Pages 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 438 439 440 441 442 443 444 445 446 447 448 449 450 451 452 453 454 455 456 457 458 459 460 461 462 463 464 465 466 467 468 469 470 471 472 473 474 475 476 477 478 479 480 481 482 483 484 485 486 487 488 489 490 491 492 493 494 495 496 497 498 499 500 501 502 503 504 505 506 507 508 509 510 511 512 513 514 515 516 517 518 519 520 521 522 523 524 525 526 527 528 529 530 531 532 533 534 535 536 537 538 539 540 541 542 543 544 545 546 547 548 549 550 551 552 553 554 555 556 557 558 559 560 561 562 563 564 565 566 567 568 569 570 571 572 573 574 575 576 577 578 579 580 581 11600 result(s) returned

Curators Lecture: "Anselm Kiefer: Heaven and Earth"
Michael Auping, curator of Anselm Kiefer: Heaven and Earth, offers insights on the complexity of Kiefer's work and the artist's career-long investigation of the celestial and the terrestrial.
Author(s): No creator set

License information
Related content

A Conversation with Marco Maggi
Marco Maggi, a Uruguayan artist whose "From DNA to CNN," 2005, has recently been acquired by the Hirshhorn, discusses his art-making process and ideas with Programs Manager Milena Kalinovska.
Author(s): No creator set

License information
Related content

Excerpts from Meet the Artist: Jonas Mekas
Join us for an evening with filmmaker Jonas Mekas, a central figure in the avant-garde art and cinema community in New York that began in the 1960s. This marks Mekas's return to the Hirshhorn-he was the first guest speaker at the film program in 1976.
Author(s): No creator set

License information
Related content

Jim Lambie Floor Installation: A Closer Look
Jim Lambie is transforming the Hirshhorn's lobby into a vibrant, immersive environment with one of his signature "Zobop" taped floor pieces and several mixed-media sculptures. Take a closer look at the installers at work in this video Podcast.
Author(s): No creator set

License information
Related content

In Conversation: ArtAngel
Artangel co-director James Lingwood and Hirshhorn associate curator Anne Ellegood will examine the role of a specific place in artistic practice.
Author(s): No creator set

License information
Related content

Jim Lambie Floor Installation
Jim Lambie is transforming the Hirshhorn's lobby into a vibrant, immersive environment with one of his signature "Zobop" taped floor pieces and several mixed-media sculptures. Watch the progression of the installation in this video Podcast.
Author(s): No creator set

License information
Related content

A Conversation with Oliver Herring
On April 29, from Noon to 7 pm, the Hirshhorn will present "Task," an interactive art-making experience organized by New York-based artist Oliver Herring. Assistant curator Kristen Hileman talks to Herring about "Task" and other works.
Author(s): No creator set

License information
Related content

Hirshhorn AfterHours Preview: Richard Chartier
Digital sound artists Richard Chartier and Taylor Deupree will premiere a new musical work created especially for the "Hiroshi Sugimoto" exhibition at Hirshhorn AfterHours on March 30 beginning at 5:30 pm. Hirshhorn Programs Manager Milena Kalinovska and Chartier discuss the process and ideas in his work. Excerpts from previous live performances by Chartier and Deupree follow.
Author(s): No creator set

License information
Related content

Sugimoto's Vision: A special lecture by Michael Fried
Join art historian Michael Fried for a discussion of the artist's work in the context of new “art” photography, which includes such artists as Bernd and Hilla Becher, Jeff Wall, Thomas Ruff, Andreas Gursky, and Thomas Demand, many of whom are represented in the Hirshhorn's collection.
Author(s): No creator set

License information
Related content

Meet the Artist: Hiraki Sawa
Emerging artist Hiraki Sawa's enchanting and whimsical videos are the equivalent of digital trompe l' oeil-toy planes fly from room to room, household objects sprout legs, and miniature animals gallop across countertops.
Author(s): No creator set

License information
Related content

A Conversation with Hiraki Sawa
Associate Curator Kelly Gordon and emerging artist Hiraki Sawa continue their conversation about his work, apartment life and upcoming projects.
Author(s): No creator set

License information
Related content

Meet the Artist: Hiroshi Sugimoto
Hiroshi Sugimoto and exhibition co-curator Kerry Brougher discuss the artist's creative process and vision.
Author(s): No creator set

