English with Creative Writing - U6UENGCW

What is 'England'? Should we have a choice in who rules us? And can we ever really believe the news?

Shakespeare's history plays are less known to modern readers than his comedies and tragedies, but the question they ask are startlingly visionary. Through his sequence covering the monarchs from Richard II to Henry V, Shakespeare used the resources of the commercial theatre to explore a nation in crisis. These wildly successful plays have also been the inspiration for some of the most political Shakespeare productions of later centuries, as the plays continue to be applied to modern contexts of war and regime change.

Through close reading, performance analysis, and critical writing, this module explores how Shakespeare reshaped history to dramatic effect, and how later theatre- and filmmakers have reinterpreted them in light of current events.

Key issues include:

• Kingship and authority
• Gender politics and marginalised voices
• Race and nation
• War and trauma
• Class and power

Through exploring these plays, you will gain a grounding in the analysis of theatre and film – drawing on a wide range of mainstream and fringe productions – and in the performative, linguistic, and thematic contexts that shaped Shakespeare's writing.

This module is worth 10 credits.

This module will introduce you to the Vikings and their time as they shaped the history of Europe, along with their culture, myths and stories. A primary focus of this module is the impact of the Viking expansion, especially on the British Isles and the East Midlands. Key themes include:

·         knowledge of migration and identity in Northern Europe and the North Atlantic during the early Middle Ages

·         analysis of historical documents and literary texts from the early medieval Viking world

·         interdisciplinary research methodologies specific to medieval literature and language history

You will learn concepts such as diasporic settlements and identity. During the module, you’ll become familiar with various ways of evaluating sources from the Viking Age and beyond (such as literary sagas, historical sources and material culture).

This module introduces you to a range of texts, including those associated with Nottingham and Nottinghamshire, but also those from much farther afield. It asks you to consider how they engage with landscape, with the literary and socio-political heritage of their area, and how they employ other distinctive cultural elements such as dialect. The module will allow you to reflect on recent theoretical developments in the field of literary geography, while also equipping you to read and appreciate literary works through a focus on their construction and exploration of place, employing methods from across the sub-disciplines of English studies.

How do we change our language for the workplace? What is the effect of the digital workplace on language? This module provides comprehensive knowledge of professional communication applied to a series of different workplace contexts. You will engage with a range of innovative approaches to analysing talk at work, including discourse analysis and sociolinguistics. You will respond to and critically engage with contemporary real-world workplace communication to be able to identify effective communication and troubleshoot miscommunication and conflict. 

Topics may include:

• digital workplace communication

• language and the law 

• health communication

• corporate communication

• political communication and intercultural communication across continents.

How can the arts help us think about health and cope with illness?  What can the arts contribute to healthcare practice and policy?

You will explore big questions like these, looking at how the arts can engage with the crucial issues in health today and build a better vision of health for the future.

We will cover major themes including:

• Representing health - look critically at representations of good and poor health, found in politics, religion, art, film, literature, and philosophy.
• Mental health - explore what mental health is, and how it differs from physical health. You’ll look critically at themes such as the marketisation of mental health, the history of mental health institutions, and the ethics of psychiatry.
• Communicating health - how health is communicated in personal, public, and professional settings. We’ll explore questions such as why it is so important that patient voices are heard in communicating about health.
• Health inequalities - look critically at striking inequalities in health, including patterns of gender, race, class, sexuality and economic differences in health and access to healthcare.

From treatment, information, care, and outreach, understanding the health humanities provides career opportunities for the next century.

This module is worth 10 credits.

We live in a data-driven society. Information is used for everything from predicting our shopping habits, to understanding global weather patterns, and has radically changed our world.

From the development of Artificial Intelligence to robotics and the use of ‘big data’, the capture and use of information is essential in modern society. To make sure these developments help solve problems, and are not used for harm, we need the arts and humanities to set boundaries and ask questions.

You will:

• Explore topics such as privacy, surveillance, power and representation
• Learn how modern technology can replicate historical biases and ignore contemporary struggles
• Gain the background and context to contemporary issues on data and society
• Question the limits we place on technology in our world
• Explore how the arts and humanities shape, direct and protect against the way data is used

This module is worth 10 credits.

The digitisation of records and texts has revolutionised academic study. The ability to efficiently and confidently use data is a valuable skill for both your course and future career.

