You will take 120 credits of modules split as below:
- Mandatory American Studies modules - 60 credits
- Optional English modules - 60 credits
You must pass year one, but it does not count towards your final degree classification.
University Park Campus, Nottingham, UK
Qualification | Entry Requirements | Start Date | UCAS code | Duration | Fees |
---|---|---|---|---|---|
BA Jt Hons | ABB | September 2024 | QT37 | 3 years full-time | £9,250 per year |
Qualification | Entry Requirements | Start Date | UCAS code | Duration | Fees |
---|---|---|---|---|---|
BA Jt Hons | ABB | September 2024 | QT37 | 3 years full-time | £9,250 per year |
5 in English at Higher Level
6.5 (no less than 6.0 in any element)
As well as IELTS (listed above), we also accept other English language qualifications. This includes TOEFL iBT, Pearson PTE, GCSE, IB and O level English. Check our English language policies and equivalencies for further details.
For presessional English or one-year foundation courses, you must take IELTS for UKVI to meet visa regulations.
If you need support to meet the required level, you may be able to attend a Presessional English for Academic Purposes (PEAP) course. Our Centre for English Language Education is accredited by the British Council for the teaching of English in the UK.
If you successfully complete your presessional course to the required level, you can then progress to your degree course. This means that you won't need to retake IELTS or equivalent.
Check our country-specific information for guidance on qualifications from your country.
Grade B in English at A level
All candidates are considered on an individual basis and we accept a broad range of qualifications. The entrance requirements below apply to 2023 entry.
Please note: Applicants whose backgrounds or personal circumstances have impacted their academic performance may receive a reduced offer. Please see our contextual admissions policy for more information.
International students must have valid UK immigration permissions for any courses or study period where teaching takes place in the UK. Student route visas can be issued for eligible students studying full-time courses. The University of Nottingham does not sponsor a student visa for students studying part-time courses. The Standard Visitor visa route is not appropriate in all cases. Please contact the university’s Visa and Immigration team if you need advice about your visa options.
At the University of Nottingham, we have a valuable community of mature students and we appreciate their contribution to the wider student population. You can find lots of useful information on the mature students webpage.
Grade B in English at A level
5 in English at Higher Level
All candidates are considered on an individual basis and we accept a broad range of qualifications. The entrance requirements below apply to 2023 entry.
Please note: Applicants whose backgrounds or personal circumstances have impacted their academic performance may receive a reduced offer. Please see our contextual admissions policy for more information.
We recognise that applicants have a wealth of different experiences and follow a variety of pathways into higher education.
Consequently we treat all applicants with alternative qualifications (besides A-levels and the International Baccalaureate) on an individual basis, and we gladly accept students with a whole range of less conventional qualifications including:
This list is not exhaustive. The entry requirements for alternative qualifications can be quite specific; for example you may need to take certain modules and achieve a specified grade in those modules. Please contact us to discuss the transferability of your qualification. Please see the alternative qualifications page for more information.
We recognise the potential of talented students from all backgrounds. We make contextual offers to students whose personal circumstances may have restricted achievement at school or college. These offers are usually one grade lower than the advertised entry requirements. To qualify for a contextual offer, you must have Home/UK fee status and meet specific criteria – check if you’re eligible.
If you have faced educational barriers and are predicted BCC at A Level, you may be eligible for our Foundation Year. You may progress to a range of direct entry degrees in the arts and humanities.
If you have already achieved your EPQ at Grade A you will automatically be offered one grade lower in a non-mandatory A level subject.
If you are still studying for your EPQ you will receive the standard course offer, with a condition of one grade lower in a non-mandatory A level subject if you achieve an A grade in your EPQ.
At the University of Nottingham, we have a valuable community of mature students and we appreciate their contribution to the wider student population. You can find lots of useful information on the mature students webpage.
On this course, you have the opportunity at the end of year one to apply for a transfer onto the four-year programme with a year abroad.
This will give you the opportunity to consolidate your learning, and to broaden your horizons and enhance your CV by experiencing another culture.
Please note:
In order to switch to a four-year degree and study abroad, you will need to achieve the relevant academic requirements as set by the University and meet the selection criteria of both the University and the partner institution. The partner institution is under no obligation to accept you even if you do meet the relevant criteria.
"America is so much more of a culture shock than you’d imagine. They’re so similar to us in so many ways, but still so different. It was a great experience to be able to go there. It’s the reality behind what you’re studying."
– Natalie Shortall, 2018 graduate. Natalie spent her year abroad in Charleston, South Carolina
If your course does not have a compulsory placement, integrated year in industry or compulsory year abroad where there is already an opportunity to undertake a work placement as part of that experience, you may be able to apply to undertake an optional placement year. While it is the student’s responsibility to find and secure a placement, our Careers and Employability Service will support you throughout this process. Contact placements@nottingham.ac.uk to find out more.
The school/faculty you are joining may also have additional placement opportunities. Please visit the School of Cultures, Languages and Areas Studies website for more information.
Please note:
In order to undertake an optional placement year, you will need to achieve the relevant academic requirements as set by the university and meet any requirements specified by the placement host. There is no guarantee that you will be able to undertake an optional placement as part of your course.
Please be aware that study abroad, compulsory year abroad, optional placements/internships and integrated year in industry opportunities may change at any time for a number of reasons, including curriculum developments, changes to arrangements with partner universities or placement/industry hosts, travel restrictions or other circumstances outside of the university’s control. Every effort will be made to update this information as quickly as possible should a change occur.
On this course, you have the opportunity at the end of year one to apply for a transfer onto the four-year programme with a year abroad.
This will give you the opportunity to consolidate your learning, and to broaden your horizons and enhance your CV by experiencing another culture.
Please note:
In order to switch to a four-year degree and study abroad, you will need to achieve the relevant academic requirements as set by the University and meet the selection criteria of both the University and the partner institution. The partner institution is under no obligation to accept you even if you do meet the relevant criteria.
"America is so much more of a culture shock than you’d imagine. They’re so similar to us in so many ways, but still so different. It was a great experience to be able to go there. It’s the reality behind what you’re studying."
– Natalie Shortall, 2018 graduate. Natalie spent her year abroad in Charleston, South Carolina
If your course does not have a compulsory placement, integrated year in industry or compulsory year abroad where there is already an opportunity to undertake a work placement as part of that experience, you may be able to apply to undertake an optional placement year. While it is the student’s responsibility to find and secure a placement, our Careers and Employability Service will support you throughout this process. Contact placements@nottingham.ac.uk to find out more.
The school/faculty you are joining may also have additional placement opportunities. Please visit the School of Cultures, Languages and Areas Studies website for more information.
Please note:
In order to undertake an optional placement year, you will need to achieve the relevant academic requirements as set by the university and meet any requirements specified by the placement host. There is no guarantee that you will be able to undertake an optional placement as part of your course.
Please be aware that study abroad, compulsory year abroad, optional placements/internships and integrated year in industry opportunities may change at any time for a number of reasons, including curriculum developments, changes to arrangements with partner universities or placement/industry hosts, travel restrictions or other circumstances outside of the university’s control. Every effort will be made to update this information as quickly as possible should a change occur.
