American Studies and English BA

You have the option of writing an individual research project in your final year. This can be on a topic of language, literature or performance.

You will work on a one-to-one basis with a supervisor, producing a detailed and sustained piece of writing.

There is also the option of completing a project-based dissertation. This is useful if you are interested in applied or practical aspects of English.

Recent dissertation titles include:

• 'From Diamonds to Dust: An Ecocritical Comparison Between Modernist Literature and Contemporary Environmental Fiction'
• 'The Representation of Racial Injustices in Claudia Rankine's Citizen: An American Lyric'
• 'Seamus Heaney and Samuel Beckett in Relation to British Imperialism'
• 'Ethical Criticism and Zadie Smith'

This module is worth 20 credits.

This module involves in-depth independent study of a subject in American and Canadian Studies. It encourages both student-centred and student-initiated learning. The topic you choose must be appropriate for your course and must be approved by the module convenor. You are assigned a supervisor with expertise in your chosen area of study.

The completed dissertation should be 5,000-7,000 words in length for the 20 credit module and 10,000-12,000 words in length for the 40 credit module. The 20 credit dissertation is for one semester only and the 40 credit version is year-long.

Recent dissertation titles include:

• To Ban or Not to Ban: Changing Motivations Behind Efforts to Censor African American Literature in America’s Public Schools, 1976-2018
• The Development of Television in the Canadian North and its Role in the Preservation of Inuit Culture
• The Feminist Justification for the Afghanistan War: The Cooperation Between the Bush Administration and the Feminist Majority Foundation
• "The Teeth of the World are Sharp”: James Baldwin’s Protest Novels
• Towards Humane Borders: Activist and NGO Responses to the Militarisation of the US-Mexico Boundary
• “A Blended World … A Safe Space for Everybody”: A Case Study of Underground Ballroom Culture
• “Wild Women Don’t Have the Blues”: The Empowerment of Black Female Blues Singers - Romance or Reality?
• “Older Arts and Newer Technology”: Cultural Recoding in Bharati Mukherjee’s Desirable Daughters

Experiences of and ideas about madness, insanity, and mental illness have varied and changed radically within American history and culture. This module will survey and analyse these changes from the mid-19thcentury to the present. We will consider how and why medical authority, gender, and class have all impacted the way in which mental illness is understood, and consider the significance of changing approaches to treatment. Sources used on this interdisciplinary module range from medical accounts and psychiatric theory to memoir, fiction and film. The aim is to place representations of mental illness in their historical context, and to ask what they reveal about related ideas about identity, conformity, social care and responsibility.

This module will consider the development of ‘ethnic’ and new immigrant literature in the United States from the late 19th century to the contemporary era.  You will examine a range of texts from life-writing to short fiction and the novel by writers from a range of ethno-cultural backgrounds, including Irish, Jewish, Caribbean and Asian American. Issues for discussion will include the claiming of the United States by new immigrant and ‘ethnic’ writers; race and ethnicity; gender, class and sexuality; labour and economic status; the uses and re-writing of American history and ‘master narratives’; the impact of US regionalism; how writers engage with the American canon; multiculturalism and the ‘culture wars’; and the growth of ‘ethnic’ American writing and Ethnic Studies as academic fields.

This module examines North American short stories and novels and their film adaptations, paying attention to the contexts in which both the literary and the cinematic texts are produced as well as to the analysis of the texts themselves. In particular, the module takes an interest in literary texts whose film adaptations have been produced in different national contexts to the source material.

This module will challenge students to critically engage with the period that Henry Luce referred to as the “American Century”. It will cover a range of case studies between Luce’s injunction and the subsequent US entry into World War Two in 1941 and the recent twin-crises marked by the 2008 Great Recession and the Covid-19 global pandemic. In doing so, it will prompt students to consider both the projection of American power on a global scale after 1941 and the considerable challenges that this project faced. Incorporating a series of focused case studies and reflections on the wider contexts relating to them, it will give students first-hand experience of weighing up the practical challenges US policymakers faced and the way that historians have subsequently assessed their efforts and understood their actions. 

