English and Philosophy - U6UENLPY

Come and explore some fundamental thinking about the world around us and our knowledge of it.

You'll look at questions such as:

• metaphysics – how should we think about the identity of things over time and through change? What does your personal identity over time consist in?
• philosophy of science – is science the guide to all of reality? Is there a scientific method?
• philosophy of language – what is truth? Is truth relative? Does language create reality?

An ideal introduction to metaphysics, epistemology, the philosophy of science, and the philosophy of language.

This module is worth 10 credits.

All religions have a distinctive philosophical framework. Together we'll look at some of the common concerns such as:

• the variety of conceptions of ultimate reality
• goals for the spiritual life
• the nature of religious experience
• the relations of religion and morality
• explanations of suffering and evil
• human nature and continuing existence after death

As there is such a range of beliefs we'll also look at the problems of religious diversity.

Some of the sources we draw on might include (but is not limited to):

• atheists - Feuerbach, Nietzsche
• Buddhists - Śāntideva, Dōgen, Thich Nhat Hanh
• Christians - Augustine, Pascal, Weil
• Hindus - such as the writers of the Upanisads and Shankara
• Jews - Spinoza, Buber
• Muslims - Mulla Sadra, Nasr
• Taoists - Zhuangzi

More contemporary thinkers might also be included.

With such a wide range of issues and traditions the exact mix will vary - each year will focus on a few key thinkers and themes.

This module is worth 10 credits.

This module will cover a selection of contemporary debates within political philosophy, with a particular focus on feminist philosophy. We will look at key concepts such as oppression, ideology, freedom, democracy, and policing, and consider how these concepts apply to issues of gender.*

Questions covered may include the following:

• What is oppression? 
• What is gender oppression?
• How does this intersect with race, disability, class, sexuality, and other axes of oppression?
• What is freedom? 
• How does attention to gender affect the way we understand freedom?
• What is state violence and what functions does it serve? 
• How can we make sense of gendered violence? 
• What forms of violence are normalised and legitimised in dominant discourses? 
• Should there be a distinction between the public and the private? 
• Does it make sense to think of our personal lives as ‘political’?

* Note: the concepts of political obligation and state legitimacy may be introduced but will not be covered in detail, as they are addressed in the Level 2 module Freedom and Obligation.

Who makes theatre? Where does performance happen, and who is in the audience? How is society represented on stage?

These questions are at the heart of this module, and we will explore the extraordinary variety of drama in the Western dramatic tradition. You will examine dramatic texts in relation to their historical context, spanning:

• ancient Greek tragedy
• medieval English drama
• Shakespeare and his contemporaries
• the Restoration stage
• 19th century naturalism
• political theatre of Brecht
• drama and performance, for example the West End hit Emilia by Morgan Lloyd Malcolm (2018), a celebration of women’s voices and history, inspired by the life of the trailblazing 17th century poet and feminist Emilia Bassano

Alongside texts, you'll also consider the extra-textual features of drama, including the performance styles of actors, the significance of performance space and place, and the composition of various audiences.

You will study selected plays in workshops, seminars and lectures, where we will explore adaptation and interpretation of the texts through different media resources. You can also take part in practical theatre-making, exploring extracts from the selected play-texts in short, student-directed scenes in response to key questions about performance.

On this module you will learn about the nature of language, and how to analyse it for a broad range of purposes. It aims to prepare you for conducting your own language research across your degree.

The accompanying weekly workshops will explore levels of language analysis and description – from the sounds and structure of language, through to meaning and discourse. These can be applied to all areas of English study, and will prepare you for your future modules.

In your lectures, you will see how our staff put these skills of analysis and description to use in their own research. This covers the study of language in relation to the mind, literature, culture, society, and more. Your seminars then give you a chance to think about and discuss these topics further.

This module introduces the core skills for literary studies, including skills in reading, writing, researching and presentation. Topics covered include:

• close reading
• constructing an argument
• handling critical material
• introducing you to key critical questions about literary form, production and reception

You will put these new skills into practice through reading specific literary texts. These are focused on poetry and prose selected from the full range of the modern literary period (1500 to the present).

Across the year, you will learn about different interpretive approaches and concepts, and will examine literary-historical movements and transitions.

What was the earliest literature in English like? Where does English come from? What does ‘English’ really mean, anyway?

On this module, we’ll explore a range of English and Scandinavian literature from the medieval period. You'll also meet themes and characters who are at once familiar and strange: heroes and heroines, monster-slayers, saints, exiles, tricksters, lovers, a bear, and more.

From Tolkien to Marvel, the medieval past has been an inspiration for fantasy fiction and modern myth. As well as introducing you to stories and poetry which is exciting, inspiring and sometimes plain weird, we’ll also be looking at some of the challenges of the modern world.

Thinking about the past, means thinking about how it is used in the present day. The idea of a 'beginning' of English language and literature often gets incorporated into modern beliefs about national, ethnic and racial identity. On this module, we’ll begin the necessary work of challenging these ideas and building a better understanding of the medieval past and why it still matters.

