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Course overview

History of Art and English both deal with common issues. How do we feel? What's happening in society? What is our place in that society? 

By combining these two subjects into one degree you'll get a rich understanding and appreciation of language - visual, written and spoken. 

You'll study English language, literature and drama from Old English to the present day. We have one of the most diverse range of modules of any UK university. This allows you to follow your existing passions while exploring new topics. 

You will also explore visual cultures across periods, media and societies. All the time you'll be questioning. Why that method? Why that subject? How did people react then? What does it mean now?

Although studied separately you'll be able to explore links between History of Art and English in some projects.

During your three years you'll be exposed to an incredible breadth of art - fiction, poetry, drama, painting, sculpture, architecture, graphics, photography, film and more.  

Find out more about the Department of Cultural, Media and Visual Studies and the School of English.

Why choose this course?

  • Study with staff who are active creators - published authors and poets, curators of public exhibitions
  • Put your own skills into practice with the student-run New Theatre and Crop-Up Gallery
  • Live in a UNESCO City of Literature, with opportunities both on-campus and in the city
  • Connect with Lakeside Arts, our on-campus public arts programme for drama, exhibitions and music 
  • Explore career options with our bespoke work placements and volunteering schemes
  • Spend part of your time studying abroad - experience living and learning in a different culture

Entry requirements

All candidates are considered on an individual basis and we accept a broad range of qualifications. The entrance requirements below apply to 2021 entry.

UK entry requirements
A level offer ABB
Required subjects

Including B in English

IB score 32 (5 in English at Higher Level)

Extended Project Qualification (EPQ)

If you have already achieved your EPQ at Grade A you will automatically be offered one grade lower in a non-mandatory A level subject.

If you are still studying for your EPQ you will receive the standard course offer, with a condition of one grade lower in a non-mandatory A level subject if you achieve an A grade in your EPQ.

Learning and assessment

How you will learn

Teaching methods

  • Field trips
  • Lab sessions
  • Lectures
  • Practical classes
  • Seminars
  • Tutorials
  • Placements
  • Workshops

How you will be assessed

History of Art

For field trip based modules you'll be asked to keep a study diary recording your observations and experiences.

Assessment methods

  • Commentary
  • Dissertation
  • Essay
  • In-class test
  • Portfolio (written/digital)
  • Presentation
  • Reflective review
  • Written exam

Contact time and study hours

The minimum scheduled contact time you will have is:

  • Year one - 12 hours
  • Year two - 10 hours
  • Year three - 8 hours

Weekly tutorial support and the accredited Nottingham Advantage Award provide further optional learning activities, on top of these class contact hours. Your lecturers will also be available outside your scheduled contact time to discuss issues and develop your understanding.

As well as your timetabled sessions you’ll carry out extensive independent study. This will include course reading and seminar preparation. As a guide 20 credits (a typical module) is about 200 hours of work (combined teaching and self-study).

Class sizes vary depending on topic and type. A popular lecture may have up to 150 students attending while a specialised seminar may only contain 15 students.

Your lecturers will be members of our English and History of Art academic staff. Some of our postgraduate students also support teaching after suitable training.

Study abroad

  • Explore the world, experience different cultures and gain valuable life skills by studying abroad
  • Options range from short summer schools, a single semester to a whole year abroad
  • Language support is available through our Language Centre
  • Students studying abroad for a semester pay reduced fees (Home/EU students - £6,480, International - 75% of the relevant international fee)
  • Boost your CV for prospective employers

Placements

Become 'workplace-ready' with our Work Placement module. It helps you develop skills and experience that allow you to stand out to potential employers.

The History of Art team can help with placements and practical opportunities at one of our partner cultural institutions, including Nottingham ContemporaryNew Art ExchangePrimary and Quad.

The School of English has a well developed portfolio of work experience and voluntary placements. These range across professional arts organisations, schools and community groups.

You also have access to a wide range of work experience and volunteering schemes through the:

Student-led opportunities

Crop up Gallery

One of the UK's leading student-run curatorial collectives. Opportunities to curate, explore and gain professional experience.

Creative Student Network

Helps develop the skills and experience for careers in the creative industries.

  • Workshops with leading industry partners
  • Internships with major US and UK film, television and marketing companies

Impact magazine

In print and online - unleash your writing and design skills on the issues that matter to Nottingham students.

Impact of the Coronavirus on work placements, field trips and volunteering

We work with a range of organisations to provide work placements, field trips and volunteer opportunities. As you'll appreciate they are all disrupted by the Coronavirus pandemic.

We expect opportunities to run as usual from the academic year 2021/22 but this cannot be guaranteed. We will do our best to arrange suitable activities as previous students always tell us how much they appreciate these opportunities.

Why study more than one subject?

Watch our animation about studying a joint honours degree with us.

Modules

The year is split equally between the two subjects with three core modules in each.

You must pass year one but it does not count towards your final degree classification.

History of Art core modules

Examine key developments, methods, materials and processes as well as developing your skills in first-hand analysis. You'll begin to appreciate how objects relate to their cultural and historical context.

History of Art: Renaissance to Revolution

Explore art and architecture from the Renaissance to the Age of Revolutions (c.1789).

  • Discuss individual artists and works and set them within their historical contexts.
  • Question how changing forms of art relate to their social, political and philosophical contexts.
  • Examine the interplay of individual and collective ideas, practices, and institutions.
  • Think about how contextual study can be married to visual analysis.
History of Art: Modern to Contemporary

Explore art and architecture from 1800 to the contemporary world.

  • Discuss individual artists and works and set them within their historical contexts.
  • Question how changing forms of art relate to their social, political and philosophical contexts.
  • Examine the interplay of individual and collective ideas, practices, and institutions.
  • Think about how contextual study can be married to visual analysis.
Art, Methods, and Media
  • Why are particular media and processes used by artists and architects?
  • How does this impact the value, status, and meaning of objects?

We’ll span time from the Renaissance to today and examine materials as diverse as:

  • paint
  • bronze
  • marble
  • plastic
  • text and speech
  • film, both still and moving
  • the human body

You’ll also explore how changes in technology, processes and labour have affected products and production.

English core modules

Choose three core modules from four areas. They will give you a thorough grounding in the relevant areas and influence your studies in years two and three.

Literature, 1500 to the present

Studying Literature

This module introduces you to some of the core skills for literary studies, including skills in reading, writing, researching and presentation. The module addresses topics including close reading, constructing an argument, and handling critical material, as well as introducing you to key critical questions about literary form, production and reception. These elements are linked to readings of specific literary texts, focused on poetry and prose selected from the full range of the modern literary period (1500 to the present).

Across the year you will learn about different interpretive approaches and concepts, and will examine literary-historical movements and transitions.