Explore US foreign policy in the post-Cold War period.

You will examine the historical narratives of American international relations, considering the drivers behind the foreign policies of Presidents George H W Bush, Bill Clinton, George W Bush, Barack Obama and Donald Trump.

More specifically, we will consider:

• Whether the post-1989 period constituted a break from previous traditions in US foreign policy, or whether there has been an essential continuity through the war on terror and beyond
• The impact of economics, geopolitics, ideology and security issues on post-1989 strategy in different regions of the world
• The impact of a new international environment, marked by the demise of bipolarity and the rise of globalisation

You'll spend around three hours per week in lectures and seminars on this module.

This module is worth 20 credits.

What is a film, television or literary classic? How has this term come under pressure and fractured over the past half century or so? In this module you will consider the concept of the mid and late twentieth century American “classic” in a variety of contrasting and overlapping contexts. These contexts will be elaborated on the basis of their formal, generic, period and/or cultural designations that will cover university and exam curricula reading lists, popular opinion and widespread critical consensus (such as the currently prevalent view, for instance, that the early twenty-first century constitutes a ‘golden age’ of US television).

This module examines the development of photography in America from roughly 1945 onwards. The module breaks the period down into themes and considers:

1. the transformation of ‘documentary’ photograph;

2. the emergence and importance of colour photography;

3. experimental, conceptual and post-conceptual photography;

4. issues of serialism and seriality;

5. landscape photography;

6. the photobook

7. analogue/digital

The module will draw on the work of a diverse range of photographers, including Walker Evans, Robert Frank, Harry Callahan, Aaron Siskind, Ed Ruscha, Lewis Baltz, Robert Adams, Robert Heinecken, Stephen Shore, Todd Hido, William Eggleston and Doug Rickard.

This module explores the history and context of black female stardom in music and film. Crossing a wide range of genres and formats, it considers how black women create their star personas and navigate fame. It asks:

• How do we imagine black female stars?
• What qualities are famous black women expected to embody?
• How have different aspects of our societies shaped conditions for black women in the spotlight?

Using black feminist theory as the module’s foundation, we examine case studies from the lives of performers such as Lena Horne, Shirley Bassey, Leontyne Price, Mariah Carey, Beyonce, Queen Latifah, Missy Elliot, and Little Simz. Together, we dismantle the stereotypes that can be imposed on black women and consider how these artists have shaped their own performance identities.

Please note that this module will primarily focus on black British and Black American artists. However, students enrolled on this module are strongly encouraged to explore the work of black women from across Africa and the African diaspora.

This module is worth 20 credits.

This module will explore, in the broadest sense, politics and visual culture:

• how films, television, art and online forms of visual communication can be understood politically (i.e. how they say particular things about the societies they represent)
• how they present and, in some cases, comment upon specific political events and changes around the world
• how certain forms of visual culture have been produced and designed in order to act as agents of political change and activism, sometimes challenging the political structures of our society
• how individual artists, filmmakers and content producers can be said to have deliberate political motivation and intent, and the ways they interact with and are challenged by the organisations and institutions to which they are often beholden.

We will be looking at different genres, modes, forms and styles to examine how we can understand the interaction of politics and visual culture.

This module will familiarise students with the major strands of feminist thought which have emerged in the United States since the 1970s: from liberal feminism through radical and materialist to post-structural and neoliberal feminism. Although the module will focus on key texts and thinkers for each strand, we will simultaneously challenge any neat categorisation by exploring the central issues and debates, such as the sex-gender distinction, female sexuality, and pornography, which have preoccupied as well as divided feminist thinkers over the past few decades. Finally, we will contextualise these issues and debates by looking at contemporaneous representations of women in fiction, the mass media, and other cultural sites.

