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Gregory Currie

Professor of Philosophy, Faculty of Arts

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Biography

Expertise Summary

Greg Currie was educated at the London School of Economics and The University of California, Berkeley. His first posts were at the universities of Otago and Sydney. Before joining the Nottingham department he was Professor of Philosophy and Head of the School of Arts at Flinders University, Adelaide. He is a Fellow of the Australian Academy of Humanities and a Past President of the Australasian Association of Philosophy

His work in recent years has been concerned mostly with aesthetics, cognition and the relations between the two. He has a book on the imagination, Recreative Minds, written with Ian Ravenscroft (2002). A collection of essays, Arts and Minds appeared in 2004, and his most recent monograph, Narratives and Narrators, in 2010 (all with Oxford University Press). He has worked on philosophical aspects of psychopathology, having written articles on autism and on schizophrenia, and on the aesthetics of very ancient artefacts. His current project, funded by the AHRC is on "The Challenge to Aesthetics from the Sciences", and involves collaboration with Aaron Meskin and Matthew Kieran, both at Leeds, and a large group of scholars from Europe and North America. His "Art and the anthropologists" will appear in Arthur Shimamura (ed) Aesthetic Science, Oxford University Press, 2011. He is an editor of Mind and Language, an associate editor of the Australasian Journal of Philosophy, and an editorial consultant for the British Journal of Aesthetics. He is a Past Fellow of St John's College, Oxford. He has held visiting positions at The University of Bristol, Clare Hall, Cambridge, The London School of Economics, The Institute of Advanced Study, Australian National University, The University of Maryland and The University of St Andrews. From 2004-7 he was Dean of the Faculty of Arts, University of Nottingham. In 2007-8, he held a British Academy/ Leverhulme Senior Research Fellowship, working on ironic points of view in representational art.

Teaching Summary

I have taught philosophy for 35 years now and have lectured on most aspects of the subject apart from moral and political philosophy, even having taught logic at one time. In recent years I have… read more

Research Summary

I am currently working on two closely related projects. The first is funded by the AHRC and is called "Method in Philosophical Aesthetics: the Challenge from the Sciences". It runs through till… read more

Selected Publications

  • CURRIE, G., 2010. Narratives and narrators: a philosophy of stories Oxford University Press.
  • CURRIE, G., 2011. The irony in pictures British Journal of Aesthetics. 51(2), 149-167
  • CURRIE, G., 2011. The Master of the Masek Beds: Aesthetics and the evolution of mind. In: GOLDIE, P. AND SCHELLEKENS, E., ed., Aesthetics and Psychology Oxford University Press.
  • CURRIE, G., 2011. Empathy for objects. In: COPLAN, A. and GOLDIE, P., eds., Empathy: philosophical and psychological perspectives Oxford University Press.

I have taught philosophy for 35 years now and have lectured on most aspects of the subject apart from moral and political philosophy, even having taught logic at one time. In recent years I have taught mostly in the area of the philosophies of art and mind, sometimes combining the two, as with my current third year module on Narrative, Language and Mind. I also teach an aesthetics module at MA level and contribute to the teaching of Research Methods for masters students.

I have research interests in the philosophy of art, especially concerning literature and film, on which I have written many articles and a number of books. This year while teaching Narrative, Language and Mind I included some material on film, and I hope to include more next time--perhaps with a change to the title of the module. The aim of the module is to introduce some philosophical rigour into our thinking about fictional narratives--what they are, how we engage with them, and how we account for the pleasures of fictional stories. After all, fiction does not help is feed or cloth ourselves, and we know that the author simply made it up--why is it so interesting to us?

I generally lecture without notes, with some powerpoint slides to mark the main points,and I encourage questions throughout the session. I use the webct system for all the material related to the module.

All the teaching I do is research led; I try to convey, even in elementary lectures, the excitement of philosophical thinking, and to show how lectures can be occasion to do philosophy, and not just to listen to it.

I supervise a number of PhD students at various stages of their work, and welcome inquiries from students who would like to work with me. I also have a number of visiting students from other countries--currently Sweden and Germany--and I supervise a student doing a PhD at the Polish Academy of Sciences.

Current Research

I am currently working on two closely related projects. The first is funded by the AHRC and is called "Method in Philosophical Aesthetics: the Challenge from the Sciences". It runs through till September 2012. I'm the CI and Matthew Kieran and Aaron Meskin at Leeds are the PIs. We have two post-docs, Margaret Moore at Leeds and Jon Robson at Nottingham. Doctoral students are Andrew Hirst at Nottingham and Levno Plato at Leeds. Some of the papers we have been writing are available in draft form here.