Learning objectives:

  • To introduce you to selected literary texts, to deepen your imaginative engagement and analytic response.
  • To provide you with a basis of knowledge, working methods and appropriate terminology for subsequent work at university level.
  • To provide you with knowledge and understanding of the literary, cultural and historical contexts for literature from the period 1500 to the present, and the relationship between period and genre.

English language and applied linguistics

Studying Language

This module teaches you about the nature of language, as well as how to analyse it for a broad range of purposes, preparing you for studies across all sections of the school.

During the weekly workshops you will learn about levels of language analysis and description, from the sounds and structure of language, through to meaning and discourse. These can be applied to all areas of English study, and will prepare you for future modules. In the lectures you will see how the staff here in the School of English put these skills of analysis and description to use in their own research. This covers the study of language in relation to the mind, literature, culture, society, and more. The seminars will then give you a chance to think about and discuss these topics further.

Learning objectives:

  • To provide you with methods of language analysis and description for each linguistic level (phonology, morphology, syntax, semantics, pragmatics, discourse)
  • To prepare you for conducting your own language research across your degree
  • To introduce you to the areas of research and study within the school, with particular focus on psycholinguistics, literary linguistics, and sociolinguistics

Medieval languages and literatures

Beginnings of English

This module will introduce you to a range of medieval English literature, and to the language(s) in which that literature was written. It will give you a solid introduction to the study of medieval English in all its variety, including the study of related Old Norse texts.

Over the course of the year you will discover a wealth of literature that is moving, exciting and thought-provoking with texts and language that inspired great writers from Shakespeare to Neil Gaiman, including Hopkins, W.H. Auden, Heaney, Tolkien and J. K. Rowling.

Learning objectives:

  • To introduce you to the earliest English and related Old Norse texts
  • To give you an understanding of the cultural and artistic milieux that produced these texts
  • To reflect on the relevance of these texts to our world and the impact they have had on contemporary literature
  • To enable you to understand the development of the English language
  • To familiarise you with the themes and genre of medieval English literature

Drama and performance

Drama, Theatre, Performance

This module explores the extraordinary variety of drama in the Western dramatic tradition. You will examine dramatic texts in relation to their historical context, moving from the theatre of ancient Greece, English medieval drama, the theatre of Shakespeare and his contemporaries, the Restoration stage, to nineteenth-century naturalism. In addition to texts produced by writers from Sophocles to Ibsen, you will also consider a variety of extra-textual features of drama, including the performance styles of actors, the significance of performance space and place, and the composition of various audiences.

You will study selected plays in workshops, seminars and lectures, during which we will explore adaptation and interpretation of the texts through different media resources.
You will also have the opportunity to engage in practical theatre-making, exploring extracts from the selected play-texts in short, student-directed scenes in response to key questions about performance.

Learning objectives:

  • To provide you with an understanding of drama as a performance medium, in which real people and objects are presented to other people in real, shared space.
  • To introduce you to a range of historical performance conventions, including Ancient Greek tragedy and nineteenth century naturalism.
  • To enable you to recognise and analyse the varied elements which constitute performance.
  • To provide you with knowledge and understanding of the social, historical and cultural contexts of various play-texts.
The above is a sample of the typical modules we offer but is not intended to be construed and/or relied upon as a definitive list of the modules that will be available in any given year. Modules may change or be updated over the duration of the course due to a number of reasons such as curriculum developments or staffing changes. Please refer to the module catalogue for the latest information on available modules.

With no core modules you are free to choose modules balanced across both subjects. These can develop your existing interests or broaden your knowledge into new areas.

You must pass year two and it counts approximately one third towards your final degree classification.

History of Art modules

Select three modules (60 credits) across a range of periods, media and countries.

You can gain work experience through a Work Placement module.

European Avant-Garde Film
This module examines avant-garde cinema in early 20th century Europe. It will begin by exploring what is meant by the term ‘avant-garde’, and consider the development of experimental filmmaking in the context of artistic movements such as Futurism, Cubism, Dada, Surrealism and Constructivism. You will focus on developments in Germany, France and the Soviet Union during the 1920s and 1930s, and consider key trends from abstract animation to cinema pur. The module will highlight some key concerns of non-mainstream cinema such as narrative, abstraction, reflexivity, spectatorship, movement, time and space. You will also examine the engagement of experimental film with modernity, considering both aesthetic and political strategies of the European avant-gardes.
Los Angeles Art and Architecture 1945-1980
This module introduces a number of artistic and architectural practices that emerged in Southern California after 1945. Exploring their cultural and historical context, we will consider the role of Los Angeles in the development of post-1945 American art and architecture, including mid-century modernism, Pop Art, Conceptual Art and Light & Space Art. Central to this module is the question of whether all art made in Los Angeles can be classified as “Los Angeles Art” – that is, the extent to which the art and architecture of the region necessarily reflected the geographical location, climate, and expansive urban layout of Los Angeles. To this end, we will consider the critical reception of art of this period, investigating, amongst other critical constructs, the notions of centre and periphery, regionalism and the cultural construction of the American west that shaped much writing on California during the period.
The Sixties: Culture and Counterculture

Described variously as an era of dissent, revolution and experiment, the 1960s offers a unique vantage point from which to explore a range of issues and topics pertinent to media and cultural studies. The art of the period brings into view a volatile world where distinctions between different media were becoming blurred (as in performance art, for instance) and where inherited ideas, hierarchies and values were contested, if not exploded. Notions such as the Establishment, the underground, celebrity, obscenity, mass culture, alongside those of personal identity (gender, race, class, sexuality) were all subject to radical questioning in an era where events, such as those of the Civil Rights Movement and the Vietnam War, challenged the received order of things. This module critically evaluates the idea of the 1960s, starting with its status as a fabled decade that is said to cast its shadow today. Historiographical and geographical questions structure the module.  When and, crucially, where were ‘the Sixties’? Was it primarily an Anglo-American phenomenon? Was it the 1950s until 1963? Did it end in the early 1970s, as some believe, with the Oz Trials?  These and other questions will help us to demythologise the period and begin investigating it anew.

Black Art in a White Context: Display, Critique and The Other

You will explore the works and practices of Black artists that have been displayed or produced in Europe and America from the nineteenth century to the present day. This includes how methods of display, tactics of critique and attitudes towards the 'Other' have defined and influenced how Black art is viewed and produced in the Western world.

You will begin by considering nineteenth-century attitudes towards African objects, before exploring the influences of ethnography and African material culture on artists working in the early- to mid-twentieth century, such as the Surrealists. You will then consider artworks produced in the Harlem Renaissance by painters like Aaron Douglas and photographers like James Van Der Zee.

You will then think about how artists like Jeff Donaldson and Faith Ringgold sought to recover African history, culture, and forms of memory in the context of the civil rights movements of the 1960s and 1970s, and how their work responded to the political and social pressures of this period.

