec son Praxinoscope à projection, Emile Reynaud parvient à coupler la synthèse graphique du mouvement avec la lanterne magique, créant une nouvelle technique de peinture animée lumineuse, distincte des formes antérieures de projection et qui précède le cinéma photographique. Inventeur et artiste accompli, il crée ensuite le jeu expressif des personnages peints et animés dans ses Pantomimes Lumineuses, puis la Photo Peinture animée. De toutes ces inventions on peut retro
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Conférence Douchet

Conférence Douchet


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Conférence de Willy Kurant : La Caméra bouge

Le 12 mars 2010, Willy Kurant, directeur de la photographie (Godard, Welles, Skolimowski…), donnait une conférence-démonstration sur les mouvements de caméra. Y ont pris part les concepteurs, les fabricants et les loueurs de machinerie, membres associés de l’Association française des directeurs de la photographie cinématographique (A.F.C.), ainsi que l’Association française des cadreurs de fictions (A.F.C.F.).


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L’accompagnement des entreprises lorraines : Acteurs et services

Les premières ”Rencontres lorraines de la propriété intellectuelle” tenues à Metz en mai 2008 avaient été consacrées à la propriété intellectuelle face au défi de la mondialisation.

L’édition 2009 de ces Rencontres, organisée le 6 octobre 2009 à Nancy, s’est concentrée sur la filière « fibres et éco-matériaux », laquelle, que ce soit à travers le bois, le textile, le papier, les composites ou encore les marchés utili
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