The magazine has been one of the most accessible and influential cultural forms in America since the mid-18th century. From the wide-ranging political and literary magazines of this founding period through the emergence of specialised and mass-market periodicals in the 19th century to the counter-cultural and consumerist magazines of the 20th century, this distinctive mode of publication has reflected the tensions and ideals of a rapidly developing society.

Using a broad range of representative magazines from different eras, this module will encourage students to get to grips with how American culture has shaped, and been shaped by, the periodical, and it will also introduce them to some of the unique literary and institutional qualities of the magazine. Primary sources covered on this module are likely to include The Dial (est. 1840), Harper's (est. 1850), The New Yorker (est. 1925), Life (est. 1936) and Rolling Stone (est. 1967).

Looked at in the context of their times, such sources show us how Americans have long engaged with and debated their own identity through the prism of print, as well as the ways in which this self-definition has changed across time. Moreover, alongside the magazine's regular testing of new political and cultural concepts we will be able to see how the periodical form itself embraced other emerging media, including illustration, photography, and popular music.

The main content-spine through each week will be a focus on changes in the nature of American journalism, the rise of modern advertising, and the development of the short story as a form, as well as the interactions between these three elements. In addition to the standard lecture/seminar set-up, the module will also incorporate a series of workshops focusing on hands-on study of hard copies of particular publications.

While the vexed questions of British identity and its relationship to empire have been at the forefront of political debate in the last decade, they have also been integral to literary production for many centuries. This module interrogates English and British representations of colonisation and empire, within Great Britain and Ireland and with particular reference to India. Well known writers such as Edmund Spenser, Jonathan Swift, Walter Scott, Arthur Conan Doyle, Rudyard Kipling and Salman Rushdie, will be set against less familiar voices, to consider the ways in which dominant narratives come about and can be challenged.

This module introduces key modern and contemporary poets.

You will build a detailed understanding of how various poetic forms manifest themselves in particular historical moments. Unifying the module is an attention to poets’ responses to the political and ideological upheavals of the 20th century.

The module will include such (primarily) British and Irish poets as:

• W.B. Yeats
• T.S. Eliot
• W. H. Auden
• Dylan Thomas
• Ted Hughes
• Sylvia Plath
• Wislawa Szymborska
• Tony Harrison
• Seamus Heaney
• Derek Mahon
• Adrienne Rich
• Geoffrey Hill
• Jo Shapcott
• Patience Agbabi
• Alice Oswald

Some of the forms examined will include: the elegy, the pastoral (and anti-pastoral), the ode, the sonnet (and sonnet sequence), the ekphrastic poem, the version or retelling, the villanelle, the parable and the sestina.

To develop a more complete perspective on each poet’s engagement with 20-century formal and political problems, we also examine these figures’ writings in other modes. This includes critical essays, manifestos, speeches, and primary archival materials such as letters and manuscript drafts.

Grounding each week will be readings on poetry and the category of the ‘political’ from an international group of critics, including such thinkers as Theodor Adorno, Charles Bernstein, Claudia Rankine, Peter McDonald, Angela Leighton, Christopher Ricks and Marjorie Perloff.

This module is worth 20 credits.

Examine 20th century Irish literature and drama.

Taking the Irish Literary Revival as a starting-point, you will consider authors in their Irish and European context. Such authors include:

• W.B. Yeats
• J.M. Synge
• Lady Gregory
• James Joyce
• Seán O'Casey
• Seamus Heaney
• Brian Friel
• Marina Carr

We focus on reading texts in relation to their social, historical, and political contexts.

This includes tracking significant literary and cultural responses to Irish experiences of colonial occupation, nationalist uprising and civil war, partition and independence, socio-economic modernisation, and the protracted period of violent conflict in Northern Ireland.

This module is worth 20 credits.