Examining the practices of more recent artists like Lorna Simpson, Glenn Ligon, and Kara Walker, you will then explore how artists have critically re-presented history’s narratives in ‘the present’ before focusing on the curatorial works of Fred Wilson.

Finally, you will consider the rise of contemporary African art within European and American art markets, and the related economic and political shifts that have occurred since the colonial era. 

Film and Television in Social and Cultural Context

During this year-long module you'll think about industries, audiences and surrounding debates from a social and cultural viewpoint. You'll learn about the way that social and cultural meaning is produced by film and television programmes and explore the social practices that surround the consumption of media, such as movie going and television viewing.

Memory, Media and Visual Culture

Media, TV, film and visual culture play a central role in forming our knowledge of the past. There is no memory without its representation in language or images.  Using a range of case studies, this module explores how different forms of remembrance add weight to what they represent. Who remembers what, when, where, why and to what purpose? Why do screen and other media retell certain stories over and over again, and how is such remembrance linked to the erasure of other pasts? How can we explain an abundance of remembered soldiers from the First World War, while millions of victims of the ‘Spanish Flu’ have been publicly forgotten? What is the relationship between national and transnational memories, when set against memories of enslavement and its visualisations? How do images of disaster respond to audience expectations,  and what do they tell us about the ethics of viewing? What needs to be considered when knowledge about atrocities is mediated in photographs taken by perpetrators?  These, and other questions, will guide our approach to an interdisciplinary field of media, film and visual studies. The module will encourage students to reflect critically on regimes of visibility and narration, and on the distinct ways that memories of certain events are communicated via different genres, institutions, and artefacts.

Art at the Tudor Courts, 1485-1603
This module will provide an introduction to visual art at the Tudor courts, from the accession of Henry VII in 1485 to the death of Elizabeth I in 1603. In doing so, it takes account of a wide range of art forms, from portraiture to pageantry, jewellery to the book. Key issues dealt with in lectures and seminars include contemporary theories of visuality and monarchy, the particular context of court culture, and the use of visual material in the service of self -fashioning. It considers the impact of major historical developments including the reformation and the advent of print. As such, the relationship of the arts to politics is a key theme. Through exploring the highly sophisticated uses of visual art at the Tudor courts, the course seeks to re-evaluate the common idea that English art at the time was isolationist and inferior to that of continental Europe.
Understanding Cultural Industries

You'll learn how show business is broken down into 'show' and 'business' in film, television and promotional industries and examine how creative decision-making, technology and legislation influence those industries. You'll also learn about how advertising and market research influence the design and production of media in certain regions and how film and television industries have developed in different contexts and periods.

Media Identities: Who We Are and How We Feel

This module develops critical modes of attention to the mediation of identity. On our screens and in our headphones, we shape and reshape our selves. Media do not reflect identities but play an active role in bringing them into being. This module takes up the question of 'identity politics', enhancing students' knowledge and understanding of key identity categories that have been advanced and problematized by media scholars, such as gender and sexuality, race and ethnicity, national, regional and local belonging, age, ability and disability, and more. The module also interrogates the mediated forms these identities take, considering the politics of looking and visual culture, the politics of hearing and auditory culture, and the politics of affect, emotions and embodiment. The module encourages historical as well as contemporary perspectives.

Digital Communication and Media

Digital communication and media are significantly transforming the ways our societies operate. This module critically explores key issues behind this transformation. The module tracks the emergence of digital communications and associated media cultures, engages with issues and practices that differentiate digital communication from older forms of media and their associated forms of communication, and draws on a range of theories and methodologies. The module investigates theoretical and practical foundations of digital communication and media and their relationship to contemporary culture. Students also study the cultural, political, economic, technical and regulatory contexts from which digital communication and media have emerged and in which they continue to operate. To link conceptual frameworks to real-life experiences and situations, the module provides opportunities to explore the interactive forms and practices that result from the use of digital communication and media through a range of both individual and group activities.

English modules

Depending on your module choices in your first year, you will choose three modules (60 credits) in your second year in English that cover at least two areas of study.

Literature, 1500 to the present

From Talking Horses to Romantic Revolutionaries: Literature 1700-1830

This module introduces you to a range of literature written between 1700-1830. This was a dramatic and turbulent period in literary history where anything was possible and many roles were reversed. Writers produced texts about contemporary issues such as class, poverty, sexuality, slavery, and the city, but also had their eyes firmly on the past. They took every available opportunity to promote their own agendas and to savage and ridicule those of their political and literary opponents. You’ll examine a wide-range of literature considering the political, social and cultural contexts of the period. 

Literature and Popular Culture

This module will give you an understanding of the relationship between literature and popular culture, as you explore works from across a range of genres and mediums such as prose fiction, poetry, comics, graphic novels, music, television and film. In addition to exploring topics such as aesthetics and adaptation, material will be situated within cultural, political and historical contexts allowing for the distinction between the literary and the popular. 

Modern and Contemporary Literature

This module will familiarise you with relevant aesthetic, generic, and literary-historical strategies for tracing formal and thematic transformations in 20th and 21st century literature. Moving between genres, the module will unfold chronologically from modernism, through the inter-war years, and into the 'contemporary scene' up to the present day.

Shakespeare and Contemporaries on the Page
This module focuses on material written between 1580 and 1630 to provide you with an introduction to methods of reading early modern texts. Shakespeare’s poetry will be among the core texts; other canonical writers will include Christopher Marlowe, Edmund Spenser, Philip Sidney and John Donne. You’ll explore the practice of historicised readings of early modern texts and you’ll consider the related challenges and limitations. You’ll have one hour of lectures and two hours of seminars each week.
Texts Across Time
This module will consider key issues in the study of English language and world literature, locate language and literature in time and place, and extend your knowledge of the intellectual, political, historical, and cultural developments in language and literature.
Victorian and Fin de Siècle Literature: 1830-1910

You will explore a wide variety of Victorian and fin-de-siècle literature, with examples from fiction, critical writing, poetry and drama. It will examine changes in literary forms and genres over this period, as well as looking at the contested transition between Victorianism and Modernism. The module is organised around a number of interrelated themes, to include empire and race, class and crime, identity and social mobility, gender and sexuality, and literature and consumerism.