On this module, you will:

• Learn the basics of data and ‘text mining’ (using search terms to explore large amounts of information)
• Develop your skills and apply them to case studies
• See how your work can highlight issues and solve problems
• Understand how data analysis allows us to create narratives that inspire and drive change

We will use examples and case studies from across the faculty, where data and text analysis have been used by arts and humanities researchers within their work.

This module is worth 10 credits.

Learn the basics of creating and editing audio and visual material.

From podcasting, photo editing, photography, video editing and sound editing, you can work on how your digital skills can be used to communicate and inspire.

You will be guided through a series of tutorials and examples where you can develop your skills and produce your own content.

This work will be developed through examples and case studies from across the faculty, where audio and visual materials have been used by researchers within their work.

Examples include:

• Virtual reality renditions of historical photographs
•  Immersive museum experiences
• Audio installations to share stories about migration and sustainability
• Interactive events to inspire young people about languages and cultures past and present

This module is worth 10 credits.

Epidemics and infectious illnesses have shaped our world. Most recently, the Coronavirus pandemic dramatically changed the way we work and socialise, with lasting effect.

We will explore the past and present of infectious disease, including how cultures, religions, literature and art have been shaped by the interaction between humans and disease.

You will learn about:

• The variety of human responses to sickness
• How ideas about illness are expressed across the world
• Drug resistant bacteria and mutations of viruses
• How the arts help societies to process the impact of disease - it is often through music, literature, philosophy and media that suffering is expressed and issues raised

This module is worth 10 credits.

Our digital revolution has been led by the arts and humanities.

From mobile apps to learn languages, to video tutorials on how to play an instrument, the use of digital platforms has transformed our disciplines.

In an age defined by ecological issues, technological change and political upheaval across the world, it is the arts and humanities which provide vital links between the past, present and future. It is now more important than ever that we connect communities, challenge structures of power and address inequality.

You will examine how the digital arts changed the world, using examples from a range of mediums from across the globe. This could be a community walking app, that has brought hidden histories to light, a crowd-sourced projects that have given a platform to new voices, or social media forums that link music, philosophy and literature to contemporary debates.

This module is worth 10 credits.

We are in a state of climate emergency. Sustainability and climate change is on both political and personal agendas like never before.

On this module, you will:

• Examine the idea of ‘sustainability’ - looking at the social, cultural, political, economic and environmental challenges that sustainability aims to address
• Link issues of climate change, and our responses to them, to shifting ideas about nature and its distinctness from culture, the scientific and industrial revolutions, and the emergence of the Western world
• Examine Western culture’s way of defining the ‘environment’ and our relationship with nature
• Look at the diverse ways in which different cultures imagine nature

The arts and humanities do not offer quick fixes to our problems, but ways of thinking that can change the world. We do this through understanding context, process and change.

We show how the arts and humanities sheds light on the history of the present and directs us towards the future.

This module is worth 10 credits.

Explore how the arts and humanities contribute to sustainability.

From stories, to images and representation, the ways we understand the world also shape how we understand sustainability.

With a focus on globalisation, and the accelerating pace of climate change in the 20^th and 21^st centuries, we will think about the problems raised by the climate crisis. 

You will:

• Learn about debates around the Anthropocene, the era of humanity’s marked impact on the environment
• Examine the controversies and disputes that have emerged about our relationship with nature
• Explore how we can tell stories about climate change – for example through the literature and music of marginalised groups across the world, who feel the impact of climate change first

By considering how everyday life choices are linked to the environment, the module offers an imaginative way to explore the challenges of sustainable living.  You will gain the tools to challenge opinion and identify how local ideas can offer a solution to global problems.

This module is worth 10 credits.

From filters to fake news, we are exposed to a huge amount of information in our day-to-day lives.

Whether through advertising, promotion, policies or the media, the (mis)information we are exposed to is intended to influence us, change our minds, or maybe even censor and withhold information about important issues.

To challenge this, we need to think critically about data. This module will give you the skills to do just that.

You’ll gain the critical skills to observe, question, and act when the facts do not support what’s being represented. We will also introduce approaches you can use to question visual, textual, quantitative and qualitative information. This could include:

• Causality
• Statistics
• Bias
• Content analysis
• Language

Critical analysis is an important skill, not only so we can preserve our freedoms and protect from harm caused by misinformation, but in the workplace too. The ability to make judgements that are based on logic is a key transferable skill.

