An online journal of film and television studies: ISSN 1465-9166
University of Nottingham

November 2000 

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Book Reviews

American Movie Audiences: From the Turn of the Century to the Early Sound Era edited by Melvyn Stokes and Richard Maltby
A Review by Steven T. Sheehan

Artists in the Audience: Cults, Camp, and American Film Criticism by Greg Taylor
A Review by Raymond J. Haberski Jr.

Contemporary French Cinema: An Introduction by Guy Austin
A Review by J. Emmett Winn

Endless Night: Cinema and Psychoanalysis, Parallel Histories edited by Janet Bergstrom
A Review by Joan Hawkins

Fatal Attractions: Rescripting Romance in Contemporary Literature and Film edited by Lynne Pearce and Gina Wisker
A Review by Kathrina Glitre

Feminism, Femininity and Popular Culture by Joanne Hollows
A Review by Jacinda Read

Globalization and Culture by John Tomlinson
A Review by Paul Grainge

On the History of Film Style by David Bordwell
A Review by Ronald W. Wilson

Out Takes: Essays on Queer Theory and Film edited by Ellis Hanson
A Review by Mark Brownrigg

Star Trek: Parallel Narratives by Chris Gregory
Deep Space and Sacred Time: Star Trek in the American Mythos by Jon Wagner and Jan Lundeen
Star Trek and Sacred Ground: Explorations of Star Trek, Religion and American Culture edited by Jennifer E. Porter and Darcee L. McLaren
Star Trek and History: Race-ing Toward a White Future by Daniel Leonard Bernardi
Race in Space: The Representation of Ethnicity in Star Trek and Star Trek: The Next Generation by Michael C. Pounds
A Review by Matt Hills

Storytelling in the New Hollywood: Understanding Classical Narrative Technique by Kristin Thompson
A Review by Steve Neale

Visions of Virtue in Popular Film by Joseph H. Kupfer
A Review by Kirsty Fairclough

The World According to Hollywood 1918-1939 by Ruth Vasey
A Review by Nadine Wills

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Film Reviews

All film reviews

American Movie (dir. Chris Smith, 1999)

A Review by Martin Flanagan


Gladiator (dir. Ridley Scott, 2000)

A Review by Sara Gwenllian Jones


I Dreamed of Africa (dir. Hugh Hudson, 2000)

A Review by Katrina Daly Thompson


Le Grand Bleu/The Big Blue: Director's Cut (dir. Luc Besson, 2000)

A Review by Dayna Oscherwitz


Les Conveyeurs Attendent (dir. Benoît Mariage, 1999)

A Review by Benjamin McCann


Love's Labour's Lost (dir. Kenneth Branagh, 2000) 

A Review by Patrick J. Cook


6th Viva Spanish Film Festival 

A Review by Andrew Wills


Space Cowboys (dir. Clint Eastwood, 2000) 

A Review by Geoff Weiss


The Patriot (dir. Roland Emmerick, 2000) 

A Review by Marlon Kuzmick


Topsy-Turvy (dir. Mike Leigh, 1999)

A Review by Sarah Stubbings

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Department of Cultural, Media and Visual Studies
University of Nottingham