English Language and Applied Linguistics

Language in Society
This module provides a broad introduction to sociolinguistic theory. You will investigate: the role that language has to play in constructing and reflecting cultural identities theories of language variation across and within communities the role of the English language in the world the specific role of Standard English within British contexts You will be introduced to both qualitative and quantitative approaches to the study of sociolinguistics, combining theoretical linguistics and practical methodological investigation. You’ll have a two-hour lecture and a one-hour seminar each week.
The Psychology of Bilingualism and Language Learning
This module will introduce you to theories and practice of second language learning, enabling you to develop an in-depth understanding of the process in various settings. Topics that are covered include: zone of proximal development, classroom interaction, collaborative learning, learning styles, and classroom methodology. You will spend around three hours in a workshop each week.
Texts Across Time
This module will consider key issues in the study of English language and world literature, locate language and literature in time and place, and extend your knowledge of the intellectual, political, historical, and cultural developments in language and literature.
Language Development

You’ll explore how English is learnt from making sounds as an infant through to adulthood. Topics relating to early speech development include: the biological foundations of language development, the stages of language acquisition and the influence of environment on development. Further topics which take into account later stages of development include humour and joke telling abilities, story-telling and conversational skills and bilingualism.

Literary Linguistics

This pod explores the use of linguistic frameworks to investigate literary texts. Through practical analysis and interactive tasks, you will consider a variety of linguistic explorations of poetry, prose and drama from a wide range of historical periods.  

You will: 

  • critically apply and evaluate key approaches to language and literature 
  • investigate the notions of literariness and interpretation
  • consider the scope and validity of stylistics, in relation to literature and literary studies 

Medieval languages and literatures

Chaucer and his Contemporaries
In this module you’ll be introduced to the exceptionally rich period of writing in English at the end of the fourteenth and turn of the fifteenth century. It will focus on the so-called ‘Ricardian’ poets, Chaucer (selected Canterbury Tales, Parliament of Fowls, Legend of Good Women), Langland (excerpts from Piers Plowman), Gower (excerpts from Confessio Amantis) and the Gawain-poet (Patience). You’ll also discuss Thomas Hoccleve’s early poems, and the prose works of the female mystics Julian of Norwich and Margery Kempe. You’ll have an hour-long lecture and two one-hour seminars weekly for this module.
Old English: Reflection and Lament
This module explores the tradition that the poetry and prose of Old English often focuses on warfare and heroic action. You will study and analyse poems from the Exeter Book 'elegies' and also passages from Beowulf to explore this rich and rewarding genre. You'll have a two-hour lecture and one-hour seminar each week for this module.
Ice and Fire: Myths and Heroes of the North

In this module you will study and analyse the key texts of old Norse myth and legend from which popular stories come, along with pictorial versions in wood and stone from throughout the Viking world. You’ll explore the development of Norse myth and legend from the Viking Age, through medieval Christian Iceland, and into more recent times.

Names and Identities

What can given names, surnames and nicknames tell us about people in the past? What determines the choice of a name for a child? Where does our hereditary surname system come from? How have place, class and gender impacted upon naming through time? This module will help you answer all these questions and more. Interactive lectures and seminars, and a project based on primary material tailored to each participant, will introduce you to the many and varied, fascinating and extraordinary types of personal name and their origins.

Drama and Performance

Stanislavski to Stelarc: Performance Practice and Theory
This module helps you develop your understanding of the theory and practice of theatre and performance from the beginnings of the twentieth century through to the present day. Building on the work encountered in Introduction to Drama, you will move forward from naturalism to consider the work of influential theorists and practitioners such as Stanislavski, Brecht, Meyerhold, Barba, Schechner, Boal, Artaud, Berkoff, Grotowski, Jarry and the futurists, whose work has had a major impact on theatre and performance in the twentieth and early twenty-first centuries . You’ll have a mix of lectures and workshops totalling three hours per week for this module.
Twentieth Century Plays

This module aims to provide you with an overview of key plays and performances from the 1890s to the present, placing those texts in their original political, social, and cultural contexts and considering their subsequent reception and afterlife. You’ll focus on the textual and performance effects created in those key texts, by writers such as Samuel Beckett and Edward Albee, and will be encouraged to situate those texts alongside the work of relevant theorists and practitioners.

Shakespeare and Contemporaries on the Stage
This module offers an in-depth exploration of the historical and theatrical contexts of early modern drama. This module invites students to explore the stagecraft of innovative and provocative works by Shakespeare and key contemporaries, such as Middleton, Johnson, and Ford (amongst others). Students will explore how practical performance elements such as staging, props, costume and music shape meaning. You’ll have one hour-long lecture and one two-hour long seminar each week, with occasional screenings.
The above is a sample of the typical modules we offer but is not intended to be construed and/or relied upon as a definitive list of the modules that will be available in any given year. Modules may change or be updated over the duration of the course due to a number of reasons such as curriculum developments or staffing changes. Please refer to the module catalogue for the latest information on available modules.

You again have free choice of modules balanced equally across both subjects (60 credits in each).

A key feature of your third year is the opportunity to write a dissertation, allowing you to explore a topic of personal interest in depth. This can specialise in one subject or combine them both in a single dissertation.

You must pass year three and it counts approximately two thirds towards your final degree classification.

History of Art modules

Dissertation in History of Art

This module involves the in-depth study of an art historical topic over one or two semesters. You will chose the topic in consultation with a tutor, subject to the approval of the Department. You will be allocated a dissertation supervisor appropriate to the chosen topic. Teaching for this module takes the form of individual tutorials with your dissertation supervisor, as well as group workshops focusing on research, writing, and presentation skills. It provides you with the opportunity to undertake a substantial piece of writing on a topic of particular personal interest.

The dissertation can be taken for 20 or 40 credits.

Fascism, Spectacle and Display
This module will examine cultural production during Italy’s fascist regime. There will be an emphasis on the experience of visual culture in public settings such as the exhibition space, the cinema, and the built environment. A wide range of cultural artefacts will be examined, paying attention to material as well as visual aspects. Visual material will be situated in the social, cultural and political circumstances of the period. Topics will include: Fascism’s use of spectacle, fascist conceptions of utopia, the regime’s use of the past, the relationship between Fascism and modernism, Fascism as a political religion, the cult of Mussolini, urban-rural relations, and empire building. The module will also consider the afterlife of fascist visual culture and the question of ‘difficult’ heritage.
Photographing America

This module examines the development of photography in America from roughly 1945 onwards. The module breaks the period down into themes and considers:

1. the transformation of ‘documentary’ photograph;

2. the emergence and importance of colour photography;

3. experimental, conceptual and post-conceptual photography;

4. issues of serialism and seriality;

5. landscape photography;

6. the photobook

7. analogue/digital

The module will draw on the work of a diverse range of photographers, including Walker Evans, Robert Frank, Harry Callahan, Aaron Siskind, Ed Ruscha, Lewis Baltz, Robert Adams, Robert Heinecken, Stephen Shore, Todd Hido, William Eggleston and Doug Rickard.

Contested Bodies: Gender and Power in the Renaissance

You'll start with an introduction to women's history in the period 1300-1600 in an Italian context. This will include women's domestic and political roles across ages, marital status and class.

