The second year advances your study in Russian in preparation for the year abroad and offers further broad coverage of the society, history and culture of Russia and Eastern Europe.
All students have the option of beginning (or continuing) Serbian/Croatian.
You have to successfully pass year 2 and it is weighted at 33% of your final degree classification
Repression and Resistance: Dissidents and Exiles in Russian Culture
The relationship between the state and the intellectual in Russia has traditionally been a problematic one, marked by repression, persecution, forced and voluntary exile and censorship. Political concern and resistance to an authoritarian state are central themes in the Russian cultural and literary tradition as well as a defining feature in the lives and works of numerous Russian writers and intellectuals.
We will explore the cultural tradition and identity of the literary intelligentsia in Russian and Soviet history. We'll also examine different responses to the experience of state persecution in the work of writers and artists.
Covering an extensive period of Russian history we will look at examples of writers and artists who have defied the state.
Wider questions which will be discussed include the role of the artist and the intellectual in Russian culture, the myth of the persecuted writer and the complex relationship between the intellectual and the masses.
History of Yugoslavia and Successor States since 1941
This module covers the history of the Socialist Federal Republic of Yugoslavia, formed after WWII. We will discuss key economic and political factors of the state’s creation and disintegration, as well as Yugoslavia’s individuality during the Cold War.
Other topics for discussion include gender and social inequalities, nationalism and its rise, and circumstances surrounding the state’s collapse into the Yugoslav Wars of the 1990s.
Media in Russia
This module aims to develop understanding of Russian-language media from the Soviet era to the present day.
You will explore the use of Russian on different media platforms, including print, broadcast, television, and online media, and will cover such topics as advertising, internet, music, television, radio, journalism and the freedom of the press.
The module aims to develop translation and comprehension skills when dealing with Russian media. You will widen your vocabulary and gain experience in dealing with more complex grammatical structures, taking into consideration style and register.
Serbian / Croatian 1: Beginners
Welcome to learning Serbian/Croatian. This course is designed for absolute beginners (we also welcome those with a little knowledge) and will take you to intermediate level by the end of the year.
In class you'll cover different points of grammar and vocabulary through everyday situations. We'll guide you through basic case and verb patterns, building up to more complex grammatical points like modal verbs and verbal aspect.
But we won't only be looking at grammar! Once you have the foundations of the language in place, we'll use your new skills to explore aspects of daily and cultural life. We'll be using structured course materials and textbooks, but we'll also learn how to use everyday language to ensure you have the skills to use Serbian/Croatian in real life.
Screening Russia: Film and Society from the Tsars to Putin
If you are studying Russian or East European Cultural Studies, this is an optional year-long module. It examines Russian society and culture as reflected in popular and influential films from 1900 to the present day, covering a variety of genres (including melodramas, biopics, youth films and musical comedies).
Lectures and seminars examine Russian and Soviet cinema’s historical contexts and reception, as well as how films are constructed technically. You develop skills in analysing cinema in its historical and social contexts, from the products of the burgeoning industry of late imperial Russia to post-Soviet arthouse films and blockbusters – via the extraordinary legacy of Soviet cinema. All the films covered are available with subtitles, and this module does not require any prior study of film.
European Silent Cinema
This module will examine the development of cinema during the silent era, from its invention in the 1890s through to the early 1930s, in France, Germany and the Russian Empire/Soviet Union. Because silent cinema was easy to translate and export from one country to another, it was highly transnational, and the module will enable you to see how filmmakers in different countries entered into dialogue with one another. You will be able to compare and contrast the themes and preoccupations of films produced in these countries, and consider how these reflected distinct political and cultural agendas.
The first part of the module will introduce students to the history of early film, primarily as it developed in France, looking at short actualité films produced by the Lumière brothers and others. It will consider the practices of display of ‘silent’ film (looking especially at how it was accompanied by music, speech and sound effects), and look at its appeal to popular audiences as well as its broader critical reception. We will then go on to consider a range of films made during the silent era, which represent two main tendencies:
- A tendency towards realism and the examination of everyday life
- A tendency towards fantasy and the creation of spectacular new realitie
You will be introduced to the fundamentals of film language and will be encouraged to engage in close analysis of short extracts from the films.
Films will include (but will not be limited to):
- Georges Méliès, Voyage to the Moon (1902)
- Louis Feuillade, Fantômas serial (1913)
- Paul Wegener, The Golem (1920)
The History and Culture of Early Rus' c.800-1400
This module introduces you to the medieval period in the history of the East Slavs, covering pre-Christian times to the Mongol conquests and beyond.
Through lectures and workshops, we will explore political, cultural and social developments, with a particular emphasis on working with primary sources in various media (including texts, painting and architecture).
The module draws on a selection of primary sources in translation, which you learn to assess as historical evidence. It also focuses on basic trends in the historiography of this period and how it has been manipulated for various political purposes in modern times.
Serbian / Croatian 2
This year-long module builds on the skills acquired in Serbian/Croatian 1 with more emphasis on independent learning and preparation.
The module develops abilities to break down complex linguistic structures in order to facilitate comprehension and communication skills.
Teaching uses materials from written, audio and video sources, and includes grammar classes. There are exercises in comprehension, translation, guided composition writing, and presentations in the target language.