License information
Related content

Hiroshi Sugimoto and David Elliott
Hiroshi Sugimoto introduces David Elliott, director of the Mori Art Museum, Tokyo and co-curator of the exhibition. Elliott gives an introductory overview about the work of Hiroshi Sugimoto.
Author(s): No creator set

License information
Related content

Exhibition walkthrough of Hiroshi Sugimoto
Hiroshi Sugimoto is celebrated for his multiple series of black-and-white photographs that explore the themes of time, memory, dreams, and the history of representation. The Hirshhorn and the Mori Art Museum, Tokyo, have co-organized the first major survey of Sugimoto’s work. The artist is your guide on a tour of the exhibition at the Hirshhorn. Enhanced for users with color screen iPods.
Author(s): No creator set

License information
Related content

Meet the Artist: Lorna Simpson
Working primarily in photography and film, Lorna Simpson first gained prominence in the 1980s with her poetic yet provocative combinations of details of black women’s bodies with fragmented texts. Join us as Simpson discusses her recent works, several of which have just been acquired by the Hirshhorn.
Author(s): No creator set

License information
Related content

A Computational Approach to the Discovery and Representation of Lexical Chunks
Lexical chunks have in recent years become widely recognized as a crucial aspect of second language competence. We address two major sorts of challenge that chunks pose for lexicography and describe computational approaches to addressing these challenges. The first challenge is lexical knowledge discovery, that is, the need to uncover which strings of words constitute chunks worthy of learners’ attention. The second challenge is the problem of representation, that is, how such knowledge can be
Author(s): Wible David,Kuo Chin-Hwa,Chen Meng-Chang,Tsao Nai-

License information
Related content

Rights not set

Une aide à l'interprétation de traces : application à l'amélioration de scénarios pédagogiqu
Nous nous intéressons dans cet article à l'observation au sein d'un EIAH. Notre objectif est de comprendre le comportement des apprenants et, à plus long terme, d'améliorer les scénarios pédagogiques. Dans un premier temps, nous montrons comment récupérer des observations depuis différentes sources. Dans un second temps, nous proposons une méthode permettant de composer une trace à partir de ces observations. Cette trace reflète l'activité de l'apprenant et servira de base à l'inte
Author(s): Heraud Jean-Mathias,Marty Jean-Charles,France Laur

License information
Related content

Rights not set

Vers des aides logicielles à la compréhension de textes documentaires scientifiques pour les élè
La compréhension d'un texte documentaire par cent vingt élèves du CM2 (5e année primaire) a été évaluée dans quatre conditions expérimentales, en faisant varier d'une part le type de notes d'aide (notes explicitant la « base de texte » vs. notes aidant à construire le « modèle de situation »), d'autre part le support (présentation sur papier vs. présentation hypertextuelle sur ordinateur). La condition où des notes « modèle de situation » sont proposées sur écran d'ordinat
Author(s): Crinon Jacques,Avel Patrick,Legros Denis,Marin Bri

License information
Related content

Rights not set

Between arithmetic and algebra : a space for the spreadsheet ? Contribution to an instrumental appro
In this research work, we have a didactical look on the integration of a computer tool into mathematics teaching: the spreadsheet. We have related research about spreadsheet to an instrumental approach perceived as essential to analyze the questions of technological integration. This approach allowed us to extend to this technology the theoretical framework of instrumentation. These theoretical elements are being used in the analysis of the professional resources and the teaching practices, in o
Author(s): Haspékian Mariam

License information
Related content

Rights not set

Norms and Military Coalitions: The Significance of Token Forces
Part od the ELAC/CCW Seminar series on War and Armed Conflict delivered by Professor Katharina Coleman (British Colombia/ CIS Visiting Fellow)
Author(s): Katharina Coleman

License information
Related content

Rights not set

Pages 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 438 439 440 441 442 443 444 445 446 447 448 449 450 451 452 453 454 455 456 457 458 459 460 461 462 463 464 465 466 467 468 469 470 471 472 473 474 475 476 477 478 479 480 481 482 483 484 485 486 487 488 489 490 491 492 493 494 495 496 497 498 499 500 501 502 503 504 505 506 507 508 509 510 511 512 513 514 515 516 517 518 519 520 521 522 523 524 525 526 527 528 529 530 531 532 533 534 535 536 537 538 539 540 541 542 543 544 545 546 547 548 549 550 551 552 553 554 555 556 557 558 559 560 561 562 563 564 565 566 567 568 569 570 571 572 573 574 575 576 577 578 579 580 581