We'll then then look at the role of the Renaissance (1400-1600) woman in art:

  • How have women been represented
  • How did women play a part in the consumption and commissioning processes
  • How did women, if at all, become active as the creators of art

Classes will focus on:

  • the role of biblical and patristic writings in shaping attitudes towards women
  • the role of the family and marriage in fashioning gender relations
  • representations of good and bad women
  • women as patrons and producers of art

We'll use methodologies from a variety of disciplines, such as history, art history and gender studies.

Gender, Sexuality and Media

This module examines the politics of gender and sexuality in media and popular culture. It offers advanced inquiry into the intersectional fields of feminism, queer theory, and media and cultural studies. This module asks the key questions: how gender and sexuality are represented in media and popular culture, how media and cultural industries structure gender and sexual inequalities, how identities and practices of media audiences and users are gendered and sexualised, and what are creative and radical ways of resistances to gender and sexual norms?

Public Cultures: Protest, Participation and Power

This module will adopt an interdisciplinary approach to exploring the relationship between public space, politics and technology. Drawing on research in a range of fields including: critical theory, cultural studies, cultural geography, digital studies, urban sociology and politics, it will give students an empirically focused account of debates the changing nature and uses of public space, with an emphasis on contemporary developments in urban environments. A range of protest movements will provide case-study material and offer a central focus for both theoretical and practical explorations of the role of new technologies in controlling space, resisting control and enabling new forms of civic participation.

Auditory Cultures: Sound, Listening and Everyday Life in the Modern World

This module introduces students to the cultural and social role of sound and listening in everyday life. Scholars have argued that, since the Enlightenment, modern societies have privileged sight over the other senses in their desire to know and control the world. But what of hearing? Until recently, the role of sound in everyday life was a neglected field of study. Yet Jonathan Sterne argues that the emergence of new sound media technologies in the nineteenth century - from the stethoscope to the phonograph - amounted to an 'ensoniment' in modern culture in which listening took centre stage.

Beginning with an examination of the relationship between visual and auditory culture in everyday life, this module introduces a variety of cultural contexts in which sound played an important role, including:

  • how people interact with the sounds of their cities
  • how new sound technologies allowed people to intervene in everyday experience
  • why some sounds (such as music) have been valued over others (such as noise)
  • the role of sound in making and breaking communities
  • the role of sounds in conflict and warfare
  • the importance of sound in film and television from the silent era onwards.

We use a variety of sound sources, such as music and archival sound recordings, in order to understand the significance of sound in everyday life from the late eighteenth century to the present.

Film and Television Genres

You'll be introduced to the key concepts and theoretical work on specific film genres. Each year, the module investigates a particular genre or cycle such as action cinema, television drama, low-budget film productions and TV movies, and more. Combined with what you have learnt on previous modules, you will look at genre in the context of production and consumption, spending around five hours a week in workshops and seminars.

Working in the Cultural Industries

The cultural and creative industries are at the forefront of government strategies across the world for developing post-industrial economies, are seen as exciting places to work, and regularly feature at the top of graduate employment destinations.  But what are these industries, and what is it like to work in them? How do graduates gain entry to these competitive, highly skilled jobs? What is ‘creativity’ and why is it so important to modern economies? And what does the future hold for cultural and creative sectors?

This module combines traditional academic scholarship on the structure, organisation and working patterns in the creative and media industries with practical exercises designed to help identify and evaluate your own skills and interests, to help you to find a rewarding and exciting career when you leave university.  We will explore issues in the history and theory of contemporary work including key concepts such as creativity, the knowledge economy, precarious labour, and important issues such as internship culture, exploitation and inequality.  Students in the module also conduct independent research on areas of creative and media work of their choosing.

Self, Sign and Society

This module equips students you with the theoretical tools needed to explore how social identity is both asserted and challenged through the deployment of signs broadly conceived. 'Sign' is understood here primarily with reference to Saussurean linguistics, and the impact of the structuralist and then poststructuralist movements on disciplines such as anthropology, sociology, psychoanalysis, semiotics, postcolonial theory, cultural studies and visual culture.

  • How does our accent function as a sign of our class origins or cultural sympathies?
  • Does skin colour always function as a social sign?
  • How do the clothes we wear align us with particular lifestyles and ideological positions and how is this transgressed?
  • How has the phenomenon of self-branding colonised our everyday lives?
  • What does our Facebook profile say about how we would like to be read by the wider world? Does the logic of the sign itself exceed what we intend to do with it?
  • How do the signs that construct a social 'self' circulate in the context of new media?
  • Are there psychological costs associated with living in this society of the sign?

This module will address these and other related questions by introducing students to the approaches of thinkers such as Freud and Lacan, Saussure and Greimas, Barthes and Baudrillard, Levi-Strauss and Geertz, Derrida and Bhabha, and Mirzoeff and Mitchell among others.

Art and Science: 1900 to the present

This module explores the influence of scientific disciplines on art production and theory from the early twentieth century to the present day. It will examine how artists have interrogated ideas surrounding objectivity, optics, knowledge, and humanity itself by deploying traditionally scientific methodologies, processes, and epistemologies in the making of visual art. We will consider how the work of artists including the Surrealists, Marcel Duchamp, Marcel Broodthaers, Mark Dion, Joseph Beuys, Susan Hiller, and Marc Quinn has been influenced by the ideas and objects associated with diverse approaches to the material (and immaterial) world, such as astronomy, geology, ethnography, physics, and anthropology. 

Mobility and the Making of Modern Art
New technologies of mobility have long been a defining condition of modernity. It is from this perspective that we will examine modern art while highlighting the interrelated components of movement and speed – mechanized motion, temporality and their political connotations (e.g., social, ideological, artistic trends). This module includes a range of works, mainly paintings, from the mid nineteenth century to the early twentieth century. We will also consider photography and other pre-cinematic forms of moving images such as optical devices, peepshows, and panoramas that added different motion and time to representation. A key question is the role of artists in naturalizing the equation between mobility, modernity, and the West. To this end, our consideration will involve non-Western representations to explore the ideological and economic implications of mobility.

English modules

Your English choices must cover at least two of the following areas:

Literature, 1500 to the present

The Self and the World: Writing in the Long Eighteenth Century

The years from 1660 to 1830 are enormously important, especially in terms of the representation of the self in literature: Milton promoted the idea of the poet inspired by God; Pope and Swift mocked the possibility of anyone truly knowing their self; Wordsworth used poetry to explore his own life; and Byron and Austen provided ironic commentaries on the self-obsessions of their peers. This period also saw the rise of the novel (a form that relies upon telling the story of lives), a flourishing trade in biography, and the emergence of new genre, autobiography. This module will look at some of the most significant works of the period with particular reference to the relationship between writers and their worlds. Topics might include: the emergence, importance and limitations of life-writing; self- fashioning; the construction – and deconstruction - of the ‘Romantic’ author’; transmission and revision; translation and imitation; ideas of the self and gender; intertextuality, adaptation, and rewriting; creating and destroying the past; and writing revolution. Texts studied will range across poems, novels and prose.