This module examines the late twentieth and early twenty-first century globe through its correlates in fiction. The primary materials for the module will be post-war Anglophone works drawn from a wide geographical range across the world. After introducing the history of the idea of world literature, these works will be situated within a series of theoretical ‘worlds’: world literary systems; post-colonial criticism; cosmopolitanism; world ecologies; resource culture; literary translation theory. The module will also attend to critiques of 'world literature’ as a concept.

Henry James and Oscar Wilde had a passionate dislike of each other, as well as very different values. Even so, they moved in similar circles. Both men found themselves at the centre of British cultural and intellectual life, experimenting within the same set of literary, critical and theatrical modes.

This module uses the writings of Oscar Wilde and Henry James, alongside some of their contemporaries, to examine changes in literary culture and the practices of literary composition in the late 19th century.

We will explore:

• The role of new technology in literary creativity
• The growth of mass and 'celebrity' culture
• The development of consumerism and resulting commodification of literary art
• The changing relationship of art to politics
• Anxieties about artistic originality and plagiarism
• Attempts (via censorship) to police literary expressivity

You will study a range of texts by Wilde and James, including drama, fiction and criticism. These will be compared with pieces by a number of their contemporaries (including Walter Pater and William Morris), in order to assess both the modernity and radicalism of their writings.

This module is worth 20 credits.

Literature and Drama across the early modern period contributed to, and was often caught up in, dramatic changes in social, political, and religious culture which changed the way that people experienced their lives and the world around them. This module gives students the opportunity to read a wide range of texts in a multitude of genres (from drama, to prose fiction, pamphlets and poetry) in their immediate contexts, both cultural and intellectual. This module will situate the poetry, prose and drama between 1580 and 1700 against the backdrops of civil war and political revolution, scientific experimentation, and colonial expansion; in doing so, it will ask how the seventeenth century forms our current understandings of the world. Students will be encouraged to read widely, to develop a specific and sophisticated understanding of historical period, and to see connections and changes in literary and dramatic culture in a period which stretches from the Spanish Armada of 1588 to the ‘Glorious Revolution’ of 1688.

This stranded module provides students with a detailed introduction to the major works of a single author (e.g. James Joyce, Virginia Woolf, D. H. Lawrence). Students will select one author to study from a range on offer. They will then have the opportunity to consider in detail important thematic and stylistic aspects of their chosen author’s work, taking account of the chronological development of his/her writing practice (if relevant), and his/her relationship to key historical and literary contexts.

Through the exploration of lyric poetry, this module examines cultural and literary change from the fourteenth to the seventeenth century. It will consider the rise of ‘named poet’, the interaction of print and manuscript culture, the representation of love, and the use of the female voice. It will develop further students’ confidence in handling formal poetic terminology and reading poetry from this period. It will also enable students to think pragmatically about the transmission of lyric in modern editions, and about how best to represent the form.

This module focuses on the connections between literary texts, politics, and relevant historical/cultural contexts in gothic texts. You may cover:

• poetry
• novels
• graphic novels
• films

Examples include The Haunting of Hill House (both Shirley Jackson’s novel and the Netflix adaptation), The Gilda Stories by Jewelle Gomez, and Saga of the Swamp Thing by Moore, Bissette and Totleben, and The Visions of the Daughters of Albion by William Blake.

You will explore various critical and theoretical approaches to literature, film, comics, adaptation, and popular culture. The module also seeks to decolonise Gothic Studies, including work by creators from a wide range of backgrounds who identify with a diverse range of subject positions.

This module is worth 20 credits.

The years from 1660 to 1830 are enormously important, especially in terms of the representation of the self in literature: Milton promoted the idea of the poet inspired by God; Pope and Swift mocked the possibility of anyone truly knowing their self; Wordsworth used poetry to explore his own life; and Byron and Austen provided ironic commentaries on the self-obsessions of their peers. This period also saw the rise of the novel (a form that relies upon telling the story of lives), a flourishing trade in biography, and the emergence of new genre, autobiography. This module will look at some of the most significant works of the period with particular reference to the relationship between writers and their worlds. Topics might include: the emergence, importance and limitations of life-writing; self- fashioning; the construction – and deconstruction - of the ‘Romantic’ author’; transmission and revision; translation and imitation; ideas of the self and gender; intertextuality, adaptation, and rewriting; creating and destroying the past; and writing revolution. Texts studied will range across poems, novels and prose.