* For full details including fees for part-time students and reduced fees during your time studying abroad or on placement (where applicable), see our fees page.
If you are a student from the EU, EEA or Switzerland, you may be asked to complete a fee status questionnaire and your answers will be assessed using guidance issued by the UK Council for International Student Affairs (UKCISA) .
All students will need at least one device to approve security access requests via Multi-Factor Authentication (MFA). We also recommend students have a suitable laptop to work both on and off-campus. For more information, please check the equipment advice.
Essential course materials are supplied.
Books
You'll be able to access most of the books you’ll need through our libraries, though you may wish to buy your own copies of core texts. A limited number of modules have compulsory texts which you are required to buy. We recommend that you budget £100 per year for books, but this figure will vary according to which modules you take. The Blackwell's bookshop on campus offers a year-round price match against any of the main retailers (e.g. Amazon, Waterstones, WH Smith). They also offer second-hand books, as students from previous years sell their copies back to the bookshop.
Volunteering and placements
For volunteering and placements e.g. work experience and teaching in schools, you will need to pay for transport and refreshments.
Year abroad (optional for this course)
Reduced fees (subject to change):
As a Year Abroad student, you will pay reduced fees, currently set at:
Costs incurred during the year abroad:
These vary from country to country, but always include:
Depending on the country visited you may also have to pay for:
There are a number of sources of funding:
Your access to funding depends on:
You may be able to work or teach during your year abroad. This will be dependent on your course and country-specific regulations. Often students receive a small salary or stipend for these work placements. Working or teaching is not permitted in all countries.
More information on the year abroad.
Optional field trips
Field trips allow you to engage with source materials on a personal level and to develop different perspectives. They are optional and costs to you vary according to the trip; some require you to arrange your own travel, refreshments and entry fees, while some are some are wholly subsidised.
Faculty of Arts Alumni Scholarships
Our Alumni Scholarships provide support with essential living costs to eligible students. Find out more about eligibility and how to apply.
International students
We offer a range of international undergraduate scholarships for high-achieving international scholars who can put their Nottingham degree to great use in their careers.
All students will need at least one device to approve security access requests via Multi-Factor Authentication (MFA). We also recommend students have a suitable laptop to work both on and off-campus. For more information, please check the equipment advice.
Essential course materials are supplied.
Books
You'll be able to access most of the books you’ll need through our libraries, though you may wish to buy your own copies of core texts. A limited number of modules have compulsory texts which you are required to buy. We recommend that you budget £100 per year for books, but this figure will vary according to which modules you take. The Blackwell's bookshop on campus offers a year-round price match against any of the main retailers (e.g. Amazon, Waterstones, WH Smith). They also offer second-hand books, as students from previous years sell their copies back to the bookshop.
Volunteering and placements
For volunteering and placements e.g. work experience and teaching in schools, you will need to pay for transport and refreshments.
Year abroad (optional for this course)
Reduced fees (subject to change):
As a Year Abroad student, you will pay reduced fees, currently set at:
Costs incurred during the year abroad:
These vary from country to country, but always include:
Depending on the country visited you may also have to pay for:
There are a number of sources of funding:
Your access to funding depends on:
You may be able to work or teach during your year abroad. This will be dependent on your course and country-specific regulations. Often students receive a small salary or stipend for these work placements. Working or teaching is not permitted in all countries.
More information on the year abroad.
Optional field trips
Field trips allow you to engage with source materials on a personal level and to develop different perspectives. They are optional and costs to you vary according to the trip; some require you to arrange your own travel, refreshments and entry fees, while some are some are wholly subsidised.
Faculty of Arts Alumni Scholarships
Our Alumni Scholarships provide support with essential living costs to eligible students. Find out more about eligibility and how to apply.
Home students*
Over one third of our UK students receive our means-tested core bursary, worth up to £1,000 a year. Full details can be found on our financial support pages.
* A 'home' student is one who meets certain UK residence criteria. These are the same criteria as apply to eligibility for home funding from Student Finance.
Do you love literature and enjoy getting lost in books? Are you creative and imaginative?
Through studying a diverse range of writers – encompassing Shakespeare to Jamaica Kincaid – you will develop new perspectives, interpretations and ideas. This in turn will give you a deeper understanding of the world, yourself, and your own outlook on life.
Do you love literature and enjoy getting lost in books? Are you creative and imaginative?
Through studying a diverse range of writers – encompassing Shakespeare to Jamaica Kincaid – you will develop new perspectives, interpretations and ideas. This in turn will give you a deeper understanding of the world, yourself, and your own outlook on life.
We offer a variety of modules in both American Studies and English, covering:
You can also experience North America, by applying to study abroad for a year at a US or Canadian university. You can do this by transferring to the study abroad programme at the end of your first year. The option to study abroad is dependent on your academic performance and the availability of places.
Find out more about what it's like to study with us:
Important information
This online prospectus has been drafted in advance of the academic year to which it applies. Every effort has been made to ensure that the information is accurate at the time of publishing, but changes (for example to course content) are likely to occur given the interval between publishing and commencement of the course. It is therefore very important to check this website for any updates before you apply for the course where there has been an interval between you reading this website and applying.