Making Something Happen: Twentieth Century Poetry and Politics

This module introduces participants to key modern and contemporary poets, equipping them with a detailed understanding of how various poetic forms manifest themselves in particular historical moments. Unifying the module is an attention to poets’ responses to the political and ideological upheavals of the twentieth century.

Beginning with Yeats and Eliot, the module will include such (primarily) British and Irish poets as W.B. Yeats, W. H. Auden, T.S. Eliot, Dylan Thomas, Ted Hughes, Sylvia Plath, Wislawa Szymborska, Tony Harrison, Seamus Heaney, Derek Mahon, Adrienne Rich, Geoffrey Hill, Jo Shapcott, Patience Agbabi and Alice Oswald. Some of the forms examined will include: the elegy, the pastoral (and anti-pastoral), the ode, the sonnet (and sonnet sequence), the ekphrastic poem, the version or retelling, the villanelle, the parable and the sestina.

In order to develop a more complete perspective on each poet’s engagement with twentieth-century formal and political problems, we will also examine these figures’ writings in other modes – critical essays, manifestos, speeches and, where permitted, primary archival materials such as letters and manuscript drafts. Grounding each week will be readings on poetry and the category of the ‘political’ from an international group of critics, including such thinkers as Theodor Adorno, Charles Bernstein, Claudia Rankine, Peter McDonald, Angela Leighton, Christopher Ricks and Marjorie Perloff. 

Single-Author Study

This stranded module provides students with a detailed introduction to the major works of a single author (e.g. James Joyce, Virginia Woolf, D. H. Lawrence). Students will select one author to study from a range on offer. They will then have the opportunity to consider in detail important thematic and stylistic aspects of their chosen author’s work, taking account of the chronological development of his/her writing practice (if relevant), and his/her relationship to key historical and literary contexts.

The Gothic Tradition

This module focuses on the diverse connections between literary texts, politics, and relevant historical / cultural contexts in texts from the dystopian and gothic traditions. Poetry, novels, graphic novels, and films may be covered, and there is potential to examine works in other media as well. The goal of the module is to consider the extent to which a range of texts from two exciting and interrelated traditions intervene in diverse political, philosophical, and theological debates. Students will also explore various critical and theoretical approaches to literature, film, comics, adaptation, and popular culture.

Island and Empire
While the vexed questions of British identity and its relationship to empire have been at the forefront of political debate in the last decade, they have also been integral to literary production for many centuries. This module interrogates English and British representations of colonisation and empire, within Great Britain and Ireland and with particular reference to India. Well known writers such as Edmund Spenser, Jonathan Swift, Walter Scott, Arthur Conan Doyle, Rudyard Kipling and Salman Rushdie, will be set against less familiar voices, to consider the ways in which dominant narratives come about and can be challenged.
Oscar Wilde and Henry James: British Aestheticism and Commodity Culture

This module will use the writings of Oscar Wilde and Henry James and some of their contemporaries to examine changes which took place in literary culture and the practices of literary composition in the late 19th century. Topics to be explored will include: the role of new technology in literary creativity; the growth of mass and 'celebrity' culture, the development of consumerism and consequent commodification of literary art; the changing relationship of art to politics; anxieties about artistic originality and its obverse, plagiarism; and attempts (via censorship) to police literary expressivity. Students will study a range of texts by Wilde and James (drama, fiction and criticism), and these will be compared with pieces by a number of their contemporaries (including Walter Pater and William Morris) with a view to assessing both the modernity and radicalism of their writings.

Modern Irish Literature and Drama

This module will consider Irish literature and drama produced in the twentieth century. Taking the Irish Literary Revival as a starting-point we will consider authors in their Irish and European context: W.B. Yeats, J.M. Synge, Lady Gregory, James Joyce, Seán O'Casey, Seamus Heaney, Brian Friel, and Marina Carr. The focus throughout will be upon reading texts in relation to their social, historical, and political contexts, tracking significant literary and cultural responses to Irish experiences of colonial occupation, nationalist uprising and civil war, partition and independence, socio-economic modernisation, and the protracted period of violent conflict in Northern Ireland.

Reformation and Revolution: Early Modern literature and drama 1588-1688

Literature and Drama across the early modern period contributed to, and was often caught up in, dramatic changes in social, political, and religious culture which changed the way that people experienced their lives and the world around them. This module gives students the opportunity to read a wide range of texts in a multitude of genres (from drama, to prose fiction, pamphlets and poetry) in their immediate contexts, both cultural and intellectual. This module will situate the poetry, prose and drama between 1580 and 1700 against the backdrops of civil war and political revolution, scientific experimentation, and colonial expansion; in doing so, it will ask how the seventeenth century forms our current understandings of the world. Students will be encouraged to read widely, to develop a specific and sophisticated understanding of historical period, and to see connections and changes in literary and dramatic culture in a period which stretches from the Spanish Armada of 1588 to the ‘Glorious Revolution’ of 1688.

Songs and Sonnets: Lyric poetry from Medieval Manuscript to Shakespeare and Donne

Through the exploration of lyric poetry, this module examines cultural and literary change from the fourteenth to the seventeenth century. It will consider the rise of ‘named poet’, the interaction of print and manuscript culture, the representation of love, and the use of the female voice. It will develop further students’ confidence in handling formal poetic terminology and reading poetry from this period. It will also enable students to think pragmatically about the transmission of lyric in modern editions, and about how best to represent the form.

One and Unequal: World Literatures in English

This module examines the late twentieth and early twenty-first century globe through its correlates in fiction. The primary materials for the module will be post-war Anglophone works drawn from a wide geographical range across the world. After introducing the history of the idea of world literature, these works will be situated within a series of theoretical ‘worlds’: world literary systems; post-colonial criticism; cosmopolitanism; world ecologies; resource culture; literary translation theory. The module will also attend to critiques of 'world literature’ as a concept.

Contemporary Fiction

The focus of the module is the novel from the late twentieth century onwards, in Britain and beyond. Discussion will concentrate on the formal operations and innovations of selected novelists, and will be underpinned by a consideration of how the contemporary socio-historical context influences these questions of form. Indicative topics include: an interrogation of the ‘post-consensus novel’; an exploration of postcolonial texts which seek to represent the transatlantic slave trade; and the cultural politics of late twentieth-century and twenty-first century Scottish literature.Contemporary Fiction is focused on writing emergent from Britain and closely-related contexts in the post-war period. The module offers strands structured around a number of political, social and cultural frameworks in Britain. These include, but are not limited to:              

  • Formal analysis and literary innovations in Britain
  • Temporalities and the representation of time
  • Issues of gender, race and class
  • Histories of colonialism and slavery
  • National traditions and politics of state
  • The country and the city
  • Postmodernism

This module is particularly attentive to the network of relationships between context, content and form, supported by related literary and cultural theory and philosophy.