This module delves into how both philosophers and non-philosophers have understood human nature and its role in moral, political, and broader philosophical debates. You’ll explore a range of topics, including: 

• Early religious and secular views of human nature and their implications for life, organisation, purpose, and morality
• Modern views of human nature, including the impact of evolutionary theory and psychology.
• Human nature as an ideological construct
• The challenge of deriving human values from human facts
• Biological determinism and transcendence
   

The module aims to introduce and compare different approaches to human nature, exploring questions about the human condition, such as what makes life meaningful. 
 

This module can be taken independently or alongside its counterpart, part B, for a more comprehensive understanding.  

This module delves into how philosophers have tackled questions about the meaning and purpose of life. You’ll explore whether life is meaningful and, if so, what makes it so. Topics may vary each year but typically include: 

• Religious and secular approaches to the meaning of life
• The difference between the meaning of life and meaning in life
• Nihilism and its implications
• Objective versus subjective approaches to meaning
• How a meaningful life relates to wellbeing, education, work, recreation, and authenticity
   

The module aims to introduce and compare different philosophical approaches to what makes life meaningful, addressing these issues from a theoretical perspective. You’ll also explore how various answers impact human lives and wellbeing. 

This module delves into how different cultures and traditions tackle philosophical problems and themes. You’ll explore a variety of topics, which may change each year, such as the nature of reality, human flourishing, the environment, beauty, tradition, wisdom, optimism, religion, mind and reason, social order, and principles for co-existence.

The course introduces and compares a wide range of philosophical traditions and theories, considering their historical and cultural contexts. You’ll make connections to relevant second-year optional philosophy modules and core project options.

Join us to gain a global perspective on philosophy and understand how diverse cultures address fundamental human questions.

How do we change our language for the workplace? What is the effect of the digital workplace on language? This module provides comprehensive knowledge of professional communication applied to a series of different workplace contexts. You will engage with a range of innovative approaches to analysing talk at work, including discourse analysis and sociolinguistics. You will respond to and critically engage with contemporary real-world workplace communication to be able to identify effective communication and troubleshoot miscommunication and conflict. 

Topics may include:

• digital workplace communication

• language and the law 

• health communication

• corporate communication

• political communication and intercultural communication across continents.

This module introduces you to a range of texts, including those associated with Nottingham and Nottinghamshire, but also those from much farther afield. It asks you to consider how they engage with landscape, with the literary and socio-political heritage of their area, and how they employ other distinctive cultural elements such as dialect. The module will allow you to reflect on recent theoretical developments in the field of literary geography, while also equipping you to read and appreciate literary works through a focus on their construction and exploration of place, employing methods from across the sub-disciplines of English studies.

This module will introduce you to the Vikings and their time as they shaped the history of Europe, along with their culture, myths and stories. A primary focus of this module is the impact of the Viking expansion, especially on the British Isles and the East Midlands. Key themes include:

·         knowledge of migration and identity in Northern Europe and the North Atlantic during the early Middle Ages

·         analysis of historical documents and literary texts from the early medieval Viking world

·         interdisciplinary research methodologies specific to medieval literature and language history

You will learn concepts such as diasporic settlements and identity. During the module, you’ll become familiar with various ways of evaluating sources from the Viking Age and beyond (such as literary sagas, historical sources and material culture).

How can the arts help us think about health and cope with illness?  What can the arts contribute to healthcare practice and policy?

You will explore big questions like these, looking at how the arts can engage with the crucial issues in health today and build a better vision of health for the future.

We will cover major themes including:

• Representing health - look critically at representations of good and poor health, found in politics, religion, art, film, literature, and philosophy.
• Mental health - explore what mental health is, and how it differs from physical health. You’ll look critically at themes such as the marketisation of mental health, the history of mental health institutions, and the ethics of psychiatry.
• Communicating health - how health is communicated in personal, public, and professional settings. We’ll explore questions such as why it is so important that patient voices are heard in communicating about health.
• Health inequalities - look critically at striking inequalities in health, including patterns of gender, race, class, sexuality and economic differences in health and access to healthcare.

From treatment, information, care, and outreach, understanding the health humanities provides career opportunities for the next century.

This module is worth 10 credits.

We live in a data-driven society. Information is used for everything from predicting our shopping habits, to understanding global weather patterns, and has radically changed our world.

From the development of Artificial Intelligence to robotics and the use of ‘big data’, the capture and use of information is essential in modern society. To make sure these developments help solve problems, and are not used for harm, we need the arts and humanities to set boundaries and ask questions.

You will:

• Explore topics such as privacy, surveillance, power and representation
• Learn how modern technology can replicate historical biases and ignore contemporary struggles
• Gain the background and context to contemporary issues on data and society
• Question the limits we place on technology in our world
• Explore how the arts and humanities shape, direct and protect against the way data is used

This module is worth 10 credits.

The digitisation of records and texts has revolutionised academic study. The ability to efficiently and confidently use data is a valuable skill for both your course and future career.

On this module, you will:

• Learn the basics of data and ‘text mining’ (using search terms to explore large amounts of information)
• Develop your skills and apply them to case studies
• See how your work can highlight issues and solve problems
• Understand how data analysis allows us to create narratives that inspire and drive change

We will use examples and case studies from across the faculty, where data and text analysis have been used by arts and humanities researchers within their work.

This module is worth 10 credits.

Learn the basics of creating and editing audio and visual material.