I am also participating in a project funded by the Balzan Foundation and St John's College, Oxford which arises from Professor Terence Cave's 2009 award of the Balzan Prize for his work on early modern literature. An outstanding young scholar in French at Nottingham, James Helgeson, with whom I organised a workshop this year, is also involved in the project. The project is called "Literature as an object of knowledge". It gives me the very valuable opportunity of talking about literature to people who actually know something about it.

I also work occasionally on film, and have completed a longish essay recently on the relation between the film image and the viewer's visual experience; I also say something there about Bergman's A Passion; a related paper discussing some of the same theoretical issues, without the discussion of Bergman, is appearing in a volume of essays on Film and Subjectivity edited by Dominique Chateau and to be published by Amsterdam University Press; that essay considers a number of objections put to me by friends. A chapter of my Narratives and Narrators is devoted to Hitchcock's The Birds.

For a while I have been thinking about the very early development of aesthetic sensibility among our ancestors back as far as a million years ago. You can find papers on this here. Relatedly, I have been writing on the role of aesthetic theories and concepts in anthropological explanation.

Currently scheduled talks

In late October I will speak at a symposium on aesthetics and the sciences at the annual meeting of the American Society for Aesthetics, in Tampa. The meeting involved my AHRC research project partners, Matthew Keiran and Aaron Meskin, and our post-docs, Margaret Moore and Jonathan Robson.

A spin-off from the project is a workshop Jon and I are organising on February 14th in Nottingham on philosophical method. Speakers are Michael Devitt, Natalie Gold, Peter Simons and Kathleen Stock. We a

Past Research

Many years ago I worked on the history of logic and related issues, focusing especially on the work of Frege. For the past 25 years I have worked mostly on the arts and cognition, and that continues to be the focus of my attention.

Future Research

Over the next two years I expect to complete Literature and the Mind, for which I have a contract with Oxford University Press.