English language and applied linguistics

Teaching English as a Foreign Language

The module is designed to provide students with an understanding of the process of English Language Teaching (ELT) and of the theoretical underpinnings of this practice. In this module students will learn the principles behind the learning and teaching of key aspects and skills of English, including:

  • vocabulary
  • grammar
  • reading
  • writing
  • speaking
  • listening
  • intercultural communicative skills

Students will also learn how to apply these theoretical principles to the development of teaching materials. This module will therefore be of interest to students who want to pursue a teaching career, and in particular to those interested in teaching English as a second or foreign language.

Language and the Mind

Speaking, listening, reading, and writing are a complex set of behaviors that are a fundamental part of our daily lives, yet they remain difficult to fully explain. In an attempt to explain them, this module will look at: 1. how people understand written and spoken language; 2. how people produce language; and 3. how language (both a first and a second language) is acquired.

Advanced Stylistics

This is an advanced course in the linguistic analysis of literary texts and reading. Building on the revised Level 2 'Literary Linguistics' course, the module bridges the gap between literary and linguistics aspects of the BA degrees. The course emphasises in particular aspects of literary style, from a readerly, perspective as well as adding a historical dimension to the study of style. There is also an emphasis on the practical application of literary linguistic pedagogy, in accordance with the educational and applied linguistic traditions of the discipline.

Discourses of Health and Work

This module explores the vital role that discourse plays in various communicative domains in healthcare and workplace settings. Students will explore these domains through a variety of contemporary frameworks for examining discourse and communication, including critical discourse analysis, multi-modal discourse analysis, and interactional sociolinguistics.The module offers the opportunity to analyse and reflect on the discourses of healthcare and the workplace, as two crucially important domains of social and professional life. To this end, professional and healthcare discourses will be investigated through a range of genres and communicative modes, including face-to face communication advertising, media discourse and digital interactions. The module offers a rich resource for discourse-based studies of language in professional and social life and enables students to examine the strategic uses of communicative strategies in specific social settings.

Language and Feminism

This module provides students with comprehensive knowledge of feminist theory as applied to a series of language and linguistic contexts. Students will engage with a range of analytical approaches to language, including conversation analysis, critical discourse analysis, and interactional sociolinguistics. Students will respond to and critically engage with contemporary real-world problems associated with gender and sexuality through the consideration of discourse-based texts. Topics will include gender and sexual identity construction in a range of interactive contexts, as well as sexist, misogynistic, homophobic and heteronormative representations in texts. Students will engage with feminist theory from the 1970s to the current day, with particular focus on contemporary approaches to gender theory.

Medieval languages and literatures

English Place-Names

The module employs the study of place-names to illustrate the various languages - British, Latin, French, Norse and English - that have been spoken in England over the last 2000 years. You will learn in particular how place-name evidence can be used as a source for the history of English: its interaction with the other languages, its regional and dialectal patterns, and its changing vocabulary. The interdisciplinary contribution that place-names offer to historians and geographers is also considered. Part of the module's assessment can be directed at a geographical area of particular interest to the student.

Old English Heroic Poetry
This module gives an opportunity to those who already have a basic knowledge of Old English language and literature to explore some of the astonishing range of texts from the earliest stages of English literature. The texts studied are heroic and Christian. Themes include Germanic myth and legend, heroic endeavour, Christian passion. A study of the epic poem Beowulf — its characters, its themes, its ‘meaning’ — is essential to the module. Texts are read in Old English (with plenty of help given).
Dreaming the Middle Ages: Visionary Poetry in Scotland and England

The genre of dream-vision inspired work by all the major poets of the Middle Ages, including William Langland, the Pearl-Poet, and Geoffrey Chaucer. The course will aim to give you a detailed knowledge of a number of canonical texts in this genre, as well as ranging widely into the alliterative revival, and chronologically into the work of John Skelton in the early sixteenth century. The course will depend upon close, detailed reading of medieval literary texts, as well as focusing on the variety and urgency of issues with which dream poetry is concerned: literary, intellectual, social, religious and political.

Songs and Sonnets: Lyric poetry from Medieval Manuscript to Shakespeare and Donne

Through the exploration of lyric poetry, this module examines cultural and literary change from the fourteenth to the seventeenth century. It will consider the rise of ‘named poet’, the interaction of print and manuscript culture, the representation of love, and the use of the female voice. It will develop further students’ confidence in handling formal poetic terminology and reading poetry from this period. It will also enable students to think pragmatically about the transmission of lyric in modern editions, and about how best to represent the form.

The Viking Mind

The module will explore various aspects of Norse and Viking cultural history using an interdisciplinary approach grounded in the study of texts. Topics covered will include Gender and Status, Migration and Diaspora, Religion and Belief(s), The Supernatural, Orality and Literacy, Geography and the Other.1-hour lectures will provide the evidence base for discussion of these topics in 2-hour student-led seminars. The seminars will also include some language work.Assessment will be by a 1-hour exam of comment and analysis and a 3000-word project on a topic devised by the student in consultation with a tutor.

Drama and performance

Modern Irish Literature and Drama

This module will consider Irish literature and drama produced in the twentieth century. Taking the Irish Literary Revival as a starting-point we will consider authors in their Irish and European context: W.B. Yeats, J.M. Synge, Lady Gregory, James Joyce, Seán O'Casey, Seamus Heaney, Brian Friel, and Marina Carr. The focus throughout will be upon reading texts in relation to their social, historical, and political contexts, tracking significant literary and cultural responses to Irish experiences of colonial occupation, nationalist uprising and civil war, partition and independence, socio-economic modernisation, and the protracted period of violent conflict in Northern Ireland.

Performing the Nation: British Theatre since 1980

This module introduces a range of new plays and performances staged in the British Isles between 1980 and the present day, with a particular focus on the ways in which the theatre of the period has engaged with questions of nation and identity in the period which saw the fall of Thatcher and the rise of New Labour, the peace process in Northern Ireland, increasing devolution in Wales and Scotland, and the London 7/7 attacks as well as the celebrations of the 2012 London Olympics. Most recently of all the UK's EU referendum of 2016 has prompted reflection on our national, regional and local identities across and within the UK, and we finish the module by looking at how theatre makers and practitioners have begun to respond to these challenges.