Mandatory
Year 1
American Literature and Culture 1: 1830-1940
Mandatory
Year 1
American Literature and Culture 2: Since 1940
Mandatory
Year 1
From Landscapes to Mixtapes: Canadian Literature, Film and Culture
Optional
Year 1
Studying Language
Optional
Year 1
Studying Literature
Optional
Year 1
Beginnings of English
Optional
Year 1
Drama, Theatre, Performance
Mandatory
Year 2
North American Regions
Mandatory
Year 2
Key Texts in American Social and Political Thought
Optional
Year 2
African American History and Culture
Optional
Year 2
American Radicalism
Optional
Year 2
Business in American Culture
Optional
Year 2
Contemporary North American Fiction
Optional
Year 2
Immigration and Ethnicity in the United States
Optional
Year 2
The American Pop Century
Optional
Year 2
The US and the World in the American Century: US Foreign Policy 1898-2008
Optional
Year 2
History of American Capitalism
Optional
Year 2
The Broadway Musical
Optional
Year 2
Work placement
Optional
Year 2
From Talking Horses to Romantic Revolutionaries: Literature 1700-1830
Optional
Year 2
Literature and Popular Culture
Optional
Year 2
Modern and Contemporary Literature
Optional
Year 2
Shakespeare and Contemporaries on the Page
Optional
Year 2
Victorian and Fin de Siècle Literature: 1830-1910
Optional
Year 2
Language Development
Optional
Year 2
Language in Society
Optional
Year 2
The Psychology of Bilingualism and Language Learning
Optional
Year 2
Literary Linguistics
Optional
Year 2
Chaucer and his Contemporaries
Optional
Year 2
Ice and Fire: Myths and Heroes of the North
Optional
Year 2
Names and Identities
Optional
Year 2
Old English: Reflection and Lament
Optional
Year 2
Shakespeare and Contemporaries on the Stage
Optional
Year 2
From Stanislavski to Contemporary Performance
Optional
Year 2
Twentieth-Century Plays
Mandatory
Year 3
English Dissertation: Full Year
Optional
Year 3
Dissertation in American and Canadian Studies
Optional
Year 3
American Madness: Mental Illness in History and Culture
Optional
Year 3
Ethnic and New Immigrant Writing
Optional
Year 3
North American Film Adaptations
Optional
Year 3
Troubled Empire: The Projection of American Global Power from Pearl Harbor to Covid-19
Optional
Year 3
US Foreign Policy, 1989 - present
Optional
Year 3
Varieties of Classic American Film, Television and Literature since 1950
Optional
Year 3
Photographing America
Optional
Year 3
Black Female Stardom - research seminar
Optional
Year 3
Politics and Visual Culture
Optional
Year 3
American Magazine Culture: Journalism, Advertising and Fiction from Independence to the Internet Age
Optional
Year 3
Island and Empire
Optional
Year 3
Making Something Happen: Poetry and Politics
Optional
Year 3
Modern Irish Literature and Drama
Optional
Year 3
One and Unequal: World Literatures in English
Optional
Year 3
Oscar Wilde and Henry James: British Aestheticism and Commodity Culture
Optional
Year 3
Reformation and Revolution: Early Modern literature and drama 1588-1688
Optional
Year 3
Single-Author Study
Optional
Year 3
Songs and Sonnets: Lyric poetry from Medieval Manuscript to Shakespeare and Donne
Optional
Year 3
The Gothic Tradition
Optional
Year 3
The Self and the World: Writing in the Long Eighteenth Century
Optional
Year 3
Advanced Stylistics
Optional
Year 3
Language and Feminism
Optional
Year 3
Language and the Mind
Optional
Year 3
Teaching English as a Foreign Language
Optional
Year 3
Dreaming the Middle Ages: Visionary Poetry in Scotland and England
Optional
Year 3
English Place-Names
Optional
Year 3
Old English Heroic Poetry
Optional
Year 3
Songs and Sonnets: Lyric poetry from Medieval Manuscript to Shakespeare and Donne
Optional
Year 3
The Viking Mind
Optional
Year 3
Changing Stages: Theatre Industry and Theatre Art
Optional
Year 3
Modern Irish Literature and Drama
Optional
Year 3
Reformation and Revolution: Early Modern literature and drama 1588-1688
The above is a sample of the typical modules we offer but is not intended to be construed and/or relied upon as a definitive list of the modules that will be available in any given year. Modules (including methods of assessment) may change or be updated, or modules may be cancelled, over the duration of the course due to a number of reasons such as curriculum developments or staffing changes. This content was last updated on Monday 17 April 2023.
You will take 120 credits of modules split as below:
You must pass year one, but it does not count towards your final degree classification.
You will take 120 credits of modules split as below:
Core American Studies modules
Choose one module from the following list:
Optional English modules
The three modules you choose must come from at least two of the following areas:
Literature, 1500 to the Present
English Language and Applied Linguistics
Medieval Languages and Literatures
Drama and Performance
You must pass year two, which counts one third towards your final degree classification.
You will take 120 credits of modules split as below:
Mandatory modules
Choose one module from the following group:
Optional English modules
The three modules you choose must come from at least two of the following areas:
Literature, 1500 to the Present
English Language and Applied Linguistics
Medieval Languages and Literature
Drama and Performance
You must pass year three, which counts two thirds towards your final degree classification.
You can apply to spend your third year studying in North America. You will transfer to a four-year course and return to Nottingham for your final year to complete your course.
This is not compulsory. If you choose not to study abroad, you will complete your degree in three years. Eligibility for study abroad is dependent on satisfactory performance in your first year and the availability of places.
As a global university we're keen to offer you the opportunity to develop your language skills as well as your music ones.
Language modules can be integrated into your degree and used towards your required credits.
You can take language modules because it or complements your degree (for example, reading a music text in their original language), helps your career plans or just for pleasure!
We cater for all levels - from complete beginners upwards.
There are currently nine language options available.
Check out the Language Centre for more information
Gain an introduction to major American literature and culture.
You will explore a wide range of 19th and early 20th century American writers of fiction and poetry.
You will also:
This module is worth 20 credits
This module follows on from ‘American Literature and Culture 1: 1830-1940’.
You will explore a wide range of 20th and 21st century American writers, including Richard Wright, Flannery O’Connor, Shirley Jackson, Thomas Pynchon, Toni Morrison, Cormac McCarthy, and Colson Whitehead.
You will also explore related developments in late 20th and early 21st century American culture, including, for example, the films of Alfred Hitchcock and Robert Altman, abstract expressionist art, and the emergence of digital media.
This module is worth 20 credits
Examine literary, film and visual texts in their historical, political, regional and national contexts.
You will explore debates about cultural definition and the construction and deconstruction of Canada. We mainly focus on the 20th century.
Possible topics include:
This module is worth 20 credits.
On this module you will learn about the nature of language, and how to analyse it for a broad range of purposes. It aims to prepare you for conducting your own language research across your degree.
The accompanying weekly workshops will explore levels of language analysis and description – from the sounds and structure of language, through to meaning and discourse. These can be applied to all areas of English study, and will prepare you for your future modules.
In your lectures, you will see how our staff put these skills of analysis and description to use in their own research. This covers the study of language in relation to the mind, literature, culture, society, and more. Your seminars then give you a chance to think about and discuss these topics further.
This module is worth 20 credits.
This module introduces the core skills for literary studies, including skills in reading, writing, researching and presentation. Topics covered include:
You will put these new skills into practice through reading specific literary texts. These are focused on poetry and prose selected from the full range of the modern literary period (1500 to the present).
Across the year, you will learn about different interpretive approaches and concepts, and will examine literary-historical movements and transitions.
This module is worth 20 credits.
What was the earliest literature in English like? Where does English come from? What does ‘English’ really mean, anyway?
On this module, we’ll explore a range of English and Scandinavian literature from the medieval period. You'll also meet themes and characters who are at once familiar and strange: heroes and heroines, monster-slayers, saints, exiles, tricksters, lovers, a bear, and more.
From Tolkien to Marvel, the medieval past has been an inspiration for fantasy fiction and modern myth. As well as introducing you to stories and poetry which is exciting, inspiring and sometimes plain weird, we’ll also be looking at some of the challenges of the modern world.
Thinking about the past, means thinking about how it is used in the present day. The idea of a 'beginning' of English language and literature often gets incorporated into modern beliefs about national, ethnic and racial identity. On this module, we’ll begin the necessary work of challenging these ideas and building a better understanding of the medieval past and why it still matters.
This module is worth 20 credits.
Who makes theatre? Where does performance happen, and who is in the audience? How is society represented on stage?
These questions are at the heart of this module, and we will explore the extraordinary variety of drama in the Western dramatic tradition. You will examine dramatic texts in relation to their historical context, spanning:
Alongside texts, you'll also consider the extra-textual features of drama, including the performance styles of actors, the significance of performance space and place, and the composition of various audiences.
You will study selected plays in workshops, seminars and lectures, where we will explore adaptation and interpretation of the texts through different media resources. You can also take part in practical theatre-making, exploring extracts from the selected play-texts in short, student-directed scenes in response to key questions about performance.
This module is worth 20 credits.