From podcasting, photo editing, photography, video editing and sound editing, you can work on how your digital skills can be used to communicate and inspire.

You will be guided through a series of tutorials and examples where you can develop your skills and produce your own content.

This work will be developed through examples and case studies from across the faculty, where audio and visual materials have been used by researchers within their work.

Examples include:

• Virtual reality renditions of historical photographs
•  Immersive museum experiences
• Audio installations to share stories about migration and sustainability
• Interactive events to inspire young people about languages and cultures past and present

This module is worth 10 credits.

Epidemics and infectious illnesses have shaped our world. Most recently, the Coronavirus pandemic dramatically changed the way we work and socialise, with lasting effect.

We will explore the past and present of infectious disease, including how cultures, religions, literature and art have been shaped by the interaction between humans and disease.

You will learn about:

• The variety of human responses to sickness
• How ideas about illness are expressed across the world
• Drug resistant bacteria and mutations of viruses
• How the arts help societies to process the impact of disease - it is often through music, literature, philosophy and media that suffering is expressed and issues raised

This module is worth 10 credits.

Our digital revolution has been led by the arts and humanities.

From mobile apps to learn languages, to video tutorials on how to play an instrument, the use of digital platforms has transformed our disciplines.

In an age defined by ecological issues, technological change and political upheaval across the world, it is the arts and humanities which provide vital links between the past, present and future. It is now more important than ever that we connect communities, challenge structures of power and address inequality.

You will examine how the digital arts changed the world, using examples from a range of mediums from across the globe. This could be a community walking app, that has brought hidden histories to light, a crowd-sourced projects that have given a platform to new voices, or social media forums that link music, philosophy and literature to contemporary debates.

This module is worth 10 credits.

We are in a state of climate emergency. Sustainability and climate change is on both political and personal agendas like never before.

On this module, you will:

• Examine the idea of ‘sustainability’ - looking at the social, cultural, political, economic and environmental challenges that sustainability aims to address
• Link issues of climate change, and our responses to them, to shifting ideas about nature and its distinctness from culture, the scientific and industrial revolutions, and the emergence of the Western world
• Examine Western culture’s way of defining the ‘environment’ and our relationship with nature
• Look at the diverse ways in which different cultures imagine nature

The arts and humanities do not offer quick fixes to our problems, but ways of thinking that can change the world. We do this through understanding context, process and change.

We show how the arts and humanities sheds light on the history of the present and directs us towards the future.

This module is worth 10 credits.

Explore how the arts and humanities contribute to sustainability.

From stories, to images and representation, the ways we understand the world also shape how we understand sustainability.

With a focus on globalisation, and the accelerating pace of climate change in the 20^th and 21^st centuries, we will think about the problems raised by the climate crisis. 

You will:

• Learn about debates around the Anthropocene, the era of humanity’s marked impact on the environment
• Examine the controversies and disputes that have emerged about our relationship with nature
• Explore how we can tell stories about climate change – for example through the literature and music of marginalised groups across the world, who feel the impact of climate change first

By considering how everyday life choices are linked to the environment, the module offers an imaginative way to explore the challenges of sustainable living.  You will gain the tools to challenge opinion and identify how local ideas can offer a solution to global problems.

This module is worth 10 credits.

From filters to fake news, we are exposed to a huge amount of information in our day-to-day lives.

Whether through advertising, promotion, policies or the media, the (mis)information we are exposed to is intended to influence us, change our minds, or maybe even censor and withhold information about important issues.

To challenge this, we need to think critically about data. This module will give you the skills to do just that.

You’ll gain the critical skills to observe, question, and act when the facts do not support what’s being represented. We will also introduce approaches you can use to question visual, textual, quantitative and qualitative information. This could include:

• Causality
• Statistics
• Bias
• Content analysis
• Language

Critical analysis is an important skill, not only so we can preserve our freedoms and protect from harm caused by misinformation, but in the workplace too. The ability to make judgements that are based on logic is a key transferable skill.

This module is worth 10 credits.

Writing inspires change. From the academic textbook that demonstrates a new concept, to a blog post that influences habits, writing can change the world.

On this module, you will learn to think critically about yourself and society, through reflecting on how you write.

Writing lets us occupy different spaces and identities. You can write to develop your sense of self, to enlighten others, or to build connections. Writing skills are more than just how to write an academic essay. Writing can give you an insight into who you are, your values and future direction.

During your studies, you will use writing to develop analytical approaches which can enhance your work and prepare you for your future career. Focusing on the diversity of experiences and backgrounds, interests and motivations, we show how meaningful writing can lead, inspire and transform. 

This module is worth 10 credits.

Where does the mind meet the world? In sensory perception.

By perceiving, we become conscious of a reality beyond our minds. Or do we?

Mind and Consciousness explores perception and perceptual consciousness.

It asks question such as:

• Do we really perceive a world beyond our minds?
• What are the theories of perception and perceptual consciousness?
• How do we distinguish different senses – what makes seeing different from hearing?
• Can our perceptions be biased? Do our prejudices change the way we see things?
• Is dreaming perceiving, or does it belong to another category of mind like imagining?

By the end of this module, you'll be able to:

• understand the main positions in the philosophy of perception
• analyse and evaluate rival views on these topics

This module is worth 20 credits.