Changing Stages: Theatre Industry and Theatre Art

The twentieth and twenty-first centuries have seen major changes in the way theatre is financed, produced, and presented, on stage and on screen. This module delves into the fascinating world of theatre production, beginning with late nineteenth-century actor-managers and the development of long-running, commercial productions and moving through subsidised theatre, touring and national theatre companies, reviewing and disseminating cultures, and the advent of the mega-musical. Attending to the mainstream and the fringes, the module utilises case studies including Shakespeare in production, new plays, revivals and international hits such as Les Miserables and Hamilton, to illustrate how theatre responds to changing contexts and audiences. 

Reformation and Revolution: Early Modern literature and drama 1588-1688

Literature and Drama across the early modern period contributed to, and was often caught up in, dramatic changes in social, political, and religious culture which changed the way that people experienced their lives and the world around them. This module gives students the opportunity to read a wide range of texts in a multitude of genres (from drama, to prose fiction, pamphlets and poetry) in their immediate contexts, both cultural and intellectual. This module will situate the poetry, prose and drama between 1580 and 1700 against the backdrops of civil war and political revolution, scientific experimentation, and colonial expansion; in doing so, it will ask how the seventeenth century forms our current understandings of the world. Students will be encouraged to read widely, to develop a specific and sophisticated understanding of historical period, and to see connections and changes in literary and dramatic culture in a period which stretches from the Spanish Armada of 1588 to the ‘Glorious Revolution’ of 1688.

English Dissertation

Joint Honours students have the option of writing an individual research project in their final year in the School of English. This will give you the chance to work on a one-to-one basis with a supervisor on an agreed area of study to produce a detailed and sustained piece of writing. This can be on a topic of language, literature or performance, or there is the option of undertaking a project-based dissertation, which will suit those students interested in applied or 'hands on' aspects of English as a discipline. The topics available build on the School’s engagement with local theatres and literacy projects.

Dissertation in English

You will have the option of writing an individual research project in your final year. This will give you the chance to work on a one-to-one basis with a supervisor on an agreed area of study to produce a detailed and sustained piece of writing. This can be on a topic of language, literature or performance, or there is the option of undertaking a project-based dissertation, which will suit those students interested in applied or practical aspects of English as a discipline. The topics available build on the school’s engagement with local theatres and literacy projects.

The above is a sample of the typical modules we offer but is not intended to be construed and/or relied upon as a definitive list of the modules that will be available in any given year. Modules may change or be updated over the duration of the course due to a number of reasons such as curriculum developments or staffing changes. Please refer to the module catalogue for the latest information on available modules.

Fees and funding

UK students

£9,250
Per year

International students

£19,000*
Per year
*For full details including fees for part-time students and reduced fees during your time studying abroad or on placement (where applicable), see our fees page.

If you are a student from the EU, EEA or Switzerland starting your course in the 2021/22 academic year, you will pay international tuition fees.

This does not apply to Irish students, who will be charged tuition fees at the same rate as UK students. UK nationals living in the EU, EEA and Switzerland will also continue to be eligible for ‘home’ fee status at UK universities until 31 December 2027.

For further guidance, check our Brexit information for future students.

Additional costs

There are no extra compulsory fees to be paid as part of your course beyond your standard tuition fees. Essential course materials are supplied and recommended reading is available from our libraries.

For voluntary placements (such as work experience and volunteering schemes) you will usually need to pay for travel and refreshments.

Scholarships and bursaries

Home students*

Over one third of our UK students receive our means-tested core bursary, worth up to £1,000 a year. Full details can be found on our financial support pages.

* A 'home' student is one who meets certain UK residence criteria. These are the same criteria as apply to eligibility for home funding from Student Finance.

International/EU students

We offer a range of Undergraduate Excellence Awards for high-achieving international and EU scholars from countries around the world, who can put their Nottingham degree to great use in their careers. This includes our European Union Undergraduate Excellence Award for EU students and our UK International Undergraduate Excellence Award for international students based in the UK.

These scholarships cover a contribution towards tuition fees in the first year of your course. Candidates must apply for an undergraduate degree course and receive an offer before applying for scholarships. Check the links above for full scholarship details, application deadlines and how to apply.

Careers

This joint honours degree creates a unique combination of subject knowledge and professional skills.

The diversity of topics and approaches means you'll develop an extremely wide range of professional skills:

  • Visual and critical analysis
  • Historical and theoretical study
  • Object-based and academic research
  • Collaborative and independent working
  • Flexibility and initiative to focus on different areas as required
  • Advanced writing, presentation and communication skills

And with such a wide range of modules you will be able to tailor your studies to any prospective career. Recent graduate destinations include:

  • advertising, marketing and public relations
  • publishing, journalism and broadcasting
  • curation, conservation and museum work
  • business, finance and management
  • school and university teaching
  • charity and voluntary sector
  • acting and theatre work
  • arts and heritage management

Find out more about career development and opportunities for History of Art and English students.

Average starting salary and career progression

76.7% of undergraduates from the School of Cultures, Languages and Area Studies secured graduate level employment or further study within 15 months of graduation. The average annual salary was £22,668*

*HESA Graduate Outcomes 2020. The Graduate Outcomes % is derived using The Guardian University Guide methodology. The average annual salary is based on graduates working full-time within the UK.

 

89.3% of undergraduates from the School of English secured graduate level employment or further study within 15 months of graduation. The average annual salary was £22, 441.*

*HESA Graduate Outcomes 2020. The Graduate Outcomes % is derived using The Guardian University Guide methodology. The average annual salary is based on graduates working full-time within the UK.

Studying for a degree at the University of Nottingham will provide you with the type of skills and experiences that will prove invaluable in any career, whichever direction you decide to take.

Throughout your time with us, our Careers and Employability Service can work with you to improve your employability skills even further; assisting with job or course applications, searching for appropriate work experience placements and hosting events to bring you closer to a wide range of prospective employers.

Have a look at our careers page for an overview of all the employability support and opportunities that we provide to current students.

The University of Nottingham is consistently named as one of the most targeted universities by Britain’s leading graduate employers (Ranked in the top ten in The Graduate Market in 2013-2020, High Fliers Research).

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" The opportunity to study such a wide range of modules from various time periods has helped me to further my knowledge in all of the fields I love! "
Isabella Hill, BA History of Art and English

Related courses

The University has been awarded Gold for outstanding teaching and learning

Teaching Excellence Framework (TEF) 2017-18

Disclaimer

This online prospectus has been drafted in advance of the academic year to which it applies. Every effort has been made to ensure that the information is accurate at the time of publishing, but changes (for example to course content) are likely to occur given the interval between publishing and commencement of the course. It is therefore very important to check this website for any updates before you apply for the course where there has been an interval between you reading this website and applying.