This module is worth 10 credits.

Writing inspires change. From the academic textbook that demonstrates a new concept, to a blog post that influences habits, writing can change the world.

On this module, you will learn to think critically about yourself and society, through reflecting on how you write.

Writing lets us occupy different spaces and identities. You can write to develop your sense of self, to enlighten others, or to build connections. Writing skills are more than just how to write an academic essay. Writing can give you an insight into who you are, your values and future direction.

During your studies, you will use writing to develop analytical approaches which can enhance your work and prepare you for your future career. Focusing on the diversity of experiences and backgrounds, interests and motivations, we show how meaningful writing can lead, inspire and transform. 

This module is worth 10 credits.

The gods, heroes and events of Norse mythology are well-known: Odin the one-eyed god of poetry and war, Thor who protects both gods and humans by crushing giants with his hammer, Freya the goddess of beauty who drives a chariot pulled by cats, the final destruction of the world in the ice and fire of Ragnarök; and human heroes like Sigurd the Serpent-Slayer. In this module you will study and analyse the key texts of Old Norse myth and legend from which these familiar stories come, alongside other media, such as depictions in art. The module will explore the development of Norse myth and legend from the Viking Age to medieval Christian Iceland where these texts were recorded.

This module will enable students to explore the wide variety of Victorian and fin-de-siècle literature, with examples from fiction (novels, novellas and short stories), poetry (long poems and sonnets) and critical essays. It will examine changes in literary forms and genres over this period, paying some attention to the contested transition between Victorianism and Modernism. The module is organised in terms of a number of interrelated themes, which may include: empire and race, class and crime, identity and social mobility, politics and social problems, gender and sexuality, aestheticism and consumerism. Students are encouraged to make connections between the ways these themes are represented and explored in specific literary works, and larger changes in nineteenth- and early twentieth-century social, political, intellectual and publishing culture.

This module introduces different kinds of literature, written between 1700-1830. This was a dramatic time in literary history, resulting in the Romantic period. It involved many areas of great contemporary relevance, such as class, poverty, sexuality, and slavery.

We will examine:

• utopian literature (through Gulliver’s Travels)
• the developing novel (such as Moll Flanders and Pride and Prejudice)
• how irony works
• what is self-expression
• how the emergent genre of autobiography can be either manipulated, or used as part of a larger cause

As part of this module, you will explore novels, poems, and prose works that bring to life the intellectual, social and cultural contexts of the period.

This module is worth 20 credits.

What can given names, surnames and nicknames tell us about people in the past? What determines the choice of a name for a child? Where does our hereditary surname system come from? How have place, class and gender impacted upon naming through time? This module will help you answer all these questions and more. Interactive lectures and seminars, and a project based on primary material tailored to each participant, will introduce you to the many and varied, fascinating and extraordinary types of personal name and their origins.

Are you interested in languages and the multilingual world? Have you ever wondered how our brains process learning a second language? Would you like to teach English overseas one day? If so, this module could be for you.

Drawing on current theories of second language acquisition, we will consider:

• How globalisation has increased bilingualism in the world
• How languages are learnt
• How students differ from each other in their mastery of languages
• How the psychology of the classroom environment impacts the effectiveness of learning
• How to motivate students and create good learner groups

You will spend three hours per week on this module, split equally between a lecture and follow-up seminar.

This module is worth 20 credits.

You’ll explore how English is learnt from making sounds as an infant through to adulthood. Topics relating to early speech development include: the biological foundations of language development, the stages of language acquisition and the influence of environment on development. Further topics which take into account later stages of development include humour and joke telling abilities, story-telling and conversational skills and bilingualism.

When we study language, we learn about how society works. Why do some people have more noticeable accents than others? Why are some people taken seriously when they talk, while others aren’t? How do those with power use language to manipulate us into thinking a certain way?

On this module, these are the sorts of questions you’ll be thinking about. We focus on how people use language, how language varies between different speakers, and how language is used to represent different social groups. We consider:

• The way that language is used by people online to create communities
• How the mainstream media uses language to represent particular groups, such as immigrants or gay people
• The ways that language is used in particular contexts, such as the workplace
• How advertisers use language to persuade us that we need their products
• The relationship between language, gender and sexuality
• How language can be used to signal a person’s race or ethnicity

You’ll learn how to conduct a sociolinguistic study which explores topics such as these. You will also spend time each week analysing original language data.

