17.914 International Politics in the New Century - via Simulation, Interactive Gaming, and 'Edutain
This workshop is designed to introduce students to different perspectives on politics and the state of the world through new visualization techniques and approaches to interactive political gaming (and selective 'edutainment'). Specifically, we shall explore applications of interactive tools (such as video and web-based games, blogs or simulations) to examine critical challenges in international politics of the 21C century focusing specifically on general insights and specific understa
Author(s): Choucri, Nazli

21F.404 German IV (MIT)
This course focuses on development of interpretive skills, using literary texts (B. Brecht, S. Zweig) and contemporary media texts (film, TV broadcasts, Web materials). The emphasis is on discussion and exploration of cultural topics in their current social, political, and historical context via hypermedia documentaries. It also covers further refinement of oral and written expression and expansion of communicative competence in practical everyday situations.
Author(s): Crocker, Ellen

21W.780 Communicating in Technical Organizations (MIT)
This course has two parallel aims: To improve student writing about technical subject matters, including forms of writing commonly employed in technical organizations, and Critically to examine the nature of technologically-assisted communication, focusing somewhat on professional communication among scientists and engineers. We will often combine these two goals, by practicing critical investigation of communications technologies in written formats (and other media) that employ communicatio
Author(s): Evens, Aden

21W.730-4 Expository Writing: Analyzing Mass Media (MIT)
This course focuses on developing and refining the skills that will you need to express your voice more effectively as an academic writer. As a focus for our writing this semester, this course explores what it means to live in the age of mass media. We will debate the power of popular American media in shaping our ideas of self, family and community and in defining social issues. Throughout the semester, students will focus on writing as a process of drafting and revising to create essays that a
Author(s): Walsh, Andrea

21F.013 Out of Ground Zero: Catastrophe and Memory (MIT)
Within twenty-four hours of the attack on the World Trade Center on September 11, 2001 politicians, artists, and cultural critics had begun to ask how to memorialize the deaths of thousands of people. This question persists today, but it can also be countered with another: is building a monument the best way to commemorate that moment in history? What might other discourses, media, and art forms offer in such a project of collective memory? How can these cultural formations help us to assess the
Author(s): Scribner, Charity

21H.402 The Making of a Roman Emperor (MIT)
Focusing on the emperors Augustus and Nero, this course investigates the ways in which Roman emperors used art, architecture, coinage and other media to create and project an image of themselves, the ways in which the surviving literary sources from the Roman period reinforced or subverted that image, and the ways in which both phenomena have contributed to post-classical perceptions of Roman emperors. Material studied will include the art, architecture, and coinage of Augustan and Neronian Rome
Author(s): Broadhead, William

4.195 Special Problems in Architectural Design (MIT)
This class focuses on representation tools used by architects during the design process and attempts to discuss the relationship they develop with the object of design. Representation plays a key role in architectural design, not only as a medium of conveying and narrating a determined meaning or a preconceived idea, but also as a code of creating new meaning, while the medium seeks to establish a relationship with itself. In this sense, mediums of representation, as external parameters to the d
Author(s): Tsamis, Alexandros

Global Warming: Science and the Message
When you hear the words "Climate Change", what do you think of - last week's, thunderstorm, or something longer-term? Do you think the media gives credence to climate change deniers? In this video Dr Ben Newell from UNSW's School of Psychology talks about the difficulties for climate scientists in cutting through misconception and misinformation to get their messages across. Dr Newell has written a paper on the Psychology of Global Warming with Professor Andy Pitman of the UNSW Climate Chang
Author(s): No creator set

12.517 Dynamics of Complex Systems: Biological and Environmental Coevolution Preceding the Cambrian
This seminar will focus on dynamical change in biogeochemical cycles accompanying early animal evolution -- beginning with the time of the earliest known microscopic animal fossils (~600 million years ago) and culminating (~100 million years later) with the rapid diversification of marine animals known as the "Cambrian explosion." Recent work indicates that this period of intense biological evolution was both a cause and an effect of changes in global biogeochemical cycles. W
Author(s): Rothman, Daniel

21H.447 Nazi Germany and the Holocaust (MIT)
The rise and fall of National Socialism is one of the most intensively-studied topics in European history. Nevertheless, after more than half a century, popular views of Nazism in the media and among the public remain simplistic-essentialized by equal parts fascination and horror. Adolf Hitler, for instance, is often portrayed as an evil genius of supernatural ability; while the Nazi state is similarly imagined to have held absolute power over every aspect of its subjects' lives. Such characteri
Author(s): Ciarlo, David

International Media Flows: Global Media and Culture
Ian Condry introduces five graduates of the Comparative Media Studies Program—Aswin Punathambekar, Xiaochang Li, Jing Wang, Orit Kuritsky, Ana Domb —in this final panel, who share their views and experiences about the international/global dimension of the program.