  • GREG CURRIE and ANNA ICHINO, 2013. Imagination and make-believe. In: Routledge Companion to Aesthetics Routledge.
  • GREG CURRIE and ANNA ICHINO, 2012. Aliefs don't exist Analysis reviews. 72(4), 788-798
  • CURRIE, G., 2011. Art and the anthropologists. In: , SHIMAMURA,A., ed., Aesthetic Science Oxford University Press. (In Press.)
  • CURRIE, G., 2011. Imagination and make-believe (reprinted). In: D. GOLDBLATT AND L. BROWN, ed., Aesthetics. A Reader in Philosophy of the Arts 3rd. Prentice-Hall. (In Press.)
  • CURRIE, G., 2011. Empathy for objects. In: COPLAN, A. and GOLDIE, P., eds., Empathy: philosophical and psychological perspectives Oxford University Press.
  • CURRIE, G., 2011. The Master of the Masek Beds: Aesthetics and the evolution of mind. In: GOLDIE, P. AND SCHELLEKENS, E., ed., Aesthetics and Psychology Oxford University Press.
  • CURRIE, G., 2011. The irony in pictures British Journal of Aesthetics. 51(2), 149-167
  • CURRIE, G., 2011. The representation of experience in cinema. In: CHATEAU,D., ed., Subjectivity Amsterdam University Press. 41-52
  • CURRIE, G., 2010. Agency and repentance in The Winter's Tale. In: BRISTOL, M., ed., Shakespeare and Moral Agency London: Continuum.. (In Press.)
  • CURRIE,G, 2010. Bergman and the film image Midwest Studies in Philosophy. 34, 323-339
  • CURRIE, G., 2010. Narratives and narrators: a philosophy of stories Oxford University Press.
  • CURRIE, G, 2010. Tragedy Analysis. 70, 1-7
  • CURRIE, G, 2010. Point of view. In: HAGBERG, G. and JOST, W., eds., A Companion to the Philosophy of Literature Blackwell.
  • CURRIE, G, 2010. Actual art, possible art,and art's definition Journal of Aesthetics and art criticism. 68, 235-241
  • MITCHELL, P and CURRIE, G. AND ZIEGLER, F., 2009. Two routes to perspective: Simulation and rule-use as approaches to mentalizing British Journal of Developmental Psychology. 27(3), 513-543
  • CURRIE, G, 2009. Narrative and the psychology of character Journal of Aesthetics and Art Criticism. 67(1),
  • CURRIE, G, 2009. Art of the Palaeolithic. In: DAVIES, S., HIGGINS, K., HOPKINS, R., STECKER, R. and COOPER, D., eds., A Companion to Aesthetics 2nd edition. Wiley-Blackwell.
  • CURRIE, G, 2009. Art for Art's Sake in the Old Stone Age Postgraduate Journal of Aesthetics. Available at: <http://www.british-aesthetics.org/uploads/Gregory%20Currie%20-%20Art%20for%20Art's%20Sake%20in%20the%20Old%20Stone%20Age>
  • CURRIE, G.P., 2008. Pictures of King Arthur: photography and the power of narrative. In: WALDEN, S., ed., Photography and philosophy: new essays on the pencil of nature Oxford: Blackwell. (In Press.)
  • CURRIE, G, 2008. Echo et feintise: quelle est la difference at qui a raison? Philosophiques. 35, 13-23
  • CURRIE, G, 2008. The Nature of Fiction: (first published 1990) Paperback edition. Cambridge University Press.
  • CURRIE, G, 2008. Some ways to understand people Philosophical Explorations. 11, 211-218
  • CURRIE, G., 2008. Les images du roi Arthur: la photographie et le pouvoir de la narration. In: DARSEL, S. and POUIVET, R., eds., Ce que l'Art nous Apprend: Les valeurs cognitives dans les arts Presses Universitaires de Rennes.
  • CURRIE, G.P., 2007. Framing narratives. In: HUTTO, D., ed., Narrative and understanding persons Cambridge: Cambridge University Press. 17-42
  • CURRIE, G.P., 2007. Art works as action types (reprint with corrections of Ch3 of An Ontology of Art (1989)). In: LAMARQUE, P. and OLSEN, S.H., eds., Aesthetics and the philosophy of art: the analytical tradition Oxford: Blackwell.
  • CURRIE, G.P., 2007. A claim on the reader. In: ROTH, I., ed., Imaginative minds Oxford: Oxford University Press. 169-186
  • CURRIE, G.P., 2007. Both sides of the story: explaining events in a narrative Philosophical Studies. 135, 49-63
  • CURRIE, G., 2007. Image and Mind: Film, Philosophy and Cognitive Science (Paperback edition) Cambridge University Press.
  • CURRIE, G.P., 2006. Why irony is pretence. In: NICHOLS, S., ed., The architecture of the imagination: new essays on pretence, possibility, and fiction Oxford: Clarendon Press. 111-133