Aristotle declared that “All men by nature desire to know”. But we allegedly live in a post-truth world characterized by fake news, alternative facts, and scorn for expertise. These are major dangers to our way of life, and dealing with them requires epistemology. Epistemology is the study of such topics as knowledge, evidence, and justification.

In this module, we'll explore issues such as: the nature and value of knowledge, the threat of skepticism, the role of testimony in acquiring knowledge, and intellectual virtues and vices. Some questions we will tackle include: What is knowledge? Why should we care about it? What is our justification for believing things? Do we know that we’re not brains in vats?

We look at some fundamental metaphysical questions about the cosmos. A selection of the following topics will be studied:

• Objects: concrete vs. abstract; existence and nothingness
• Sets and mereology
• Properties, Property bearers, Relations
• States of affairs and non-mereological composition
• Modality (including counterfactuals) and possible worlds
• Time, persistence, change, and the non-present

We'll examine the Asian philosophical traditions, especially those of India, China, and Japan.

These Asian traditions address familiar philosophical themes - in ethics, epistemology, and aesthetics - but often approach them in ways that seem unfamiliar.

You may well find your culturally inherited presuppositions challenged. This is good! As global power relationships change understanding culture is vital to meaningful communication.

Topics we may cover include:

• Confucianism, Mohism, Daoism, Buddhism, and Hinduism the relationship between morality and religion
• etiquette, ethics and aesthetics
• the family and moral life
• social and political philoosophy
• animals, natural environments, and human flourishing
• the nature of ultimate reality and the good life
• the relation of Asian philosophies to the Western tradition

This module is worth 20 credits.

This module addresses issues in social metaphysics and social epistemology. We will examine the metaphysics of social kinds and explore different accounts of social kinds that have been offered. We will also examine how the fact that we are situated in a social world can affect what we can or cannot know or understand about ourselves, each other, and the social world itself. We will also address ethical and/or political issues that arise once we take account of social metaphysics and social epistemology.

In particular, we might consider whether there are special kinds of injustices that arise due to our social reality. What is epistemic injustice and how does it relate to social injustice? How do certain privileged groups structure the social world that create and maintain privilege and patterns of ignorance that perpetuate that privilege? What are some obligations that we have, given metaphysical and epistemological concerns we have explored? 

• What is art?
• Is there a relationship between art and ethics?
• What is the relationship between art and emotion?

Together we'll explore these philosophical issues and more. By the end of the module you'll:

• have a good awareness of many of the critical debates in the philosophy of art
• recognise and judge for yourself the strengths and weaknesses of arguments on the issues

This module is worth 20 credits.

This module brings together philosophical, historical and sociological approaches to Buddhism. Students will learn about Buddhism as a philosophical and religious tradition – or set of traditions – with particular attention to the relation of Buddhist doctrines and teachings to the contemporary world. They will also learn about Buddhism as a living community, with particular attention to Buddhist life and practice.

What is the nature of space, time and motion? Is space/time/motion relative or absolute? How can we come to know? These are some central questions in the philosophy of space and time which this module explores. 

This module will discuss how thinkers such as Descartes, Newton, Leibniz, Du Chatelet, Mach and Einstein have used philosophical arguments to try to answer the question about the nature of space, time and motion.

This module introduces different kinds of literature, written between 1700-1830. This was a dramatic time in literary history, resulting in the Romantic period. It involved many areas of great contemporary relevance, such as class, poverty, sexuality, and slavery.

We will examine:

• utopian literature (through Gulliver’s Travels)
• the developing novel (such as Moll Flanders and Pride and Prejudice)
• how irony works
• what is self-expression
• how the emergent genre of autobiography can be either manipulated, or used as part of a larger cause

As part of this module, you will explore novels, poems, and prose works that bring to life the intellectual, social and cultural contexts of the period.

This module is worth 20 credits.

‘On or about December 1910 human character changed’: so wrote Virginia Woolf in 1924. ‘And when human relations change there is at the same time a change in religion, conduct, politics and literature.’ This module will familiarize students with relevant aesthetic, generic, and literary-historical strategies for tracing formal and thematic transformations in twentieth- and twenty-first-century literature. Moving between genres, the module will unfold chronologically from modernism, through the inter-war years, and into the ‘contemporary scene’ (as notionally defined for literature since 1970) up to the present day. Lectures and seminars will address some key phases of creative transition, while also particularizing the work of representative novelists, essayists, short-story writers and poets. This combination of overview and textual scrutiny will encourage students to explore influences and affinities between writers working in different modes and periods. Weekly topics will primarily be concerned with mapping literary formations and innovations within the artistic and cultural contexts from which they emerge, while also addressing the wider aesthetic and ideological significances of issues such as class, gender, sexuality and race.

This module will enable students to explore the wide variety of Victorian and fin-de-siècle literature, with examples from fiction (novels, novellas and short stories), poetry (long poems and sonnets) and critical essays. It will examine changes in literary forms and genres over this period, paying some attention to the contested transition between Victorianism and Modernism. The module is organised in terms of a number of interrelated themes, which may include: empire and race, class and crime, identity and social mobility, politics and social problems, gender and sexuality, aestheticism and consumerism. Students are encouraged to make connections between the ways these themes are represented and explored in specific literary works, and larger changes in nineteenth- and early twentieth-century social, political, intellectual and publishing culture.