This module will deploy the concept of "region" and, more broadly, “place” to explore key North American texts— drawn primarily from the spheres of film, television and literature. The notion of the "regional" will be applied expansively as well as conventionally to incorporate everything from the urban to the suburban/exurban; border territories; the transnational. Possible areas of study may include the American West; the Pacific North-West; New York City; the black inner city “ghetto”; "mountain" people and the Appalachians; Hispanic-America; first nations; French-Canada; Texas; Chicago; New Orleans; California; and the transnational impact of extensive US military occupations (post-war Japan; South Vietnam; twenty-first century Iraq).
American history, from the period of colonisation to the nation's emergence as a global superpower, has always involved intense social and political debate.
This module analyses key texts in the history of American political and social thought, from the settlement period to the present day.
You will be introduced to debates over issues such as:
We analyse primary sources by a diverse range of thinkers and writers to interpret these debates, showing how they continue to shape American society and politics in the present.
This module is worth 20 credits.
This module examines African American history and culture from slavery to the present through a series of case studies that highlight forms of cultural advocacy and resistance and thus indicate how African Americans have sustained themselves individually and collectively within a racist, yet liberal society. These will illustrate the resilience of African American culture via music, literature, art and material culture. Examples may include the persistence of African elements in slave culture, the emergence of new artistic forms in art, religion and music during the segregation era, and the range and complexity of African American engagement with US public culture since the 1960s across art, literature and popular culture. Weekly topics might include material culture in the Gullah region of South Carolina; or the growth of urban black churches in the North during the period of the Great Migration highlighted by the development of Gospel choirs and radio preaching.
American radicals have been dismissed as impractical, wild-eyed, and subversive - even "un-American"- although many of their most visionary aims have been realized. This module will consider these paradoxes, beginning with the American Revolution in the late 18th century. 19th century subjects will include the abolitionists, early feminism, utopian socialism, anarchism, and farmer populism. 20thcentury subjects will include the Socialist Party in the 1910s, the Communist Party and the anti-Stalinist left in the 1930s, opponents of the Cold War, the 1960s New Left, Black Power militancy, and more recent radicalisms, including the gay liberation movement, women's liberation, and resistance to corporate globalisation.
This module introduces students to the conflicting views about business that can be heard echoing through American literature and culture in the last two centuries. These views are evident when literature and culture directly represent the business culture-its executives, managers and employees, or the physical and mental conditions of employment and entrepreneurship; they are also evident in the narrative unconscious of works appreciated for qualities other than their treatment of business. This module aims to try and understand not only what drives American culture's preoccupation with business, but also to study the various strategies used as literature and culture represents what the module calls the discourses of business: the way that business as a theme is written and talked about in the United States by presidents, by social critics, by journalists, and by writers and other cultural producers; the way that the historical accumulation of this collective input has fashioned a set of rules that govern the way successive generations can think about business; the way that specialised and professionalised languages of business become tropes and metaphors to be used outside of a strictly business environment. The module examines these discourses in a variety of representational forms from the mid-nineteenth century through to the present day: shorts stories and novels; newspapers, magazines and illustrations; speeches, autobiographies and memoirs; film and television.
This course will consider the contexts and development of contemporary fiction and the novel in the United States and Canada since the 1990s. It will do so by positioning literary works within their wider historical, political and cultural context. The course will examine the dominant ideas and concerns of a number of fictions and novels by writers from a range of ethno-cultural backgrounds. Issues for discussion will include the impact of race, ethnicity, gender, class, generation and sexuality on North American fiction and the novel; the bearing of technology on contemporary fiction; and various debates about the nature of the historical novel in the twenty-first century.
This module examines the history of immigration to the United States from Europe, Asia, and Latin America. We trace the making and remaking of immigrant communities, cultures, and identities from the nineteenth century to the present day. You will analyse models of race, ethnicity, culture, and nation by focusing on the perception and reception of immigrant groups and their adjustment to US society. We will ask questions such as: How have institutions and ideologies shaped the changing place of immigrants within the United States over time? How have immigrants forged new identities within and beyond the framework of the nation state? And how has immigration transformed US society?
This module surveys the history of American popular music in the 20th century, focusing on the major genres and exploring the artistic, cultural and political issues they raise. In addition to examining the music’s aesthetic qualities genre by genre, the focus will be on key developments within the music industry, on the ways in which commercial and technological changes have influenced the production and consumption of music, and on the ways in which musicians and audiences use pop music to engage with American culture and society. We’ll spend quite a bit of time listening to and analysing music, but you do not need any specialist musical expertise or knowledge to take the module.
How can we understand the evolution of America's relationship with the wider world? What interests have been behind the execution of American power?
This module offers a critical introduction to understanding America's place in the world. From the war of 1898, to the conflicts of the early 21st century, we examine how America's involvement abroad has changed over time.
Through historical and political analyses of US foreign relations, we will look at the themes that have shaped America's increasing influence in global affairs.
We consider:
We will also explore contemporary trends in the history of US foreign policy, including race, gender, emotions, and religion.
This module is worth 20 credits.
This module will examine the economic and business (and to some extent labour) histories of the United States from the colonial era to the present.
We will ask key questions such as:
Covered topics will include colonial mercantilism, the market revolution, the emergence of factory production, slavery, technological development, banking and finance, mid-twentieth-century regulatory capitalism, and neo-liberalism in recent decades.
Look at the development of the Broadway musical from the 1920s to the present.
Examine themes including:
Sessions will include:
Combine our in-depth sector knowledge with the Careers and Employability Service skills development experience to get noticed when applying for jobs and during interviews.
From constructing an outstanding CV to practicing graduate level interview skills we'll build on your existing abilities.
You'll also get something concrete to talk about through a multi-week work placement. This will be tailored as far as possible to your subject and career aspirations.
This sort of attention to detail is what makes Nottingham graduates some of the most sought after in the job market.
This module is worth 20 credits.
This module introduces different kinds of literature, written between 1700-1830. This was a dramatic time in literary history, resulting in the Romantic period. It involved many areas of great contemporary relevance, such as class, poverty, sexuality, and slavery.
We will examine:
As part of this module, you will explore novels, poems, and prose works that bring to life the intellectual, social and cultural contexts of the period.
This module is worth 20 credits.
This module investigates the relationship between literature and popular culture. You will explore works from across a range of genres and mediums, including:
As well as exploring topics such as aesthetics and adaptation, material will be situated within cultural, political and historical contexts allowing for the distinction between the literary and the popular.
This module is worth 20 credits.
This module charts the dramatic transformations and innovations of literature in the 20th and 21st centuries.
Moving between genres, the module unfolds chronologically from modernism, through the inter-war years, and into postmodernism and the contemporary scene.
We explore some of the huge artistic shifts of this long and turbulent period. You will examine how modern and contemporary literature connects to the cultural revolutions, intellectual debates, political and social upheavals, and ethical complexities of its times.
This module is worth 20 credits.
This module focuses on material written between 1580 and 1630 to provide you with an introduction to methods of reading early modern texts. Shakespeare’s poetry will be among the core texts; other canonical writers will include Christopher Marlowe, Edmund Spenser, Philip Sidney and John Donne. You’ll explore the practice of historicised readings of early modern texts and you’ll consider the related challenges and limitations. You’ll have one hour of lectures and two hours of seminars each week.