  • CURRIE, G.P., 2006. Where does the burden of theory lie?. In: CHEYNE, C. and WORRALL, J., eds., Rationality and reality: conversations with Alan Musgrave Dordrecht: Springer. 7-18
  • CAMPBELL, S. and CURRIE, G.P., 2006. Against Beck: in defence of risk analysis Philosophy of the Social Sciences. 36(2), 149-172
  • CURRIE, G., 2006. Narrative Representation of Causes JOURNAL OF AESTHETICS AND ART CRITICISM. VOL 64(NUMBER 3), 309-316
  • CURRIE, G.P., 2006. Anne Bronte and the uses of imagination. In: KIERAN, M., ed., Contemporary debates in aesthetics and the philosophy of art London: Routledge. 209-221
  • CURRIE, G.P. and JONES, N., 2006. McGinn on delusion and imagination Philosophical Books. 47(4), 306-313
  • CURRIE, G.P., 2006. Rationality, decentring, and the evidence for pretence in non-human animals. In: HURLEY, S. and NUDDS, M., eds., Rational animals? Oxford: Oxford University Press. 275-292
  • ZIEGLER, F., MITCHELL, P. and CURRIE, G.P., 2005. How does narrative cue children's perspective taking? Developmental Psychology. 41(1), 115-123
  • CURRIE, G, 2005. Les Nomes Fictionnels (Transalation of part of "Fictional names" originally published in 1988). In: MENOUD, L, ed., Qu'est-ce que le Fiction? Paris:Vrin.
  • CURRIE, G.P., 2005. Excerpts from The nature of fiction (Cambridge University Press, 1990). In: MATHESON, C. and DAVIES. D., eds., Contemporary readings in the philosophy of literature Peterborough, Ont.: Broadview Press.
  • CURRIE, G.P., 2004. Arts and minds Oxford: Clarendon Press.
  • CURRIE, G.P., 2004. The representational revolution Journal of Aesthetics and Art Criticism. 62(2), 119-128
  • CURRIE, G.P. and JUREIDINI, J., 2004. Narrative and coherence Mind & Language. 19(4), 409-427
  • CURRIE, G.P. and JUREIDINI, J., 2003. Art and delusion Monist. 86(4), 556-578
  • CURRIE, G.P., 2003. Characters and contingency Dialectica (Switzerland). 57(2), 137-148
  • CURRIE, G.P., 2003. The capacities that enable us to produce and consume art. In: KIERAN, M. and LOPES, D., eds., Imagination, philosophy and the arts London: Routledge. 293-304
  • CURRIE, G.P. and RAVENSCROFT, I., 2002. Recreative minds: imagination in philosophy and psychology Oxford: Oxford University Press.
  • CURRIE, G.P., 2002. Methodological individualism. In: SMELSER, N.J. and BALTES, P.B., eds., International encyclopedia of the social and behavioral sciences Oxford: Pergamon. 9755-9760
  • CURRIE, G.P., 2002. Desire in imagination. In: GENDLER, T. and HAWTHORNE, J., eds., Imagination, conceivability and possibility Oxford: Oxford University Press. 201-221
  • CURRIE, G.P., 2002. Imagination and make-believe. In: GAUT, B. and LOPES, D., eds., The Routledge companion to aesthetics London: Routledge. 253-262
  • CURRIE, G.P., 2002. Imagination as motivation Proceedings of the Aristotelian Society. 102, 201-216
  • CURRIE, G.P. and JUREIDINI, J., 2001. Delusion, rationality, empathy: a commentary on Davies et al Philosophy, Psychiatry & Psychology. 8(2/3), 159-162
  • CURRIE, G.P., 2000. Imagination, delusion and hallucinations Mind and Language. 15(1), 168-183
  • CURRIE, G.P. and STERELNY, K., 2000. How to think about the modularity of mind-reading Philosophical Quarterly. 50(199), 145-160
  • CURRIE, G.P., 2000. Preserving the traces: an answer to Noel Carroll Journal of Aesthetics and Art Criticism. 58(3), 306-308
  • CURRIE, G.P. and ABELL, C., 2000. Internal and external pictures Philosophical Psychology. 12, 429-445
  • CURRIE, G.P., 2000. A note on art and historical concepts British Journal of Aesthetics. 40(1), 186-190
  • CURRIE, G.P., 1999. Is factuality a matter of content Behavioral and Brain Sciences. 22(5), 763
  • CURRIE, G.P., 1999. Can there be a literary philosophy of time?. In: BUTTERFIELD, J., ed., The arguments of time Oxford: Oxford University Press. 43-64
  • CURRIE, G.P., 1999. Cognitivism. In: MILLER, T. and STAM, R., eds., A companion to film theory Malden, Mass: Blackwell Publishers. 105-122
  • CURRIE, G.P., 1999. Narrative and desire: a framework. In: PLANTINGA, C. and SMITH, G.M., eds., Passionate views: film, cognition, and emotion Baltimore, Md.; Johns Hopkins University Press.
  • CURRIE, G.P., 1999. Visible traces: documentary and the contents of photographs Journal of Aesthetics and Art Criticism. 57(3), 285-298