The module is worth 20 credits.

All literature is written in language, so understanding how language and the mind work will make us better readers and critics of literary works.

This module brings together the literary and linguistic parts of your degree. It gives you the power to explore any text from any period by any author.

You will study how:

• Literature can feel rich, or pacy, or suspenseful, or beautiful
• Texts can make you laugh, cry, feel afraid, excited, or nostalgic
• Fictional people like characters can be imagined
• We can get inside the thoughts, feelings, and hear the speech of characters, narrators and authors
• Imagined worlds are built, and how their atmosphere is brought to life
• You as a reader are manipulated or connect actively with literary worlds and people

This module is worth 20 credits.

Develop your understanding of some of the most influential performance theories and practice, from the beginning of the 20th century to the present. 

Building on the ‘Drama, Theatre, Performance’ module, you will deepen your understanding of Stanislavski and Brecht in practice, as well as exploring the work of other influential theorists and practitioners. 

Possible material includes: 

• Konstantin Stanislavski
• Vsevolod Meyerhold
• Bertolt Brecht
• Antonin Artaud
• Jacques Lecoq
• Ensemble physical theatre makers such as DV8, Gecko & Frantic Assembly 

For this module, you’ll have a mix of lectures and practical workshops, totalling three hours a week.

Workshops offer the opportunity for practical drama. You will explore theory in practice, through work with excerpts from canonical theatrical scripts and other performance scripts.

This module is worth 20 credits.

Theatre makers in the long 20th century have been dealing with a series of pressing artistic and social issues, many of which still concern us today.

These issues include:

• What makes a play worth watching?
• Why do audiences enjoy watching bad things happening?
• How are minority groups represented on the stage?
• How might the stage advance the cause of gender or sexual equality?
• What role does social class or nationality play in the workings of theatrical culture?
• How can we talk accurately about an art form like performed theatre, that is so fleeting and transitory?

In order to answer such questions, this module gives an overview of key plays and performances from the 1890s to the present. You will study these key texts in their original political, social, and cultural contexts. You will also:

• consider their reception and afterlife
• focus on the textual and performance effects created
• place the texts alongside the work of relevant theorists and practitioners

This module is worth 20 credits.

‘On or about December 1910 human character changed’: so wrote Virginia Woolf in 1924. ‘And when human relations change there is at the same time a change in religion, conduct, politics and literature.’ This module will familiarize students with relevant aesthetic, generic, and literary-historical strategies for tracing formal and thematic transformations in twentieth- and twenty-first-century literature. Moving between genres, the module will unfold chronologically from modernism, through the inter-war years, and into the ‘contemporary scene’ (as notionally defined for literature since 1970) up to the present day. Lectures and seminars will address some key phases of creative transition, while also particularizing the work of representative novelists, essayists, short-story writers and poets. This combination of overview and textual scrutiny will encourage students to explore influences and affinities between writers working in different modes and periods. Weekly topics will primarily be concerned with mapping literary formations and innovations within the artistic and cultural contexts from which they emerge, while also addressing the wider aesthetic and ideological significances of issues such as class, gender, sexuality and race.

The genre of dream-vision inspired work by all the major poets of the Middle Ages, including William Langland, the Pearl-Poet, and Geoffrey Chaucer. The course will aim to give you a detailed knowledge of a number of canonical texts in this genre, as well as ranging widely into the alliterative revival, and chronologically into the work of John Skelton in the early sixteenth century. The course will depend upon close, detailed reading of medieval literary texts, as well as focusing on the variety and urgency of issues with which dream poetry is concerned: literary, intellectual, social, religious and political.

Explore the novel from the late twentieth century onwards, in Britain and beyond.

We will concentrate on the formal operations and innovations of selected novelists, considering how the contemporary socio-historical context influences these questions of form. Topics considered include:

• an interrogation of the ‘post-consensus novel’
• an exploration of postcolonial texts which represent the transatlantic slave trade
• the cultural politics of late twentieth-century and twenty-first century Scottish literature

Contemporary fiction is focused on writing emerging from Britain and closely-related contexts in the post-war period. This module offers strands structured around a number of political, social and cultural frameworks in Britain. These include:

• formal analysis and literary innovations in Britain
• temporalities and the representation of time
• issues of gender, race and class
• histories of colonialism and slavery
• national traditions and politics of state
• the country and the city
• postmodernism

This module particularly explores the network of relationships between context, content and form, supported by related literary and cultural theory and philosophy.