Explore a wide variety of Victorian and fin-de-siècle literature, with examples taken from fiction, critical writing and poetry.
You will examine works by Elizabeth Barrett Browning, Alfred Lord Tennyson, Charles Dickens, Mary Elizabeth Braddon, Oscar Wilde, Henry James, HG Wells and Joseph Conrad.
We will focus on understanding changes in literary forms and genres over this period, and how these relate to broader developments in Victorian social, economic and political culture.
The module is organised around the following interrelated themes:
This module is worth 20 credits.
You’ll explore how English is learnt from making sounds as an infant through to adulthood. Topics relating to early speech development include: the biological foundations of language development, the stages of language acquisition and the influence of environment on development. Further topics which take into account later stages of development include humour and joke telling abilities, story-telling and conversational skills and bilingualism.
When we study language, we learn about how society works. Why do some people have more noticeable accents than others? Why are some people taken seriously when they talk, while others aren’t? How do those with power use language to manipulate us into thinking a certain way?
On this module, these are the sorts of questions you’ll be thinking about. We focus on how people use language, how language varies between different speakers, and how language is used to represent different social groups. We consider:
You’ll learn how to conduct a sociolinguistic study which explores topics such as these. You will also spend time each week analysing original language data.
The module is worth 20 credits.
Are you interested in languages and the multilingual world? Have you ever wondered how our brains process learning a second language? Would you like to teach English overseas one day? If so, this module could be for you.
Drawing on current theories of second language acquisition, we will consider:
You will spend three hours per week on this module, split equally between a lecture and follow-up seminar.
This module is worth 20 credits.
All literature is written in language, so understanding how language and the mind work will make us better readers and critics of literary works.
This module brings together the literary and linguistic parts of your degree. It gives you the power to explore any text from any period by any author.
You will study how:
This module is worth 20 credits.
Chaucer dominates our conception of late Middle English literature, but he was one among several exceptional writers of his time.
This module focuses on 40 years of writing, to consider whether Chaucer’s concerns with identity and authority, comedy and tragedy, and wit and wisdom are uniquely his, or shared with other writers.
We will cover a wide range, including:
You will read works by the so-called Ricardians: Chaucer, Gower, the Gawain-poet, and Langland, but also the mystic writings of Julian of Norwich and Margery Kempe and some poetry by Thomas Hoccleve.
By the end of the module, you will have gained confidence in reading and discussing Middle English texts, and be aware of key issues around form, language, and authority and influence.
This module is worth 20 credits.
Odin, Thor and Loki: almost everyone has heard about them, but where do their stories come from?
In this module, we will learn about the origins of their myths from various sources: images on stone and wood in the Viking Age, as well as the written texts of the Middle Ages.
We will learn about giants, dwarves, valkyries and rumour-spreading squirrels, as well as the cosmology and religion which are embedded in Old Norse mythology. We will talk about heroes and villains, from dragon-slayers to queens who kill to avenge their brothers.
The stories of Old Norse mythology have influenced writers throughout history. from Tolkien to the Marvel Universe, they are still part of our culture. This module will take you back to the beginnings and show that there are so many more marvellous myths to explore.
The module is with 20 credits.
What can given names, surnames and nicknames tell us about people in the past? What determines the choice of a name for a child? Where does our hereditary surname system come from? How have place, class and gender impacted upon naming through time? This module will help you answer all these questions and more. Interactive lectures and seminars, and a project based on primary material tailored to each participant, will introduce you to the many and varied, fascinating and extraordinary types of personal name and their origins.
This module explores the tradition that the poetry and prose of Old English often focuses on warfare and heroic action. You will study and analyse poems from the Exeter Book 'elegies' and also passages from Beowulf to explore this rich and rewarding genre. You'll have a two-hour lecture and one-hour seminar each week for this module.
This module offers an in-depth exploration of the historical and theatrical contexts of early modern drama. This module invites students to explore the stagecraft of innovative and provocative works by Shakespeare and key contemporaries, such as Middleton, Johnson, and Ford (amongst others). Students will explore how practical performance elements such as staging, props, costume and music shape meaning. You’ll have one hour-long lecture and one two-hour long seminar each week, with occasional screenings.
Develop your understanding of some of the most influential performance theories and practice, from the beginning of the 20th century to the present.
Building on the ‘Drama, Theatre, Performance’ module, you will deepen your understanding of Stanislavski and Brecht in practice, as well as exploring the work of other influential theorists and practitioners.
Possible material includes:
For this module, you’ll have a mix of lectures and practical workshops, totalling three hours a week.
Workshops offer the opportunity for practical drama. You will explore theory in practice, through work with excerpts from canonical theatrical scripts and other performance scripts.
This module is worth 20 credits.
Theatre makers in the long 20th century have been dealing with a series of pressing artistic and social issues, many of which still concern us today.
These issues include:
In order to answer such questions, this module gives an overview of key plays and performances from the 1890s to the present. You will study these key texts in their original political, social, and cultural contexts. You will also:
This module is worth 20 credits.
You have the option of writing an individual research project in your final year. This can be on a topic of language, literature or performance.
You will work on a one-to-one basis with a supervisor, producing a detailed and sustained piece of writing.
There is also the option of completing a project-based dissertation. This is useful if you are interested in applied or practical aspects of English.
Recent dissertation titles include:
This module is worth 20 credits.
This module involves in-depth independent study of a subject in American and Canadian Studies. It encourages both student-centred and student-initiated learning. The topic you choose must be appropriate for your course and must be approved by the module convenor. You are assigned a supervisor with expertise in your chosen area of study.
The completed dissertation should be 5,000-7,000 words in length for the 20 credit module and 10,000-12,000 words in length for the 40 credit module. The 20 credit dissertation is for one semester only and the 40 credit version is year-long.
Recent dissertation titles include:
Experiences of and ideas about madness, insanity, and mental illness have varied and changed radically within American history and culture. This module will survey and analyse these changes from the mid-19thcentury to the present. We will consider how and why medical authority, gender, and class have all impacted the way in which mental illness is understood, and consider the significance of changing approaches to treatment. Sources used on this interdisciplinary module range from medical accounts and psychiatric theory to memoir, fiction and film. The aim is to place representations of mental illness in their historical context, and to ask what they reveal about related ideas about identity, conformity, social care and responsibility.
This module will consider the development of ‘ethnic’ and new immigrant literature in the United States from the late 19th century to the contemporary era. You will examine a range of texts from life-writing to short fiction and the novel by writers from a range of ethno-cultural backgrounds, including Irish, Jewish, Caribbean and Asian American. Issues for discussion will include the claiming of the United States by new immigrant and ‘ethnic’ writers; race and ethnicity; gender, class and sexuality; labour and economic status; the uses and re-writing of American history and ‘master narratives’; the impact of US regionalism; how writers engage with the American canon; multiculturalism and the ‘culture wars’; and the growth of ‘ethnic’ American writing and Ethnic Studies as academic fields.
This module examines North American short stories and novels and their film adaptations, paying attention to the contexts in which both the literary and the cinematic texts are produced as well as to the analysis of the texts themselves. In particular, the module takes an interest in literary texts whose film adaptations have been produced in different national contexts to the source material.