  • CURRIE, G.P., 1998. Film, aesthetics of; Photography, aesthetics of; Art works, ontology of; Narrative; Artistic forgery. In: CRAIG, E., ed., Routledge encyclopedia of philosophy London: Routledge. v. 3, 673-7; v. 7, 480-5; v. 1, 480-5; v. 6, 654-7
  • CURRIE, G.P., 1998. Reply to my critics Philosophical Studies. 89(2/3), 355-366
  • CURRIE, G.P., 1998. Plot synopsis Philosophical Studies. 89(2/3), 319-321
  • CURRIE, G.P., 1998. Realism of character and the value of fiction. In: LEVINSON, J., ed., Aesthetics and ethics: essays at the intersection Cambridge: Cambridge University Press. 161-181
  • CURRIE, G.P., 1998. Tense and egocentricity in fiction. In: LE POIDEVIN, R., ed., Questions of time and tense Oxford: Clarendon Press. 256-283
  • CURRIE, G.P., 1998. Ontology of art: analytic ontology. In: KELLY, M., ed., Encyclopedia of aesthetics 3. Oxford: Oxford University Press. 394–396
  • CURRIE, G.P., 1998. Pretence, pretending and metarepresentation Mind and Language. 13(1), 35-55
  • CURRIE, G.P., 1997. The paradox of caring: fiction and the philosophy of mind. In: HJORT, M. and LAVER S., eds., Emotion and the arts Oxford: Oxford University Press. 63-77
  • CURRIE, G.P., 1997. The film theory that never was. In: ALLEN, R. and SMITH M., eds., Film theory and philosophy Oxford: Oxford University Press. 42-59
  • RAVENSCROFT, I. and CURRIE, G.P., 1997. Mental stimulation and motor imagery Philosophy of Science. 64(1), 161-180
  • CURRIE, G.P., 1997. On being fictional Journal of Aesthetics and Art Criticism. 55(4), 425-428
  • CURRIE, G.P., 1996. Simulation-theory, theory-theory and the evidence from autism. In: CARRUTHERS, P. and SMITH, P.K., eds., Theories of theories of mind Cambridge: Cambridge University Press. 242-256
  • CURRIE, G.P., 1996. Film, realism and illusion. In: BORDWELL, D. and CARROLL, N., eds., Post-theory: reconstructing film studies Madison: University of Wisconsin Press. 325-344
  • CURRIE, G.P., 1996. Art, the mind and the brain A E: Canadian Aesthetics Journal. 1,
  • CURRIE, G.P., 1995. Imagination and simulation. In: DAVIES, M. and STONE, T., eds., Mental simulation: evaluations and applications Oxford: Blackwell Publishing. 151-169
  • CURRIE, G.P., 1995. Review of S. Baron-Cohen, Mindblindness TLS (Times Literary Supplement). 7
  • CURRIE, G.P., 1995. Image and mind: film, philosophy and cognitive science Cambridge: Cambridge University Press.
  • CURRIE, G.P., 1995. The moral psychology of fiction Australasian Journal of Philosophy. 73(2), 250
  • CURRIE, G.P., 1995. Visual imagery as the simulation of vision Mind and Language. 10(1/2), 25
  • CURRIE, G.P., 1995. Unreliability refigured Journal of Aesthetics and Art Criticism. 53, 19-29
  • CURRIE, G.P., 1994. Meaning and autism Stanford Humanities Review. 4(Supplement), 48-49
  • CURRIE, G.P., 1994. Was Frege a linguistic philosopher? (reprint). In: SLUGA, H., ed., Critical essays on Frege Hamden, Conn.: Garland.
  • CURRIE, G.P., 1994. Frege on thoughts (reprint). In: SLUGA, H., ed., Critical essays on Frege Hamden, Conn.: Garland.
  • CURRIE, G.P., 1993. Aliens, too Analysis. 53, 116-118
  • CURRIE, G.P., 1993. The long goodbye: the imaginary language of film British Journal of Aesthetics. 33(3), 207
  • CURRIE, G.P., 1993. On the road to antirealism Inquiry. 36, 465-484
  • CURRIE, G.P., 1993. Comments on Schaffners paper Statistics in Medicine.
  • CURRIE, G.P., 1993. Interpretation and objectivity Mind. 102, 413-428
  • CURRIE, G.P., 1992. McTaggart at the movies Philosophy. 64, 343-355
  • CURRIE, G.P., 1992. Impersonal imagining Philosophical Quarterly. 43, 79-82
  • CURRIE, G.P., 1991. Visual fictions Philosophical Quarterly. 41, 129-143
  • CURRIE, G.P., 1991. Interpreting fiction. In: FREADMAN, R. and REINHARDT, L., eds., On literary theory and philosophy: a cross-disciplinary encounter London: MacMillan. 96-112
  • CURRIE, G.P., 1991. Text without context: some errors of Stanley Fish Philosophy and Literature. 15, 212-228
  • CURRIE, G.P., 1991. Work and text Mind. 100, 326-340
  • CURRIE, G.P., 1991. Photography, painting and perception Journal of Aesthetics and Art Criticism. 49, 23-29