This module is worth 20 credits.

This module offers an in-depth exploration of the historical and theatrical contexts of early modern drama. Drawing on the most innovative and experimental works by Shakespeare and key contemporaries, this module invites you to explore the three-dimensional stagecraft of these writers. You will reflect on issues such as genre, rhetoric, transmission and audience, and how they affect reception, both among contemporaries and in modern responses. You will study:

• the physical environments of the first professional indoor and outdoor theatres
• the political and institutional contexts that shaped dramatic production
• the conditions of performance for which dramatists wrote, recognising early modern playwriting as a vibrant and collaborative process

This module is based around a challenge: how do we use the digital humanities?

You are presented with a series of problems about how we can use the arts and humanities to address some of the major issues we face in technology and society.

For example, the acceleration of technology in both private and public life is immense, but this rapid pace of change should not prevent reflection.

In this module, you consider the major contemporary issues of how technology shapes our present and our future. We respond to these concerns using the specific skillset of the arts and humanities, where we ask: what does it mean to be human?

This module is worth 10 credits.

Stand out in your job search with employability skills and hands-on experience.

Learn key skills, from constructing an outstanding CV to practicing interview technique, before completing a part-time placement in the spring. This will be for one day a week, or equivalent, for up to eight weeks.

You can apply for placements in relevant local organisations. The dedicated faculty placement team have an established list of providers, or you can arrange your own placement, subject to approval.

Our placements include a range of sectors, including:

• creative and cultural industries
• media
• marketing
• heritage and museums
• the music industry
• education
• charitable and third-sector organisations

These are subject to change each year.

You will develop a wide range of transferable skills, including:

• communication
• presentation
• organisation
• professionalism
• time management skills

Assessment is through an online portfolio of materials, including application materials, reflective writing and a research report.

This module is worth 20 credits.

Community engagement is important in many careers, from politics and social work to marketing and business.

We do not work in a vacuum - our research and activities are linked to individuals and groups across society. By learning to engage with communities, researchers can reach wide audiences, learn from them and collaboratively make a real contribution to overcoming social problems. 

We need to understand how engagement works in order to work collaboratively, respectfully and sustainability with communities.

In this module, we will:

• Explore how our staff and students work with communities – from supporting immigrant communities settling into Nottingham, to engaging with schools to promote literacy and career opportunities
• Discuss how activism and advocacy can become part of academic work
• Explore how community engagement is structured and organised and how we can ensure our work within the arts and humanities has relevance and impact for diverse audiences

This module will prepare you for your future career, by focusing on the key skill of the arts and humanities: our ability to support and engage with those around us.

This module is worth 10 credits.

Explore the histories and legacies of colonisation, alongside the routes to justice through decolonisation.

Using examples from across the globe, we explore the impact of colonisation on society, politics, economics, and culture.

You will consider contemporary examples and a wide range of evidence, sources and perspectives, including from:

• art
• film
• literature
• archive materials and documents
• music and performance

You will also explore the debates around reconciliation, restitution and justice.

Together we will build an interdisciplinary analysis, drawing upon the research of the whole faculty to uncover, assess and deconstruct the practices of colonialism and their implications for our contemporary world.  

This module is worth 10 credits.

Doing an arts and humanities degree means you’ll gain the skills which are essential for changing the world we live in. Not only that, you are uniquely positioned to understand people, processes and culture.

This module lets you apply that knowledge to solve a real-life problem. The aim is for you to develop your understanding of your degree, and the range of careers open to you.

You will work in an interdisciplinary team on a real project connected to impact, which we define as our ability to ‘make change happen’. These projects have been designed by individuals, groups and organisations that are looking to make a difference to our world. This might be about sustainability, business, equality, culture, politics or society.

Teams will be given a project brief. You will then be guided through how to shape a project, and how to work as a team and deliver results. This will give you the employment skills and experience to show how you can make an impact as an arts and humanities graduate.

This module is worth 20 credits.

Wellbeing, the crisis in mental health care, and clapping for NHS staff during the Covid pandemic are all examples of health humanities. On this module, you will be exploring contemporary challenges in this area.

To build a healthier society, enabling access to healthcare for all, we must consider how people act, behave and build connections.