This module offers an advanced study of the language of literary texts and how it impacts reading and interpretation. It bridges the gap between the literary and linguistics aspects of our BA degrees. It also equips you with skills that will be useful in the teaching of English, or for a career in publishing.

You will study:

• literary style and technique
• the style of poetry and narrative
• the representation of characters' voices and consciousness
• the style of difficult texts, such as surrealism
• the history of literary style

You will learn to explain how style contributes to meaning and interpretation, and why texts affect you in different ways.

This module is worth 20 credits.

This module provides comprehensive knowledge of feminist theory, as applied to a series of language and linguistic contexts.

You will explore a range of analytical approaches to language, including conversation analysis, critical discourse analysis, and interactional sociolinguistics. You will also respond to, and critically engage with, contemporary real-world problems associated with gender and sexuality, through the consideration of discourse-based texts.

Topics covered include:

• gender and sexual identity construction in a range of interactive contexts
• sexist, misogynistic, homophobic and heteronormative representations in texts
• feminist theory from the 1970s to the present, with particular focus on contemporary approaches to gender theory

This module is worth 20 credits.

Speaking, listening, reading, and writing are a complex set of behaviours that are a fundamental part of our daily lives. And yet they remain difficult to fully explain.

When you hear ‘FIRE’, you immediately look for an exit and start moving. Yet all that a speaker has done is produce a string of sounds. Your mind distinguishes these from the murmuring of other voices, feet clomping on the floor, and any background music. Your mind matches the sounds f-i-r-e with a word, retrieves the meaning, and relates them to the current circumstances and responds accordingly.

How does the mind do this? And what makes our minds so special that we can do this? On this module, we begin to address these questions.

You will consider:

• Is there a language gene?
• What makes human language different from animal communication?
• What is the relationship between thought and language?
• Does everyone talk to themselves? What purpose does our inner voice serve?
• How do we learn language? And does cognition underpin our ability to learn language?
• What do language deficits tell us about language and the brain?
• How do we understand and produce speech, words, and sentences?
• What is the best way to teach children to read?
• How is sign language similar to/different from spoken language?

This module is worth 20 credits.

The module is designed to provide students with an understanding of the process of English Language Teaching (ELT) and of the theoretical underpinnings of this practice. In this module students will learn the principles behind the learning and teaching of key aspects and skills of English, including:

• vocabulary
• grammar
• reading
• writing
• speaking
• listening
• intercultural communicative skills

Students will also learn how to apply these theoretical principles to the development of teaching materials. This module will therefore be of interest to students who want to pursue a teaching career, and in particular to those interested in teaching English as a second or foreign language.

This module is worth 20 credits.

The genre of dream-vision inspired work by all the major poets of the Middle Ages, including William Langland, the Pearl-Poet, and Geoffrey Chaucer. The course will aim to give you a detailed knowledge of a number of canonical texts in this genre, as well as ranging widely into the alliterative revival, and chronologically into the work of John Skelton in the early sixteenth century. The course will depend upon close, detailed reading of medieval literary texts, as well as focusing on the variety and urgency of issues with which dream poetry is concerned: literary, intellectual, social, religious and political.

The module uses the study of place-names to show the various languages – British, Latin, French, Norse and English – that have been spoken in England over the last 2000 years.

You will learn how place-name evidence can be used as a source for the history of English, including:

• its interaction with the other languages
• its regional and dialectal patterns
• its changing vocabulary

We also consider the interdisciplinary contribution that place-names offer to historians and geographers.