When we study language, we learn about how society works. Why do some people have more noticeable accents than others? Why are some people taken seriously when they talk, while others aren’t? How do those with power use language to manipulate us into thinking a certain way?

On this module, these are the sorts of questions you’ll be thinking about. We focus on how people use language, how language varies between different speakers, and how language is used to represent different social groups. We consider:

• The way that language is used by people online to create communities
• How the mainstream media uses language to represent particular groups, such as immigrants or gay people
• The ways that language is used in particular contexts, such as the workplace
• How advertisers use language to persuade us that we need their products
• The relationship between language, gender and sexuality
• How language can be used to signal a person’s race or ethnicity

You’ll learn how to conduct a sociolinguistic study which explores topics such as these. You will also spend time each week analysing original language data.

The module is worth 20 credits.

You’ll explore how English is learnt from making sounds as an infant through to adulthood. Topics relating to early speech development include: the biological foundations of language development, the stages of language acquisition and the influence of environment on development. Further topics which take into account later stages of development include humour and joke telling abilities, story-telling and conversational skills and bilingualism.

All literature is written in language, so understanding how language and the mind work will make us better readers and critics of literary works.

This module brings together the literary and linguistic parts of your degree. It gives you the power to explore any text from any period by any author.

You will study how:

• Literature can feel rich, or pacy, or suspenseful, or beautiful
• Texts can make you laugh, cry, feel afraid, excited, or nostalgic
• Fictional people like characters can be imagined
• We can get inside the thoughts, feelings, and hear the speech of characters, narrators and authors
• Imagined worlds are built, and how their atmosphere is brought to life
• You as a reader are manipulated or connect actively with literary worlds and people

This module is worth 20 credits.

Are you interested in languages and the multilingual world? Have you ever wondered how our brains process learning a second language? Would you like to teach English overseas one day? If so, this module could be for you.

Drawing on current theories of second language acquisition, we will consider:

• How globalisation has increased bilingualism in the world
• How languages are learnt
• How students differ from each other in their mastery of languages
• How the psychology of the classroom environment impacts the effectiveness of learning
• How to motivate students and create good learner groups

You will spend three hours per week on this module, split equally between a lecture and follow-up seminar.

This module is worth 20 credits.

This module will introduce students to the exceptionally rich period of writing in English at the end of the fourteenth century and turn of the fifteenth. It will focus on the so-called Ricardian poets, Chaucer (selected Canterbury Tales, Parliament of Fowls, Legend of Good Women), Langland (excerpts from Piers Plowman), Gower (excerpts from Confessio Amantis) and the Gawain-poet (Patience). It will include discussion of Thomas Hoccleve’s early poems, and the prose works of the female mystics Julian of Norwich and Margery Kempe. Students will explore the literary, political and religious preoccupations of Ricardian and early Lancastrian writers, their sources and influences; a range of genres (dream vision, romance, allegory, tale collection, exemplary narrative, life writing / spiritual biography) and forms including the relationship between rhymed and alliterative traditions of poetic composition, and Middle English prose; Fourteenth and Fifteenth-century reading practices and the transmission and circulation of texts in manuscript culture; The dialectal variety of Middle English, from a synchronic perspective.

The gods, heroes and events of Norse mythology are well-known: Odin the one-eyed god of poetry and war, Thor who protects both gods and humans by crushing giants with his hammer, Freya the goddess of beauty who drives a chariot pulled by cats, the final destruction of the world in the ice and fire of Ragnarök; and human heroes like Sigurd the Serpent-Slayer. In this module you will study and analyse the key texts of Old Norse myth and legend from which these familiar stories come, alongside other media, such as depictions in art. The module will explore the development of Norse myth and legend from the Viking Age to medieval Christian Iceland where these texts were recorded.

What can given names, surnames and nicknames tell us about people in the past? What determines the choice of a name for a child? Where does our hereditary surname system come from? How have place, class and gender impacted upon naming through time? This module will help you answer all these questions and more. Interactive lectures and seminars, and a project based on primary material tailored to each participant, will introduce you to the many and varied, fascinating and extraordinary types of personal name and their origins.

Develop your understanding of some of the most influential performance theories and practice, from the beginning of the 20th century to the present. 

Building on the ‘Drama, Theatre, Performance’ module, you will deepen your understanding of Stanislavski and Brecht in practice, as well as exploring the work of other influential theorists and practitioners. 

Possible material includes: 

• Konstantin Stanislavski
• Vsevolod Meyerhold
• Bertolt Brecht
• Antonin Artaud
• Jacques Lecoq
• Ensemble physical theatre makers such as DV8, Gecko & Frantic Assembly 

For this module, you’ll have a mix of lectures and practical workshops, totalling three hours a week.

Workshops offer the opportunity for practical drama. You will explore theory in practice, through work with excerpts from canonical theatrical scripts and other performance scripts.

This module is worth 20 credits.

Theatre makers in the long 20th century have been dealing with a series of pressing artistic and social issues, many of which still concern us today.