This module will challenge students to critically engage with the period that Henry Luce referred to as the “American Century”. It will cover a range of case studies between Luce’s injunction and the subsequent US entry into World War Two in 1941 and the recent twin-crises marked by the 2008 Great Recession and the Covid-19 global pandemic. In doing so, it will prompt students to consider both the projection of American power on a global scale after 1941 and the considerable challenges that this project faced. Incorporating a series of focused case studies and reflections on the wider contexts relating to them, it will give students first-hand experience of weighing up the practical challenges US policymakers faced and the way that historians have subsequently assessed their efforts and understood their actions.
Explore US foreign policy in the post-Cold War period.
You will examine the historical narratives of American international relations, considering the drivers behind the foreign policies of Presidents George H W Bush, Bill Clinton, George W Bush, Barack Obama and Donald Trump.
More specifically, we will consider:
You'll spend around three hours per week in lectures and seminars on this module.
This module is worth 20 credits.
What is a film, television or literary classic? How has this term come under pressure and fractured over the past half century or so? In this module you will consider the concept of the mid and late twentieth century American “classic” in a variety of contrasting and overlapping contexts. These contexts will be elaborated on the basis of their formal, generic, period and/or cultural designations that will cover university and exam curricula reading lists, popular opinion and widespread critical consensus (such as the currently prevalent view, for instance, that the early twenty-first century constitutes a ‘golden age’ of US television).
This module examines the development of photography in America from roughly 1945 onwards. The module breaks the period down into themes and considers:
1. the transformation of ‘documentary’ photograph;
2. the emergence and importance of colour photography;
3. experimental, conceptual and post-conceptual photography;
4. issues of serialism and seriality;
5. landscape photography;
6. the photobook
7. analogue/digital
The module will draw on the work of a diverse range of photographers, including Walker Evans, Robert Frank, Harry Callahan, Aaron Siskind, Ed Ruscha, Lewis Baltz, Robert Adams, Robert Heinecken, Stephen Shore, Todd Hido, William Eggleston and Doug Rickard.
This module explores the history and context of black female stardom in music and film. Crossing a wide range of genres and formats, it considers how black women create their star personas and navigate fame. It asks:
Using black feminist theory as the module’s foundation, we examine case studies from the lives of performers such as Lena Horne, Shirley Bassey, Leontyne Price, Mariah Carey, Beyonce, Queen Latifah, Missy Elliot, and Little Simz. Together, we dismantle the stereotypes that can be imposed on black women and consider how these artists have shaped their own performance identities.
Please note that this module will primarily focus on black British and Black American artists. However, students enrolled on this module are strongly encouraged to explore the work of black women from across Africa and the African diaspora.
This module is worth 20 credits.
This module will explore, in the broadest sense, politics and visual culture:
We will be looking at different genres, modes, forms and styles to examine how we can understand the interaction of politics and visual culture.
The magazine has been one of the most accessible and influential cultural forms in America since the mid-18th century. From the wide-ranging political and literary magazines of this founding period through the emergence of specialised and mass-market periodicals in the 19th century to the counter-cultural and consumerist magazines of the 20th century, this distinctive mode of publication has reflected the tensions and ideals of a rapidly developing society.
Using a broad range of representative magazines from different eras, this module will encourage students to get to grips with how American culture has shaped, and been shaped by, the periodical, and it will also introduce them to some of the unique literary and institutional qualities of the magazine. Primary sources covered on this module are likely to include The Dial (est. 1840), Harper's (est. 1850), The New Yorker (est. 1925), Life (est. 1936) and Rolling Stone (est. 1967).
Looked at in the context of their times, such sources show us how Americans have long engaged with and debated their own identity through the prism of print, as well as the ways in which this self-definition has changed across time. Moreover, alongside the magazine's regular testing of new political and cultural concepts we will be able to see how the periodical form itself embraced other emerging media, including illustration, photography, and popular music.
The main content-spine through each week will be a focus on changes in the nature of American journalism, the rise of modern advertising, and the development of the short story as a form, as well as the interactions between these three elements. In addition to the standard lecture/seminar set-up, the module will also incorporate a series of workshops focusing on hands-on study of hard copies of particular publications.
While the vexed questions of British identity and its relationship to empire have been at the forefront of political debate in the last decade, they have also been integral to literary production for many centuries. This module interrogates English and British representations of colonisation and empire, within Great Britain and Ireland and with particular reference to India. Well known writers such as Edmund Spenser, Jonathan Swift, Walter Scott, Arthur Conan Doyle, Rudyard Kipling and Salman Rushdie, will be set against less familiar voices, to consider the ways in which dominant narratives come about and can be challenged.
This module introduces key modern and contemporary poets.
You will build a detailed understanding of how various poetic forms manifest themselves in particular historical moments. Unifying the module is an attention to poets’ responses to the political and ideological upheavals of the 20th century.
The module will include such (primarily) British and Irish poets as:
Some of the forms examined will include: the elegy, the pastoral (and anti-pastoral), the ode, the sonnet (and sonnet sequence), the ekphrastic poem, the version or retelling, the villanelle, the parable and the sestina.
To develop a more complete perspective on each poet’s engagement with 20-century formal and political problems, we also examine these figures’ writings in other modes. This includes critical essays, manifestos, speeches, and primary archival materials such as letters and manuscript drafts.
Grounding each week will be readings on poetry and the category of the ‘political’ from an international group of critics, including such thinkers as Theodor Adorno, Charles Bernstein, Claudia Rankine, Peter McDonald, Angela Leighton, Christopher Ricks and Marjorie Perloff.
This module is worth 20 credits.
Examine 20th century Irish literature and drama.
Taking the Irish Literary Revival as a starting-point, you will consider authors in their Irish and European context. Such authors include:
We focus on reading texts in relation to their social, historical, and political contexts.
This includes tracking significant literary and cultural responses to Irish experiences of colonial occupation, nationalist uprising and civil war, partition and independence, socio-economic modernisation, and the protracted period of violent conflict in Northern Ireland.
This module is worth 20 credits.
This module examines the late twentieth and early twenty-first century globe through its correlates in fiction. The primary materials for the module will be post-war Anglophone works drawn from a wide geographical range across the world. After introducing the history of the idea of world literature, these works will be situated within a series of theoretical ‘worlds’: world literary systems; post-colonial criticism; cosmopolitanism; world ecologies; resource culture; literary translation theory. The module will also attend to critiques of 'world literature’ as a concept.
Henry James and Oscar Wilde had a passionate dislike of each other, as well as very different values. Even so, they moved in similar circles. Both men found themselves at the centre of British cultural and intellectual life, experimenting within the same set of literary, critical and theatrical modes.
This module uses the writings of Oscar Wilde and Henry James, alongside some of their contemporaries, to examine changes in literary culture and the practices of literary composition in the late 19th century.
We will explore:
You will study a range of texts by Wilde and James, including drama, fiction and criticism. These will be compared with pieces by a number of their contemporaries (including Walter Pater and William Morris), in order to assess both the modernity and radicalism of their writings.
This module is worth 20 credits.