You will look at:

• how the arts and humanities respond to major issues in health, medicine and wellbeing – i.e. exploring how individuals use art, literature and culture to understand pain and loss, or analysing human behaviour with regard to new medicines and our relationship to health sciences
• topics such as cultural representations of health, places of medical treatment, or the relationship between medicine and emotions

The major challenges in health provision and healthcare can be influenced and directed by the arts and humanities. This module shows you how this field can be a powerful tool for change.

This module is worth 10 credits.

Discover how our world is experienced through language.

We live in a global society, where different languages build our perceptions, ideas and values. In this module, we respect that difference and participate in it.

You will:

• Use multilingualism as a tool to challenge our own thinking and to comprehend the lives of others in society
• Work through etymologies and translations from a wide range of languages, including Russian, Spanish, French and German
• Learn how understanding languages - not just speaking and reading them - can be vital in contributing to our community, enriching your experience, and participating in a global society

No knowledge of any language is needed, as we focus on understanding what it means to live in our multi-lingual world.

This module is worth 10 credits.

Explore how Nottingham creates ideas, identities, culture and products, alongside how you as a student are also ‘Made in Nottingham’.

This module will help you begin shaping your skills for the career you want, drawing upon the way arts and humanities work has transformed the city.

From the entrepreneurs who have set up businesses or those who have created and enriched charities and social projects, to the writers, artists, musicians and teachers who have all been created in Nottingham. We use their experience, their understanding and their skills to help you define your own path for after university.

You will be able to build your profile through this module, develop your own career narrative to use in your future work as well as engage in the variety of opportunities that are open to you as an arts graduate.

Through this module, we’ll address what it means to be ‘Made in Nottingham’.

This module is worth 10 credits.

A specialist study of an individual topic in depth. Initial topic or project to be chosen from a range of supervisor research areas, and developed in consultation with the allocated supervisor.

Speaking, listening, reading, and writing are a complex set of behaviours that are a fundamental part of our daily lives. And yet they remain difficult to fully explain.

When you hear ‘FIRE’, you immediately look for an exit and start moving. Yet all that a speaker has done is produce a string of sounds. Your mind distinguishes these from the murmuring of other voices, feet clomping on the floor, and any background music. Your mind matches the sounds f-i-r-e with a word, retrieves the meaning, and relates them to the current circumstances and responds accordingly.

How does the mind do this? And what makes our minds so special that we can do this? On this module, we begin to address these questions.

You will consider:

• Is there a language gene?
• What makes human language different from animal communication?
• What is the relationship between thought and language?
• Does everyone talk to themselves? What purpose does our inner voice serve?
• How do we learn language? And does cognition underpin our ability to learn language?
• What do language deficits tell us about language and the brain?
• How do we understand and produce speech, words, and sentences?
• What is the best way to teach children to read?
• How is sign language similar to/different from spoken language?

This module is worth 20 credits.

The module is designed to provide students with an understanding of the process of English Language Teaching (ELT) and of the theoretical underpinnings of this practice. In this module students will learn the principles behind the learning and teaching of key aspects and skills of English, including:

• vocabulary
• grammar
• reading
• writing
• speaking
• listening
• intercultural communicative skills

Students will also learn how to apply these theoretical principles to the development of teaching materials. This module will therefore be of interest to students who want to pursue a teaching career, and in particular to those interested in teaching English as a second or foreign language.

This module is worth 20 credits.

This module provides comprehensive knowledge of feminist theory, as applied to a series of language and linguistic contexts.

You will explore a range of analytical approaches to language, including conversation analysis, critical discourse analysis, and interactional sociolinguistics. You will also respond to, and critically engage with, contemporary real-world problems associated with gender and sexuality, through the consideration of discourse-based texts.

Topics covered include:

• gender and sexual identity construction in a range of interactive contexts
• sexist, misogynistic, homophobic and heteronormative representations in texts
• feminist theory from the 1970s to the present, with particular focus on contemporary approaches to gender theory

This module is worth 20 credits.

This is a course in advanced stylistic analysis, exploring threads of stylistic patterning across literary and cultural history. Building on your prior knowledge of both linguistic and literary scholarship, the module bridges the gap between literary and linguistics aspects of the BA degrees. The course focuses in particular on aspects of style from a formalist, functionalist, cognitive, social and narratological perspective, as well as adding a historical dimension to the study of style. The module provides you with an understanding of how linguistic techniques contribute to the creation of meaning and literary interpretations. There is also an engagement with the emotional response of readers, as well as the practical application of literary linguistic pedagogy, in accordance with the educational and applied linguistic traditions of the discipline. The module represents an engagement with the professional, scholarly and disciplinary practices of literary stylistics.