These issues include:

• What makes a play worth watching?
• Why do audiences enjoy watching bad things happening?
• How are minority groups represented on the stage?
• How might the stage advance the cause of gender or sexual equality?
• What role does social class or nationality play in the workings of theatrical culture?
• How can we talk accurately about an art form like performed theatre, that is so fleeting and transitory?

In order to answer such questions, this module gives an overview of key plays and performances from the 1890s to the present. You will study these key texts in their original political, social, and cultural contexts. You will also:

• consider their reception and afterlife
• focus on the textual and performance effects created
• place the texts alongside the work of relevant theorists and practitioners

This module is worth 20 credits.

Doing an arts and humanities degree means you’ll gain the skills which are essential for changing the world we live in. Not only that, you are uniquely positioned to understand people, processes and culture.

This module lets you apply that knowledge to solve a real-life problem. The aim is for you to develop your understanding of your degree, and the range of careers open to you.

You will work in an interdisciplinary team on a real project connected to impact, which we define as our ability to ‘make change happen’. These projects have been designed by individuals, groups and organisations that are looking to make a difference to our world. This might be about sustainability, business, equality, culture, politics or society.

Teams will be given a project brief. You will then be guided through how to shape a project, and how to work as a team and deliver results. This will give you the employment skills and experience to show how you can make an impact as an arts and humanities graduate.

This module is worth 20 credits.

This module involves employability skills training in the Autumn semester followed by a part-time placement (one day a week, or equivalent, up to eight weeks) in an external organisation in the spring semester. The module is aimed at developing hands-on work experience and enhancing employability skills in a workplace relevant to arts graduates. Skills developed during the placement will be intrinsically relevant to various work environments.  

Students will apply for placements in relevant local organisations from an established list created by the faculty placement team, but may also use personal contacts to arrange their own placement, subject to approval. Placements will be provided across a range of sectors relevant to the arts including the creative and cultural industries, media, marketing, heritage and museums, the music industry, education, charitable and third-sector organisations, but are subject to change each year. In the autumn term lectures and workshops will be organised across the faculty, with input by the Careers and Employability Service to provide learning support on professional development and skills assessment, networking, successful applications and interviews, self-presentation and self-reflection.   

Assessment will comprise an online portfolio of materials, including application materials, reflective writing and a research report situating the work and function of the placement organisation in the context of the wider sector of which it is a part. Throughout, students will be encouraged to reflect individually and in groups on their own employability, and plan for their ongoing professional development. 

This module will explore the interactions between science and society through a series of lectures, discussion groups and workshops. Topics that will be explored include the ethical parameters that govern how scientific work is constrained, ways in which scientific discoveries can/should be disseminated to the wider community, the wider responsibilities that follow the acquisition of new knowledge and the concept of ‘citizen science’, where science takes place outside the traditional academic centres of work. This mode consists of a three-hour lecture incorporating discussion groups once per week.

This module will introduce you to a range of topics in applied ethics, with a focus on either biomedical or business ethics. Through examination of case studies, in-class debates and critical analysis, you will develop the skills and knowledge necessary to navigate complex ethical issues in healthcare and/or business practice. 

You will gain an understanding of: 

• applying ethical reasoning to major practical themes

• debating contemporary and historical problem cases with appreciation for the perspectives of others 

• evaluating key ideas in primary and secondary literature

The group work assessment will require you to engage with others in approach to ethical dilemmas. You will draw on your own and others' lived experiences as examples to evaluate and respond to from an ethical perspective.

This module allows you to ask profound questions about meaning, truth and existence, which are central topics in contemporary philosophy. You'll tackle themes such as meaning and meaningfulness, sense and nonsense, reference, truth and truthmaking, speech acts, paradoxes, vagueness, realism vs. antirealism, conditionals, modality and expressivism. 

Through engaging discussions and critical analysis, you'll explore how these concepts shape our understanding of the world. This module encourages you to think deeply and critically about complex philosophical issues, providing a solid foundation for further study in philosophy.  
 

This module offers a rigorous grounding in formal and philosophical logic, building on the basics covered in Introduction to Theoretical Philosophy. You'll delve deeper into Truth-Functional Logic, First-Order Logic, and Modal Logic, exploring these areas with greater rigour and completeness. 

Key topics include existence, identity, possibility and necessity, along with formal techniques for testing argument validity. You'll also learn to challenge the logical languages studied, developing skills in philosophical logic by raising questions about logic and evaluating alternative logical languages. 

The module aims to provide a clear understanding of formal logic, introduce the basics of philosophical logic, and critically assess possible alternatives. In the process, you’ll enhance your logical reasoning and philosophical inquiry skills. 

This module will introduce you to some of the core debates in moral philosophy. We’ll consider both contemporary and historical philosophical discussions of questions like:

• What makes certain actions right or wrong?
• Is the rightness/wrongness of actions solely a matter of their consequences, or are certain types of acts inherently right or wrong?
• What is the relation between right action and good character?
• Under what conditions is an action to be counted as free, in the sense required for moral responsibility?
• What is it to hold someone morally responsible in the first place? 

This module will explore key concepts and themes in Africana philosophies and religions, paying particular attention to Africana notions of the human person and human life within a spirit-filled cosmos.