For this module's assessment, you can choose a geographical area of particular interest.

This module is worth 20 credits.

This module gives an opportunity to those who already have a basic knowledge of Old English language and literature to explore some of the astonishing range of texts from the earliest stages of English literature. The texts studied are heroic and Christian. Themes include Germanic myth and legend, heroic endeavour, Christian passion. A study of the epic poem Beowulf — its characters, its themes, its ‘meaning’ — is essential to the module. Texts are read in Old English (with plenty of help given).

Through the exploration of lyric poetry, this module examines cultural and literary change from the fourteenth to the seventeenth century. It will consider the rise of ‘named poet’, the interaction of print and manuscript culture, the representation of love, and the use of the female voice. It will develop further students’ confidence in handling formal poetic terminology and reading poetry from this period. It will also enable students to think pragmatically about the transmission of lyric in modern editions, and about how best to represent the form.

Our images of Vikings come largely from the Icelandic sagas. These present a Viking Age of daring exploits, global exploration and bloody feuds, as carried out by valiant warriors and feisty women. But how accurate are the sagas when it comes to understanding what really happened in the Viking Age? Can they provide an insight into the Viking mind?

This module explores Norse and Viking cultural history, using an interdisciplinary approach grounded in the study of texts. 

Topics covered include:

• The Viking Age and Viking society
• Exploration and diaspora
• Gender, marriage and family
• Religion and belief
• Outlaws
• Poetry
• The supernatural

Your one-hour lectures will provide the evidence base for discussion in the two-hour, student-led seminars. The seminars also include some language work.

Assessment for this module is by a one-hour exam of comment and analysis, and a 3000-word project on a topic of your choice in consultation with a tutor.

This module is worth 20 credits.

Peter Pan, Les Misérables, Hamilton... just a few of the iconic productions that started life in London’s West End, or on Broadway in New York. But why and how did they become so successful?

The 20th and 21st centuries have seen major changes in the way theatre is financed, produced and presented, both on stage and on screen. This module explores the fascinating world of theatre production, covering:

• the development of long-running, commercial productions
• the role of the theatre producer in making theatre
• subsidised theatre
• touring and national theatre companies
• reviewing cultures
• relationship between the theatre and film industries
• the advent of the mega-musical

Examining the mainstream and the fringes, we apply case studies including Shakespeare in production, new plays, revivals, and international hits like the ones listed above, illustrating how theatre responds to changing contexts and audiences.

This module is worth 20 credits.

Examine 20th century Irish literature and drama.

Taking the Irish Literary Revival as a starting-point, you will consider authors in their Irish and European context. Such authors include:

• W.B. Yeats
• J.M. Synge
• Lady Gregory
• James Joyce
• Seán O'Casey
• Seamus Heaney
• Brian Friel
• Marina Carr

We focus on reading texts in relation to their social, historical, and political contexts.

This includes tracking significant literary and cultural responses to Irish experiences of colonial occupation, nationalist uprising and civil war, partition and independence, socio-economic modernisation, and the protracted period of violent conflict in Northern Ireland.

This module is worth 20 credits.

Literature and Drama across the early modern period contributed to, and was often caught up in, dramatic changes in social, political, and religious culture which changed the way that people experienced their lives and the world around them. This module gives students the opportunity to read a wide range of texts in a multitude of genres (from drama, to prose fiction, pamphlets and poetry) in their immediate contexts, both cultural and intellectual. This module will situate the poetry, prose and drama between 1580 and 1700 against the backdrops of civil war and political revolution, scientific experimentation, and colonial expansion; in doing so, it will ask how the seventeenth century forms our current understandings of the world. Students will be encouraged to read widely, to develop a specific and sophisticated understanding of historical period, and to see connections and changes in literary and dramatic culture in a period which stretches from the Spanish Armada of 1588 to the ‘Glorious Revolution’ of 1688.