The following is a sample of the typical modules that we offer as at the date of publication but is not intended to be construed and/or relied upon as a definitive list of the modules that will be available in any given year. Due to the passage of time between commencement of the course and subsequent years of the course, modules may change due to developments in the curriculum and the module information in this prospectus is provided for indicative purposes only.
Find out more about some of our current modules by clicking on the links below. A fuller view of the course structure, including a full list of current optional modules, is offered on the ‘Overview’ tab.
This core module will consolidate your knowledge of the fundamental building blocks of music across all periods and genres. Topics will include notation, mode, chord, time and texture.
This core module focuses upon principles of form construction in music. Topics will include partimenti, baroque forms, song form, sonata and the principles of tonal and thematic relationships.
This core module introduces you to key developments in Early Music and Opera. Through a combination of lectures and seminars, you will become familiar with fundamental developments in these areas of the repertoire, cementing basic knowledge essential for all trained musicians.
This core module introduces you to key developments in 19th- and 20th-century music. Through a combination of lectures and seminars, you will become familiar with fundamental developments in these areas of the repertoire, cementing basic knowledge essential for all trained musicians.
Aesthetics of Electronic & Computer Music
This core module investigates the impact of technology in the recording, performance and consumption of music.
Technology Enhanced Performance
This module is based on seminars and practical workshops and explores a variety of performance technologies. An assessed performance will showcase the possibilities of technological adaptation of pre-existing repertoire.
This module offers an introduction to the different meanings, practices, and theories of popular and art music from a diverse range of cultures, surveying traditions from Asia, the Americas, Africa, the Middle East, Europe, and the Pacific. It incorporates an introduction to ethnomusicological theory and method.
This module is based upon participation in and preparation for rehearsals and performances of the University Choir and/or Philharmonia. Through intensive preparation of demanding repertoire with a professional conductor, you will develop your understanding of the demands and pleasures of large ensemble performance and knowledge of the repertoire concerned, and be encouraged to reflect upon the roles and responsibilities of individual performers within the group. You will also be required to attend a professional ensemble concert or concerts in the Djanogly Recital Hall, which you will review and on which will prepare a report. Your learning will be assessed through monitoring participation, and by two short written assessments.
You will receive instrumental or vocal lessons (including guidance on programming) from a specialist tutor. These lessons will be complemented by regular, interactive performance workshops examining performance style, stage presentation and recital preparation. You will be assessed through a 15-minute public recital in the Djanogly Recital Hall.
This module explores the relationship between musical raw materials and the realisation of their creative potential by examining a wide range of compositional techniques and musical styles. Short musical studies will focus on new approaches to rhythm, melody, counterpoint and harmony.
In this core module a current Digital Audio Workstation used to compose, edit and mix audio. It offers the opportunity to learn about synthesis and MIDI programming, utilise samplers and work with found sounds, and compose music for moving image.
Sound Design and Synthesis
This core module provides an introduction to sound theory, acoustics, wave shapes and sonic manipulation, using iMacs, synthesis and tablets in lectures and practical workshops.
Advanced Ensemble Performance
This module assesses student performance in a small ensemble setting. Weekly coaching sessions will be given to student ensembles, plus individual instrumental tuition. The module will be assessed through a public ensemble performance, plus involvement in the larger student ensembles.
This module explores the creative potential of present-day orchestral and popular instruments and the specific notational requirements of contemporary composition. Short musical studies will focus on writing for woodwinds, brass, strings, percussion and popular instruments, culminating in a final project for orchestra.
This module offers opportunity for intensive development of performing skills. You will receive regular individual lessons with your assigned performance tutor, with whom you agree a corpus of works to be studied. Individual lessons are complemented by regular performance workshops. Your end of year recital will usually include items selected from the appropriate syllabus of the ABRSM, Trinity or Rockschool.
This module involves part-time placement (one day a week) in an external organisation, and is aimed at developing hands-on work experience and employability skills in a workplace relevant to Music graduates. Each placement will be arranged by the Department, and will be provided by organisations involved in music or other areas of the creative and cultural industries. Departmental mentoring will take the form of a fortnightly seminar, where experiences are shared and work is undertaken on the assessment tasks.
Approaches to Popular Music
This module aims to provide a grounding in approaches to thinking and writing about popular music, with some theoretical and musicological background in musical, historical and cultural issues. It will cover a variety of general approaches and perspectives, as well as exploring key issues in relation to featured songs, videos, and case studies.
Jazz: Origins and Styles
This module investigates the origins of jazz in ragtime and the blues, and the development of contrasting jazz styles from 1917 to the present day. Topics include: New Orleans and Chicago ensemble jazz; Harlem stride piano; swing bands; be-bop and hard bop; the 'cool' school; modal jazz; free jazz; jazz-rock fusion.
Composing for Words, Theatre and Moving Image
This module explores musical composition in dialogue with other artistic media. Topics will include text-setting and writing for voice, new possibilities for opera and music theatre, and film composition.
