Mixed Reality Laboratory

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Biography

Marco Amerotti is a PhD student at the Mixed Reality Lab at the University of Nottingham in the UK Turing AI fellowship "Somabotics: Creatively Embodying AI"; within the fellowship, he is responsible for the "Traditionable Machines" project.

He previously worked as a researcher at the Royal Institute of Technology in Stockholm within the ERC project "MUSAiC: Music at the Frontiers of Artificial Creativity and Criticism". He obtained an MSc in Computer Science from KTH Royal Institute of Technology in Stockholm, Sweden, and a BSc in Computer Science and a BSc in Philosophy from the University of Bologna, Italy.

Research Summary

His research focuses on musical AI, particularly on AI-generated, interactive co-performance of Irish traditional dance music. He developed the music performance system "LOERIC", which has been… read more

Recent Publications

  • AMEROTTI, MARCO, 2026. TradJockey: Live Remixing a Performance System for Traditional Music In: Creative AI for Live Interactive Performances.
  • AMEROTTI, MARCO, BENFORD, STEVE, STURM, BOB L. T. and VEAR, CRAIG, 2026. A Live Performance Rule System Informed by Irish Traditional Dance Music In: Music and Sound Generation in the AI Era. 127-139
  • AMEROTTI, MARCO, BENFORD, STEVE, STURM, BOB L. T. and AVILA, JUAN MARTINEZ, 2025. The Virtual Session: Synchronizing Multiple Virtual Musicians Simulating an Irish Traditional Music Session In: Proceedings of the International Computer Music Conference.
  • AMEROTTI, MARCO, STURM, BOB, BENFORD, STEVE, MARURI-AGUILAR, HUGO and VEAR, CRAIG, 2024. Evaluation of an Interactive Music Performance System in the Context of Irish Traditional Dance Music In: New Interfaces for Musical Expression (NIME), NIME’24, 4-6 September, Utrecht, The Netherlands.

Current Research

His research focuses on musical AI, particularly on AI-generated, interactive co-performance of Irish traditional dance music. He developed the music performance system "LOERIC", which has been featured in a variety of publications and concerts in Sweden and the UK.

  • AMEROTTI, MARCO, 2026. TradJockey: Live Remixing a Performance System for Traditional Music In: Creative AI for Live Interactive Performances.
  • AMEROTTI, MARCO, BENFORD, STEVE, STURM, BOB L. T. and VEAR, CRAIG, 2026. A Live Performance Rule System Informed by Irish Traditional Dance Music In: Music and Sound Generation in the AI Era. 127-139
  • AMEROTTI, MARCO, BENFORD, STEVE, STURM, BOB L. T. and AVILA, JUAN MARTINEZ, 2025. The Virtual Session: Synchronizing Multiple Virtual Musicians Simulating an Irish Traditional Music Session In: Proceedings of the International Computer Music Conference.
  • AMEROTTI, MARCO, STURM, BOB, BENFORD, STEVE, MARURI-AGUILAR, HUGO and VEAR, CRAIG, 2024. Evaluation of an Interactive Music Performance System in the Context of Irish Traditional Dance Music In: New Interfaces for Musical Expression (NIME), NIME’24, 4-6 September, Utrecht, The Netherlands.
  • BENFORD, STEVE, AMEROTTI, MARCO, STURM, BOB L. T. and MARTINEZ AVILA, JUAN, 2024. Negotiating Autonomy and Trust when Performing with an AI Musician In: Proceedings of the Second International Symposium on Trustworthy Autonomous Systems. 1-10
  • STURM, BOB, AMEROTTI, MARCO, DALMAZZO, DAVID, CROS VILA, LAURA, CASINI, LUCA and KANHOV, ELIN, 2024. Stochastic Pirate Radio (KSPR): Generative AI applied to simulate commercial radio In: AI Music Creativity, AIMC 2024, 9-11 September.

Mixed Reality Laboratory

University of Nottingham
School of Computer Science
Nottingham, NG8 1BB


email: mrl@cs.nott.ac.uk