Literature and Drama across the early modern period contributed to, and was often caught up in, dramatic changes in social, political, and religious culture which changed the way that people experienced their lives and the world around them. This module gives students the opportunity to read a wide range of texts in a multitude of genres (from drama, to prose fiction, pamphlets and poetry) in their immediate contexts, both cultural and intellectual. This module will situate the poetry, prose and drama between 1580 and 1700 against the backdrops of civil war and political revolution, scientific experimentation, and colonial expansion; in doing so, it will ask how the seventeenth century forms our current understandings of the world. Students will be encouraged to read widely, to develop a specific and sophisticated understanding of historical period, and to see connections and changes in literary and dramatic culture in a period which stretches from the Spanish Armada of 1588 to the ‘Glorious Revolution’ of 1688.
This stranded module provides students with a detailed introduction to the major works of a single author (e.g. James Joyce, Virginia Woolf, D. H. Lawrence). Students will select one author to study from a range on offer. They will then have the opportunity to consider in detail important thematic and stylistic aspects of their chosen author’s work, taking account of the chronological development of his/her writing practice (if relevant), and his/her relationship to key historical and literary contexts.
Through the exploration of lyric poetry, this module examines cultural and literary change from the fourteenth to the seventeenth century. It will consider the rise of ‘named poet’, the interaction of print and manuscript culture, the representation of love, and the use of the female voice. It will develop further students’ confidence in handling formal poetic terminology and reading poetry from this period. It will also enable students to think pragmatically about the transmission of lyric in modern editions, and about how best to represent the form.
This module focuses on the connections between literary texts, politics, and relevant historical/cultural contexts in gothic texts. You may cover:
Examples include The Haunting of Hill House (both Shirley Jackson’s novel and the Netflix adaptation), The Gilda Stories by Jewelle Gomez, and Saga of the Swamp Thing by Moore, Bissette and Totleben, and The Visions of the Daughters of Albion by William Blake.
You will explore various critical and theoretical approaches to literature, film, comics, adaptation, and popular culture. The module also seeks to decolonise Gothic Studies, including work by creators from a wide range of backgrounds who identify with a diverse range of subject positions.
This module is worth 20 credits.
The years from 1660 to 1830 are enormously important, especially in terms of the representation of the self in literature: Milton promoted the idea of the poet inspired by God; Pope and Swift mocked the possibility of anyone truly knowing their self; Wordsworth used poetry to explore his own life; and Byron and Austen provided ironic commentaries on the self-obsessions of their peers. This period also saw the rise of the novel (a form that relies upon telling the story of lives), a flourishing trade in biography, and the emergence of new genre, autobiography. This module will look at some of the most significant works of the period with particular reference to the relationship between writers and their worlds. Topics might include: the emergence, importance and limitations of life-writing; self- fashioning; the construction – and deconstruction - of the ‘Romantic’ author’; transmission and revision; translation and imitation; ideas of the self and gender; intertextuality, adaptation, and rewriting; creating and destroying the past; and writing revolution. Texts studied will range across poems, novels and prose.
This module offers an advanced study of the language of literary texts and how it impacts reading and interpretation. It bridges the gap between the literary and linguistics aspects of our BA degrees. It also equips you with skills that will be useful in the teaching of English, or for a career in publishing.
You will study:
You will learn to explain how style contributes to meaning and interpretation, and why texts affect you in different ways.
This module is worth 20 credits.
This module provides comprehensive knowledge of feminist theory, as applied to a series of language and linguistic contexts.
You will explore a range of analytical approaches to language, including conversation analysis, critical discourse analysis, and interactional sociolinguistics. You will also respond to, and critically engage with, contemporary real-world problems associated with gender and sexuality, through the consideration of discourse-based texts.
Topics covered include:
This module is worth 20 credits.
Speaking, listening, reading, and writing are a complex set of behaviours that are a fundamental part of our daily lives. And yet they remain difficult to fully explain.
When you hear ‘FIRE’, you immediately look for an exit and start moving. Yet all that a speaker has done is produce a string of sounds. Your mind distinguishes these from the murmuring of other voices, feet clomping on the floor, and any background music. Your mind matches the sounds f-i-r-e with a word, retrieves the meaning, and relates them to the current circumstances and responds accordingly.
How does the mind do this? And what makes our minds so special that we can do this? On this module, we begin to address these questions.
You will consider:
This module is worth 20 credits.
The module is designed to provide students with an understanding of the process of English Language Teaching (ELT) and of the theoretical underpinnings of this practice. In this module students will learn the principles behind the learning and teaching of key aspects and skills of English, including:
Students will also learn how to apply these theoretical principles to the development of teaching materials. This module will therefore be of interest to students who want to pursue a teaching career, and in particular to those interested in teaching English as a second or foreign language.
This module is worth 20 credits.
The genre of dream-vision inspired work by all the major poets of the Middle Ages, including William Langland, the Pearl-Poet, and Geoffrey Chaucer. The course will aim to give you a detailed knowledge of a number of canonical texts in this genre, as well as ranging widely into the alliterative revival, and chronologically into the work of John Skelton in the early sixteenth century. The course will depend upon close, detailed reading of medieval literary texts, as well as focusing on the variety and urgency of issues with which dream poetry is concerned: literary, intellectual, social, religious and political.
The module uses the study of place-names to show the various languages – British, Latin, French, Norse and English – that have been spoken in England over the last 2000 years.
You will learn how place-name evidence can be used as a source for the history of English, including:
We also consider the interdisciplinary contribution that place-names offer to historians and geographers.
For this module's assessment, you can choose a geographical area of particular interest.
This module is worth 20 credits.
This module gives an opportunity to those who already have a basic knowledge of Old English language and literature to explore some of the astonishing range of texts from the earliest stages of English literature. The texts studied are heroic and Christian. Themes include Germanic myth and legend, heroic endeavour, Christian passion. A study of the epic poem Beowulf — its characters, its themes, its ‘meaning’ — is essential to the module. Texts are read in Old English (with plenty of help given).
Through the exploration of lyric poetry, this module examines cultural and literary change from the fourteenth to the seventeenth century. It will consider the rise of ‘named poet’, the interaction of print and manuscript culture, the representation of love, and the use of the female voice. It will develop further students’ confidence in handling formal poetic terminology and reading poetry from this period. It will also enable students to think pragmatically about the transmission of lyric in modern editions, and about how best to represent the form.
Our images of Vikings come largely from the Icelandic sagas. These present a Viking Age of daring exploits, global exploration and bloody feuds, as carried out by valiant warriors and feisty women. But how accurate are the sagas when it comes to understanding what really happened in the Viking Age? Can they provide an insight into the Viking mind?
This module explores Norse and Viking cultural history, using an interdisciplinary approach grounded in the study of texts.
Topics covered include:
Your one-hour lectures will provide the evidence base for discussion in the two-hour, student-led seminars. The seminars also include some language work.
Assessment for this module is by a one-hour exam of comment and analysis, and a 3000-word project on a topic of your choice in consultation with a tutor.
This module is worth 20 credits.
Peter Pan, Les Misérables, Hamilton... just a few of the iconic productions that started life in London’s West End, or on Broadway in New York. But why and how did they become so successful?