Opera and Politics
This module considers political ‘meanings’ embedded in individual operas, and examines ways in which political theories might be related to the aesthetic dimension of opera. Themes include race, nationalism, gender, religion, fascism.
Music in Asia
This module examines musical traditions throughout Asia, with an emphasis upon the different functions played by musical practice in different cultural contexts. Topics include K-pop, theatre in East Asia, Vietnamese minority music, Bollywood, popular music in Indonesia and Malaysia, nomadic music in central and western Asia, and music in the Asian diaspora.
This module provides an introduction to the various styles of film music developed during the history of cinema. Topics include silent film, the golden era of Hollywood, genre characteristics (eg, animation, musical comedy, science fiction, etc), European cinema, and jazz/pop soundtracks.
Beethoven and Schubert
The position of Beethoven and Schubert in music history will be examined from a dual perspective: as a continuation of the maturity of the Classical style and as a point of departure for the Romantic era. Their respective biographies will be studied, both psychologically and professionally, in relation to the musical life of the times and their individual creative trajectories.
Narrative and Emotion
This module examines ways in which visual artists and composers tell stories and convey feelings in the period 1600–1750. Topics will include: the portrayal and projection of character, the delineation of emotion, the development of plot and action, the build-up of situations and the relation of these to the narrative sequence.
19th-Century Composer Biographies
This module explores the ways in which biographical texts (written and audiovisual), by or about composers, inform the reception of composers and their work. It will examine myths that arise from biography, the construction of identities, common motifs and narrative structures in biography, and the influence of biography on reception. Case studies will be taken from the late 18th and 19th centuries.
This module examines aspects of style and structure in a wide variety of 20th-century classical music. Topics to be considered include post-tonal harmony, serial thought, block form, minimalism and new concepts of rhythm and texture.
Introduction to Music Therapy
Music Therapy is an established profession within healthcare, educational and social contexts, involving clients of all ages with a range of needs. This module will explore strategies and techniques informed by a range of psychological and developmental theories, and offer practical opportunities for creative musical activities and improvisation. Overall, the module will provide an understanding of contemporary approaches to music therapy, and a foundation for specialist training.
Contemporary Approaches to Music Education
This module centres on participation in primary school music teaching in partnership with the Nottingham Music Hub. Students attend weekly in-school sessions throughout the autumn and spring semesters, supplemented with sessions on topics such as: the national music plan and music hubs; different teaching and learning styles; Musical Futures; musical inclusion and teaching in inner-city schools; and special educational needs.
Creativity and Collaboration for Professional Musicians
The module offers an opportunity to explore dialogues between disciplines and to create a collaborative project in response to a ‘real world’ creative brief (of the kind issued by funding agencies, arts organisations and other cultural venues). Students will engage in joint rehearsal and planning sessions as well as group workshops to discuss projects and experiment with different creative approaches.
This module provides an introduction to some fundamental techniques and practical skills of instrumental/orchestral and choral conducting. Rehearsal techniques, score literacy, interpretation, and the practical psychology of conducting will be examined in plenary meetings (thorough preparation and independent work on all aspects of the module will be required). Technical issues (including stance, movement, beating patterns and other relevant gestures, as well as knowledge and preparation of scores) will be explored in workshops.
This core module considers applications of microphones and their placement in order to integrate traditional instrumentation and performance into a digital production workflow. Mixing and mastering techniques will be practiced with reference to current standards and trends in musical consumption. Specialisms might include chamber music recording, jazz ensemble, rock or ethno-music groups.
This module investigates current production processes within historical contexts; explores communication of artistic expression via musical direction and arrangements, and factors affecting performance; develops communication and time management skills in working with artists; and skills in effective digital file management.
This module involves student performers, composers and music technologists working together to develop a new creative project, for performance in a venue in Nottingham. Improvisation will be fundamental to the developmental stages of the project.
Building on previous performance modules, you will develop your performing skills to a professional standard. You will receive regular individual lessons with your assigned performance tutor, with whom you agree a corpus of works to be studied. Individual lessons are supplemented with regular performance workshops. The recital should usually include items selected from the appropriate syllabus of the ABRSM, Trinity or Rockschool.
This module offers the opportunity to develop creative ability and technical skill in composition to an advanced level. Individuality of compositional voice is encouraged in a project or programme of projects agreed between yourself and the module tutor.
Dissertation in Music
This module provides you with the opportunity to prepare for an extended individual prose study of 10,000–12,000 words, on a self-selected subject, agreed with the module convenor. Credit will be given for the scope and depth of the study, for clarity of expression and thoroughness of presentation. One-to-one supervision will be supplemented by regular group classes and attendance at Department Music Colloquia.
Every year a number of research seminars are offered in subjects directly relating to staff research interests. In the next two years these will be on Britten and Sondheim, Music and Health, Verdi and Wagner, and Folk Music in Britain and Ireland.
Many year two modules are also offered as year three options. You may also take 20 credits from another department.