This module explores the vital role that discourse plays in various communicative domains in healthcare and workplace settings. Students will explore these domains through a variety of contemporary frameworks for examining discourse and communication, including critical discourse analysis, multi-modal discourse analysis, and interactional sociolinguistics.The module offers the opportunity to analyse and reflect on the discourses of healthcare and the workplace, as two crucially important domains of social and professional life. To this end, professional and healthcare discourses will be investigated through a range of genres and communicative modes, including face-to face communication advertising, media discourse and digital interactions. The module offers a rich resource for discourse-based studies of language in professional and social life and enables students to examine the strategic uses of communicative strategies in specific social settings.

This module focuses on the connections between literary texts, politics, and relevant historical/cultural contexts in gothic texts. You may cover:

• poetry
• novels
• graphic novels
• films

Examples include The Haunting of Hill House (both Shirley Jackson’s novel and the Netflix adaptation), The Gilda Stories by Jewelle Gomez, and Saga of the Swamp Thing by Moore, Bissette and Totleben, and The Visions of the Daughters of Albion by William Blake.

You will explore various critical and theoretical approaches to literature, film, comics, adaptation, and popular culture. The module also seeks to decolonise Gothic Studies, including work by creators from a wide range of backgrounds who identify with a diverse range of subject positions.

This module is worth 20 credits.

This module introduces key modern and contemporary poets.

You will build a detailed understanding of how various poetic forms manifest themselves in particular historical moments. Unifying the module is an attention to poets’ responses to the political and ideological upheavals of the 20th century.

The module will include such (primarily) British and Irish poets as:

• W.B. Yeats
• T.S. Eliot
• W. H. Auden
• Dylan Thomas
• Ted Hughes
• Sylvia Plath
• Wislawa Szymborska
• Tony Harrison
• Seamus Heaney
• Derek Mahon
• Adrienne Rich
• Geoffrey Hill
• Jo Shapcott
• Patience Agbabi
• Alice Oswald

Some of the forms examined will include: the elegy, the pastoral (and anti-pastoral), the ode, the sonnet (and sonnet sequence), the ekphrastic poem, the version or retelling, the villanelle, the parable and the sestina.

To develop a more complete perspective on each poet’s engagement with 20-century formal and political problems, we also examine these figures’ writings in other modes. This includes critical essays, manifestos, speeches, and primary archival materials such as letters and manuscript drafts.

Grounding each week will be readings on poetry and the category of the ‘political’ from an international group of critics, including such thinkers as Theodor Adorno, Charles Bernstein, Claudia Rankine, Peter McDonald, Angela Leighton, Christopher Ricks and Marjorie Perloff.

This module is worth 20 credits.

This module examines the late twentieth and early twenty-first century globe through its correlates in fiction. The primary materials for the module will be post-war Anglophone works drawn from a wide geographical range across the world. After introducing the history of the idea of world literature, these works will be situated within a series of theoretical ‘worlds’: world literary systems; post-colonial criticism; cosmopolitanism; world ecologies; resource culture; literary translation theory. The module will also attend to critiques of 'world literature’ as a concept.

This module focuses on the creative process of making theatre as an ensemble. The first half of the module explores a range of theory-in-practice approaches to performance, such as those of Stanislavski, Lecoq, Laban, Meyerhold, along with approaches to devised, physical theatre influenced by companies such as Frantic Assembly and Gecko. For the second half of the module, students draw on these practical and theoretical models as they develop and rehearse a short, assessed, ensemble piece(s) for public performance. Students are also asked to critically reflect on the process of making performance encountered during workshop, rehearsal and performance on the module.The module builds on the understanding of performance conventions developed through practical workshops begun in the first year 'Drama, Theatre, Performance' module, and the performance theory-through-practice approach of the second year 'From Stanislavski to Contemporary Performance' module.   

This module will consider Irish literature and drama produced in the twentieth century. Taking the Irish Literary Revival as a starting-point we will consider authors in their Irish and European context, such as W.B. Yeats, J.M. Synge, Lady Gregory, James Joyce, Seán O'Casey, Seamus Heaney, Brian Friel and Marina Carr.