After reviewing critiques of Eurocentric conceptions of philosophy and religion by decolonial thinkers such as Okot p’Bitek, Kwasi Wiredu and Sylvia Wynter, we discuss a variety of texts and sources that highlight and elaborate core concepts in indigenous African modes of thought, such as ‘vital force’, ubuntu, destiny and the world. Thereafter, we consider how Africana philosophies and religions offer fresh approaches to addressing various issues in the contemporary world.

The sort of questions we might consider here include:

• How might African accounts of humanity radicalise concepts of gender?
• Are Africana cosmological narratives able to counter heteronormativity?
• Can the philosophy of ubuntu promote environmental justice?
• What do Africana notions of witchcraft disclose about the dangers of human sociality and the possibility of trust?
• Can black humanity be affirmed in ways that refuse the social death of anti-black racism?

This module provides a diverse range of research projects for final-year students. You’ll have the opportunity to plan and execute an ambitious research project on a topic of your choice, working closely with staff and supervisors in the joint enterprise of ‘doing philosophy’. 

During your project, you’ll conduct independent research and collate ideas and information from the sources you examine. You will demonstrate an understanding of the key assumptions of the main protagonists in their research field, recognise the need to engage with those assumptions, and explore the potential problems raised by your own thinking.  

Do we have a moral duty to obey the law even when we disagree with it? Is there a difference between mere power and legitimate authority? Under what circumstances, if any, is state coercion legitimate?

This module will explore these and other classic questions in political philosophy. You will critically examine the work of at least one important past political philosopher, such as Thomas Hobbes, Immanuel Kant, Emma Goldman, Peter Kropotkin or Huey P. Newton. Through a combination of primary and secondary readings, discussions and writing assignments, you will develop a nuanced understanding of these thinkers’ contributions to political philosophy and their enduring relevance to the contemporary world.

Key concepts covered may include human nature, social contract, order, liberty, anarchy, consent, policing and political obligation.

What does collective self-government look like? Under what circumstances, and by what means, may we justly rebel against the existing order? Is anarchism defensible?

This module will explore these and other central questions in political philosophy. It will examine the work of at least one important past political philosopher, such as John Locke, Jean-Jacques Rousseau, Rosa Luxemburg, Frantz Fanon or Hannah Arendt. Through a combination of primary and secondary readings, discussions and writing assignments, you will develop a nuanced understanding of these thinkers’ contributions to political philosophy and their enduring relevance to the contemporary world.

Key concepts covered may include sovereignty, democracy, dissent, decolonisation, nationalism, slavery and political violence.

This module will introduce you to some central philosophical problems in aesthetics. It encourages your engagement with current views on aesthetic evaluations and has potential as a foundation for a level 3 research topic.

You’ll cover key topics and perspectives of aesthetics in philosophy, such as:

• contemporary views relating to the nature of aesthetics
• the relationship between artworks and other objects of aesthetic concern
• philosophical issues surrounding aesthetics
• critical discussion and evaluation of different philosophical views of aesthetics
• objectivity versus the subjectivity of aesthetic evaluations
• epistemology of aesthetic judgement
• aesthetics of nature
• aesthetics of human beaut
• aesthetics of everyday life

By the end of the module, you will be able to discuss and evaluate different views of aesthetics, explain some current views on the status of aesthetic evaluations, and present the main contemporary viewpoints on key topics in aesthetics.

This module offers an in-depth exploration of the historical and theatrical contexts of early modern drama. Drawing on the most innovative and experimental works by Shakespeare and key contemporaries, this module invites you to explore the three-dimensional stagecraft of these writers. You will reflect on issues such as genre, rhetoric, transmission and audience, and how they affect reception, both among contemporaries and in modern responses. You will study:

• the physical environments of the first professional indoor and outdoor theatres
• the political and institutional contexts that shaped dramatic production
• the conditions of performance for which dramatists wrote, recognising early modern playwriting as a vibrant and collaborative process

The genre of dream-vision inspired work by all the major poets of the Middle Ages, including William Langland, the Pearl-Poet, and Geoffrey Chaucer. The course will aim to give you a detailed knowledge of a number of canonical texts in this genre, as well as ranging widely into the alliterative revival, and chronologically into the work of John Skelton in the early sixteenth century. The course will depend upon close, detailed reading of medieval literary texts, as well as focusing on the variety and urgency of issues with which dream poetry is concerned: literary, intellectual, social, religious and political.

Explore the novel from the late twentieth century onwards, in Britain and beyond.

We will concentrate on the formal operations and innovations of selected novelists, considering how the contemporary socio-historical context influences these questions of form. Topics considered include:

• an interrogation of the ‘post-consensus novel’
• an exploration of postcolonial texts which represent the transatlantic slave trade
• the cultural politics of late twentieth-century and twenty-first century Scottish literature

Contemporary fiction is focused on writing emerging from Britain and closely-related contexts in the post-war period. This module offers strands structured around a number of political, social and cultural frameworks in Britain. These include:

• formal analysis and literary innovations in Britain
• temporalities and the representation of time
• issues of gender, race and class
• histories of colonialism and slavery
• national traditions and politics of state
• the country and the city
• postmodernism

This module particularly explores the network of relationships between context, content and form, supported by related literary and cultural theory and philosophy.

This module is worth 20 credits.

This module is based around a challenge: how do we use the digital humanities?