‘Comparative’ can be interpr
Author(s): No creator set

15.763J Manufacturing System and Supply Chain Design (MIT)
15.763J focuses on decision making for system design, as it arises in manufacturing systems and supply chains. Students are exposed to frameworks and models for structuring the key issues and trade-offs. The class presents and discusses new opportunities, issues and concepts introduced by the internet and e-commerce. It also introduces various models, methods and software tools for logistics network design, capacity planning and flexibility, make-buy, and integration with product development. In
Author(s): Simchi-Levi, David,Graves, Stephen

21F.034 Media Education and the Marketplace (MIT)
This instance of "Media, Education, and the Marketplace" focuses on the rise of information and communications technologies (ICTs) during the age of globalization, specifically examining its effect and potential in developing nations across the world. In particular, the class will focus on the following three components: "Media" – ICTs, specifically the dramatic rise in use of the Internet over the past twenty years, have "globalized" the world and created opportunities where very few h
Author(s): Gaudi, Manish,Miyagawa, Shigeru

2.068 Computational Ocean Acoustics (13.853) (MIT)
This course examines wave equations for fluid and visco-elastic media, wave-theory formulations of acoustic source radiation and seismo-acoustic propagation in stratified ocean waveguides, and Wavenumber Integration and Normal Mode methods for propagation in plane-stratified media. Also covered are Seismo-Acoustic modeling of seabeds and ice covers, seismic interface and surface waves in a stratified seabed, Parabolic Equation and Coupled Mode approaches to propagation in range-dependent ocean w
Author(s): Schmidt, Henrik

12.453 Crosby Lectures in Geology: History of Africa (MIT)
This course is a series of presentations on an advanced topic in the field of geology by the visiting William Otis Crosby lecturer. The Crosby lectureship is awarded to a distinguished international scientist each year to introduce new scientific perspectives to the MIT community. This year's Crosby lecturer is Prof. Kevin Burke. His lecture is about African history. The basic theme is the distinctiveness of the African continent in both the way that it originated 600 million years ago and in th
Author(s): Burke, Kevin

21W.772 Digital Poetry (MIT)
This class investigates theory and practice of digital or new media poetry with emphasis on workshop review of digital poetry created by students. Each week students examine published examples of digital poetry in a variety of forms including but not limited to soundscapes, hypertext poetry, animation, code poems, interactive games, location-based poems using handheld devices, digital video and wikis.
Author(s): Barrett, Edward C.

STS.005 Disease and Society in America (MIT)
This course examines the growing importance of medicine in culture, economics and politics. It uses an historical approach to examine the changing patterns of disease, the causes of morbidity and mortality, the evolution of medical theory and practice, the development of hospitals and the medical profession, the rise of the biomedical research industry, and the ethics of health care in America.
Author(s): Jones, David

STS.320 Environmental Conflict and Social Change (MIT)
This graduate-level class explores the complex interrelationships among humans and natural environments, focusing on non-western parts of the world in addition to Europe and the United States. It uses environmental conflict to draw attention to competing understandings and uses of "nature" as well as the local, national and transnational power relationships in which environmental interactions are embedded. In addition to utilizing a range of theoretical perspectives, this subject draws upon a se
Author(s): Walley, Christine

21L.706 Studies in Film (MIT)
This course investigates relationships between two media, film and literature, studying works linked across the two media by genre, topic, and style. It aims to sharpen appreciation of major works of cinema and of literary narrative. The course explores how artworks challenge and cross cultural, political and aesthetic boundaries. It includes some attention to theory of narrative. Films to be studied include works by Akira Kurosawa, John Ford, Francis Ford Coppolla, Clint Eastwood, Orson Welles,
Author(s): Kibel, Alvin