The focus throughout will be upon reading texts in relation to their social, historical, and political contexts, tracking significant literary and cultural responses to Irish experiences of colonial occupation, nationalist uprising and civil war, partition and independence, socio-economic modernisation, and the protracted period of violent conflict in Northern Ireland. Discussion will also seek to highlight a number of recurrent thematic issues, including language, tradition, gender and sexuality, class, place, and memory.

The twentieth and twenty-first centuries have seen major changes in the way theatre is financed, produced, and presented, on stage and on screen. This module delves into the fascinating world of theatre production, beginning with late nineteenth-century actor-managers and the development of long-running, commercial productions and moving through subsidised theatre, touring and national theatre companies, processes of remediation (particularly through film), and the advent of the mega-musical.

The module utilises case studies including Shakespeare in production, new plays, revivals and international hits such as Les Miserables and Hamilton, to illustrate how theatre responds to changing contexts and audiences. A portfolio assessment allows students to respond to key subjects and types of theatre explored on the module. 

The module employs the study of place-names to illustrate the various languages - British, Latin, French, Norse and English - that have been spoken in England over the last 2000 years. You will learn how place-name evidence can be used as a source for these languages, and also for the histories and landscapes of the country. The module coursework can be directed at a geographical area of particular interest to the student.

Through the exploration of lyric poetry, this module examines cultural and literary change from the fourteenth to the seventeenth century. It will consider the rise of ‘named poet’, the interaction of print and manuscript culture, the representation of love, and the use of the female voice. It will develop further students’ confidence in handling formal poetic terminology and reading poetry from this period. It will also enable students to think pragmatically about the transmission of lyric in modern editions, and about how best to represent the form.

The module will explore the unique saga literature of medieval Iceland, with close reference to its historical and cultural contexts, via a selection of set texts. The set texts will be studied in translation but understanding will be enhanced by some study of the Old Norse-Icelandic language. Topics covered may include representations of kinship, gender, health, belief, the supernatural, landscape, emotion, feud and violence within the Old Norse sagas as well as stylistic and literary features of the sagas themselves.

This module will enable you to become confident in devising and publishing your own material through digital media, including hypertext, audio and video. Through weekly workshops, you will explore the art of digital storytelling, including the use of multimedia and linear/non-linear narratives. You will engage with published digital stories and poems; guest writers working in digital literature will give you insight into their practice and offer guidance on how to craft your own work. The assessment consists of the submission of one digital story. 

This module encourages you to engage in depth with modern writers and texts from canonical modernism. You will also, on occasion, study rival formations from the same historical period by marginalised writers, as well as proto or post-modernist authors. You will focus on the work of one or more writers, allowing you to examine the development of technique and shifts in thematic, political, and theoretical alignment. Through this, you will gain an understanding of literary culture and the changing relationship between the work of a single author, their forebears, and contemporaries.

This module explores a recurring series of connected figures, ideas and texts across centuries. Following the publication of John Milton’s Paradise Lost in 1667, you’ll examine the ways in which Milton’s enormously consequential poem is reimagined by later Romantic writers such as Samuel Taylor Coleridge and Mary Shelley. Explore how its mythic archetypes and aspects (the monstrous and Satanic, the Fall, Eve) inspire or recur in later reactions and works such as those by Jane Austen, Oscar Wilde, Bram Stoker, Henry James, J. R. R. Tolkien, and Anthony Burgess. Areas of focus may include the Satanic, the myth of Eve, monsters and the monstrous, doppelgangers, free will, the posthuman, the Edenic in literature, creatures and creators.

This module explores writing by, about and for women in the early modern period in the years between the Reformation and Restoration. You'll explore a diverse range of texts, including those written for the stage, within their literary, cultural and political contexts. This will help you understand their textual transmission and reception, as well as the modern critical debates and theories surrounding them, including early modern understandings and presentations of gender. The module may feature texts by male canonical figures such as Shakespeare and Marvell, and more recently recovered and significant women’s voices such as those of Elizabeth Melville, Amelia Lanyer, and Lucy Hutchinson.

This module examines the poetry and prose of Old English: warfare and heroic action, thought and feeling, love and loss, and its place in the invention of national England. You’ll explore this rich and rewarding genre through texts authored by men and women, including poems from the Exeter Book ‘elegies’ like The Wanderer and The Seafarer, or passages from Beowulf in the original language.