You are presented with a series of problems about how we can use the arts and humanities to address some of the major issues we face in technology and society.

For example, the acceleration of technology in both private and public life is immense, but this rapid pace of change should not prevent reflection.

In this module, you consider the major contemporary issues of how technology shapes our present and our future. We respond to these concerns using the specific skillset of the arts and humanities, where we ask: what does it mean to be human?

This module is worth 10 credits.

Stand out in your job search with employability skills and hands-on experience.

Learn key skills, from constructing an outstanding CV to practicing interview technique, before completing a part-time placement in the spring. This will be for one day a week, or equivalent, for up to eight weeks.

You can apply for placements in relevant local organisations. The dedicated faculty placement team have an established list of providers, or you can arrange your own placement, subject to approval.

Our placements include a range of sectors, including:

• creative and cultural industries
• media
• marketing
• heritage and museums
• the music industry
• education
• charitable and third-sector organisations

These are subject to change each year.

You will develop a wide range of transferable skills, including:

• communication
• presentation
• organisation
• professionalism
• time management skills

Assessment is through an online portfolio of materials, including application materials, reflective writing and a research report.

This module is worth 20 credits.

Community engagement is important in many careers, from politics and social work to marketing and business.

We do not work in a vacuum - our research and activities are linked to individuals and groups across society. By learning to engage with communities, researchers can reach wide audiences, learn from them and collaboratively make a real contribution to overcoming social problems. 

We need to understand how engagement works in order to work collaboratively, respectfully and sustainability with communities.

In this module, we will:

• Explore how our staff and students work with communities – from supporting immigrant communities settling into Nottingham, to engaging with schools to promote literacy and career opportunities
• Discuss how activism and advocacy can become part of academic work
• Explore how community engagement is structured and organised and how we can ensure our work within the arts and humanities has relevance and impact for diverse audiences

This module will prepare you for your future career, by focusing on the key skill of the arts and humanities: our ability to support and engage with those around us.

This module is worth 10 credits.

Explore the histories and legacies of colonisation, alongside the routes to justice through decolonisation.

Using examples from across the globe, we explore the impact of colonisation on society, politics, economics, and culture.

You will consider contemporary examples and a wide range of evidence, sources and perspectives, including from:

• art
• film
• literature
• archive materials and documents
• music and performance

You will also explore the debates around reconciliation, restitution and justice.

Together we will build an interdisciplinary analysis, drawing upon the research of the whole faculty to uncover, assess and deconstruct the practices of colonialism and their implications for our contemporary world.  

This module is worth 10 credits.

Doing an arts and humanities degree means you’ll gain the skills which are essential for changing the world we live in. Not only that, you are uniquely positioned to understand people, processes and culture.

This module lets you apply that knowledge to solve a real-life problem. The aim is for you to develop your understanding of your degree, and the range of careers open to you.

You will work in an interdisciplinary team on a real project connected to impact, which we define as our ability to ‘make change happen’. These projects have been designed by individuals, groups and organisations that are looking to make a difference to our world. This might be about sustainability, business, equality, culture, politics or society.

Teams will be given a project brief. You will then be guided through how to shape a project, and how to work as a team and deliver results. This will give you the employment skills and experience to show how you can make an impact as an arts and humanities graduate.

This module is worth 20 credits.

Wellbeing, the crisis in mental health care, and clapping for NHS staff during the Covid pandemic are all examples of health humanities. On this module, you will be exploring contemporary challenges in this area.

To build a healthier society, enabling access to healthcare for all, we must consider how people act, behave and build connections.

You will look at:

• how the arts and humanities respond to major issues in health, medicine and wellbeing – i.e. exploring how individuals use art, literature and culture to understand pain and loss, or analysing human behaviour with regard to new medicines and our relationship to health sciences
• topics such as cultural representations of health, places of medical treatment, or the relationship between medicine and emotions

The major challenges in health provision and healthcare can be influenced and directed by the arts and humanities. This module shows you how this field can be a powerful tool for change.

This module is worth 10 credits.

Discover how our world is experienced through language.

We live in a global society, where different languages build our perceptions, ideas and values. In this module, we respect that difference and participate in it.

You will:

• Use multilingualism as a tool to challenge our own thinking and to comprehend the lives of others in society
• Work through etymologies and translations from a wide range of languages, including Russian, Spanish, French and German
• Learn how understanding languages - not just speaking and reading them - can be vital in contributing to our community, enriching your experience, and participating in a global society

No knowledge of any language is needed, as we focus on understanding what it means to live in our multi-lingual world.

This module is worth 10 credits.

Explore how Nottingham creates ideas, identities, culture and products, alongside how you as a student are also ‘Made in Nottingham’.

This module will help you begin shaping your skills for the career you want, drawing upon the way arts and humanities work has transformed the city.

From the entrepreneurs who have set up businesses or those who have created and enriched charities and social projects, to the writers, artists, musicians and teachers who have all been created in Nottingham. We use their experience, their understanding and their skills to help you define your own path for after university.

You will be able to build your profile through this module, develop your own career narrative to use in your future work as well as engage in the variety of opportunities that are open to you as an arts graduate.

Through this module, we’ll address what it means to be ‘Made in Nottingham’.

This module is worth 10 credits.