  • CURRIE, G.P., 1990. The nature of fiction Cambridge: Cambridge University Press.
  • CURRIE, G.P., 1990. Supervenience, essentialism and aesthetic properties Philosophical Studies. 58, 243-257
  • CURRIE, G.P., 1989. An ontology of art Basingstoke: Macmillan in association with the Scots Philosophical Club.
  • CURRIE, G.P., 1989. Metaphysical individualism. In: D’AGOSTINO, F. and JARVIE, I.C., eds., Freedom and rationality: essays in honor of John Watkins from his colleagues and friends Dordrecht: Kluwer Academic Publishers. 47-65
  • CURRIE, G.P., 1989. Frege and Popper: two critics of psychologism. In: GAVROGLU, K., GOUDAROULIS, Y. and NICOLACOPOULOS, P., eds., Imre Lakatos and theories of scientific change Dordrecht: Kluwer Academic Publishers. 413-430
  • CURRIE, G.P., 1989. Poems, paintings, and intentions. In: NOTTURNO, M.A., ed., Perspectives on psychologism Leiden: Brill. 490-504
  • CURRIE, G.P., 1988. Realism in the social sciences: social kinds and social laws. In: NOLA, R., ed., Relativism and realism in science Dordrecht: Kluwer Academic Publishers. 205-227
  • CURRIE, G.P., 1988. Works of fiction and illocutionary acts Philosophy and literature. 12, 304-308
  • CURRIE, G.P., 1988. Fictional names Australasian Journal of Philosophy. 66, 471-488
  • CURRIE, G.P., 1987. Remarks on Frege's conception of inference Notre Dame Journal of Formal Logic. 28(1), 55-68
  • CURRIE, G.P., 1986. Fictional truth Philosophical Studies. 50, 195-212
  • CURRIE, G.P., 1986. Milne on the context principle Mind. 96, 543-544
  • CURRIE, G.P., 1986. Continuity and change in Frege's philosophy of mathematics. In: HAAPARANTA, L. and HINTIKKA, J., eds., Frege synthesized: essays on the philosophical and foundational work of Gottlob Frege Dordrecht: D. Reidel. 345-373
  • CURRIE, G.P., 1985. What is fiction? Journal of Aesthetics and Art Criticism. 43, 385-392
  • CURRIE, G.P. and MUSGRAVE, A., eds., 1985. Popper and the human sciences
  • CURRIE, G.P., 1985. The authentic and the aesthetics American Philosophical Quarterly. 22, 153-160
  • CURRIE, G.P., 1984. Individualism and global supervenience British Journal for the Philosophy of Science. 35, 345-358
  • CURRIE, G.P., 1984. Frege on thoughts: a reply Mind. 93, 256-258
  • CURRIE, G.P., 1984. Freges metaphysical argument Philosophical Quarterly. 34, 329-342
  • CURRIE, G.P., 1984. Frege's metaphysical argument (reprint). In: WRIGHT, C., ed., Frege: tradition and influence Oxford: Blackwell Publishing. 144-157
  • CURRIE, G.P., 1983. Interpreting Frege: a reply to Michael Dummett Inquiry. 26, 345-358
  • CURRIE, G.P. and EGGENBERGER, P., 1983. Knowledge of meaning Nous. 17, 267-279
  • CURRIE, G.P., 1982. The origins of Frege's realism Inquiry. 24, 448-454
  • CURRIE, G.P., 1982. Frege, sense and mathematical knowledge Australasian Journal of Philosophy. 60, 5-19
  • CURRIE, G.P., 1982. Frege: an introduction to his philosophy Brighton: Harvester.
  • CURRIE, G.P., 1982. A note on realism Philosophy of Science. 49(2), 263-267
  • CURRIE, G.P., 1980. Frege on thoughts Mind. 89, 234-248
  • CURRIE, G.P., 1980. The role of normative assumptions in historical explanation Philosophy of Science. 47(3), 456-473
  • CURRIE, G.P., 1980. Changing numbers Theoria. 46, 148-164
  • CURRIE, G., Empathy for Objects. In: A. COPLAN AND P. GOLDIE, ed., Empathy: Philosophical and Psychological Perspectives Oxford University Press. (In Press.)
  • MITCHELL, P., CURRIE, G. and ZEIGLER, F., Two routes to perspective: Simulation and rule-use as approaches to mentalizing, British journal of Developmental Psychology. (In Press.)
  • MITCHELL, P and CURRIE, G.AND ZIEGLER, F., Is there an alternative to simulation and theory in understanding the mind? British Journal of Developmental Psychology. 27(3), 561-567 (In Press.)
  • CURRIE, G, Echo et feintise: quelle est la difference at qui a raison? Philosophiques. 35(1), 13-23
  • MITCHELL, P., CURRIE, G and ZEIGLER, F., Two routes to perspective: Simulation and rule-use as approaches to mentalizing, British Journal of developmental Psychology. (In Press.)
  • Unpublished paper

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