The 20th and 21st centuries have seen major changes in the way theatre is financed, produced and presented, both on stage and on screen. This module explores the fascinating world of theatre production, covering:
Examining the mainstream and the fringes, we apply case studies including Shakespeare in production, new plays, revivals, and international hits like the ones listed above, illustrating how theatre responds to changing contexts and audiences.
This module is worth 20 credits.
Examine 20th century Irish literature and drama.
Taking the Irish Literary Revival as a starting-point, you will consider authors in their Irish and European context. Such authors include:
We focus on reading texts in relation to their social, historical, and political contexts.
This includes tracking significant literary and cultural responses to Irish experiences of colonial occupation, nationalist uprising and civil war, partition and independence, socio-economic modernisation, and the protracted period of violent conflict in Northern Ireland.
This module is worth 20 credits.
Literature and Drama across the early modern period contributed to, and was often caught up in, dramatic changes in social, political, and religious culture which changed the way that people experienced their lives and the world around them. This module gives students the opportunity to read a wide range of texts in a multitude of genres (from drama, to prose fiction, pamphlets and poetry) in their immediate contexts, both cultural and intellectual. This module will situate the poetry, prose and drama between 1580 and 1700 against the backdrops of civil war and political revolution, scientific experimentation, and colonial expansion; in doing so, it will ask how the seventeenth century forms our current understandings of the world. Students will be encouraged to read widely, to develop a specific and sophisticated understanding of historical period, and to see connections and changes in literary and dramatic culture in a period which stretches from the Spanish Armada of 1588 to the ‘Glorious Revolution’ of 1688.
You will be taught via a mixture of large-group lectures and smaller, interactive seminars. You might also be taught through tutorials and supervisions. These are one-to-one meetings or discussions with an academic tutor.
This course includes a wide range of learning materials. This could include reading books, online journal articles, e-book chapters, shorter review essays, newspaper and magazine articles. It could also mean watching documentary films, and, on some modules, listening to music on YouTube or Spotify.
“I did a module called ‘The Pop Century’, which was on 20th century music, in second year. I loved that because you’d have a playlist every week and reading to go with it. We’d listen to songs and you’d choose your favourite one and link it to the historical context." – Liberty Jones, 2021 graduate
You will also have a personal tutor from the Department of American and Canadian Studies. This is someone who can:
First-year students can benefit from being paired with a 'peer mentor'. This is an existing student from your department who helps you settle in, get to know your peers and advise on student life.
Find out more about the support on offer.
Tutor's contributions to high quality teaching and learning are recognised through our annual Lord Dearing Awards. View the full list of recipients.
Assessment is based on a combination of coursework, including essays and dissertation projects, seminar participation and oral presentations, and formal examinations. The precise assessments vary from one module to another and across the years of your degree.
The opportunity to discuss ideas and coursework with your tutor is an integral part of your studies at Nottingham. Whether by giving feedback on an essay plan, or discussing the results of an assessment, we help you work to the best of your ability. Each tutor offers weekly support and feedback hours, while feedback on coursework is also posted online via our tailored teaching and learning platform.
Your tutors will also be available outside these times to discuss issues and develop your understanding. You will have a personal tutor from the Department of American and Canadian Studies. You will also be allocated a joint honours advisor from the School of English.
We reduce your contact hours as you work your way through the course. As you progress, we expect you to assume greater responsibility for your studies and work more independently.
Your lecturers will be qualified academic staff. Some of your classes may be run by temporary teaching staff who are also experts in their field.
Class sizes vary depending on topic and type. A weekly lecture on a core module may have 50-60 students attending, while a specialised seminar may only contain 10 students.
As well as scheduled teaching, you’ll carry out extensive self-study such as independent reading and research. As a guide, 20 credits (a typical module) is approximately 200 hours of work (combined teaching and self-study). Each 20-credit module typically involves between three and four hours of lectures and seminars per week. You would ideally spend 8-10 hours doing preparation work.
As an American Studies and English graduate, you will have gained valuable transferable skills, including:
Read our Department of American and Canadian Studies and School of English student and alumni profiles. Find out more about the range of skills you will gain, as well as the careers which our graduates go into.
You can also learn more about subject-related careers opportunities from our Careers and Employability Service:
6.3% of undergraduates from the Department of American and Canadian Studies secured graduate level employment or further study within 15 months of graduation. The average annual salary for these graduates was £24,651.*
79% of undergraduates from the School of English secured graduate level employment or further study within 15 months of graduation. The average annual salary for these graduates was £23,096.*
* HESA Graduate Outcomes 2019/20 data published in 2022. The Graduate Outcomes % is derived using The Guardian University Guide methodology. The average annual salary is based on graduates working full-time within the UK.
Studying for a degree at the University of Nottingham will provide you with the type of skills and experiences that will prove invaluable in any career, whichever direction you decide to take.
Throughout your time with us, our Careers and Employability Service can work with you to improve your employability skills even further; assisting with job or course applications, searching for appropriate work experience placements and hosting events to bring you closer to a wide range of prospective employers.
Have a look at our careers page for an overview of all the employability support and opportunities that we provide to current students.
The University of Nottingham is consistently named as one of the most targeted universities by Britain’s leading graduate employers (Ranked in the top ten in The Graduate Market in 2013-2020, High Fliers Research).
University Park Campus covers 300 acres, with green spaces, wildlife, period buildings and modern facilities. It is one of the UK's most beautiful and sustainable campuses, winning a national Green Flag award every year since 2003.
I would urge those who have a great passion for the arts to look into this course as it will allow students to explore various realms of various subjects without being confined to one.
Dasia Ngundam-Bohi
American Studies and English
Faculty of Arts
3 years full-time
Qualification
BA Hons
Entry requirements
AAA
UCAS code
Q300
Faculty of Arts
3 years full-time
Qualification
BA Hons
Entry requirements
AAA
UCAS code
Q392
Faculty of Arts
3 years full-time
Qualification
BA Hons
Entry requirements
AAA
UCAS code
Q3W8
Faculty of Arts
1 year foundation course, 3 year undergraduate course
Qualification
BA Hons
Entry requirements
BCC
UCAS code
Q30F
Faculty of Arts
3 years full-time
Qualification
BA Jt Hons
Entry requirements
AAA
UCAS code
QV31
Faculty of Arts
4 years full-time
Qualification
BA Jt Hons
Entry requirements
ABB
UCAS code
QR31
Faculty of Arts
4 years full-time
Qualification
BA Jt Hons
Entry requirements
ABB
UCAS code
QR32
Faculty of Arts
4 Years FULL TIME
Qualification
BA Jt Hons
Entry requirements
ABB
UCAS code
QRH4
Faculty of Arts
3 years full-time
Qualification
BA Jt Hons
Entry requirements
AAB
UCAS code
QV35
Faculty of Arts
3 years full-time
Qualification
BA Jt Hons
Entry requirements
AAB
UCAS code
QQ38
Faculty of Arts
3 Years full-time
Qualification
BA Jt Hons
Entry requirements
ABB
UCAS code
QV33
Our webpages contain detailed information about all processes in your student journey. Check them out alongside our student enquiry centre to find the information you need. If you’re still struggling, head to our help page where you can find details of how to contact us in-person and online.