Triangle

Who they see

Painting of multiple versions of same person sitting around table in different poses

Which version of myself was painted?

What image of myself did I allow to be created?

Can they see the parts of me I've always hated?

Maybe I smiled.

Maybe I allowed myself to feel joy and then got trapped on the outside of my own happy moment.

 

Fragments

Laura had an earlier painting done by Andy as part of the Twisted Rose and Other Lives series.

Painting of figure walking into distance looking back with foreground of jigsaw pieces and text
 

In their own words

Two poems by Laura that accompany the paintings 'Who they see' and  'Fragments'. The poems describe their feelings and experiences.

'Who they see'

“I don’t know who they see.”

That’s all I wrote,

for weeks and weeks.

Those six words lay joined together,

holding hands and feet

beneath the sheets

of lined paper.

“I don’t know who they see.”

Was all that marked

the first lines

of my son’s plastic bound notebook.

Page after page,

of clean paper.

But somehow that’s all I wrote,

on the question I probably pondered the most.

Which version of myself was painted,

what image of myself

did I allow to be created?

Can they see,

the parts of me

I’ve always hated?

Maybe I smiled,

maybe I allowed myself to feel joy,

and then got trapped on the outside of my own happy moment.

Looking in,

pressing my skin

against the glass box that surrounds the snippets and scenes of what looks to be my reality.

Shielding me emotionally from

my own positive experiences.

Somehow stuck on the outside of my world,

just looking in,

battling to get closer to the here and now,

but then quickly giving in

to that more recognisable state

of being simply displaced.

I don’t know who they see.

I suppose I could seem quite free.

Unkempt hair,

that goes to even greater lengths

than I’d go to hide myself from me.

Masses of brown,

a hair for each of my darkest days,

and now,

coarse greys,

growing up and out

in the most peculiar ways.

And a kink,

from hair tied back.

From being dragged into my world

by my ponytail.

I don’t know who they see,

maybe the person I am,

subdued,

wrists bound

in leg restraints

at quarter past three.

I don’t know who they see.

If like me

they flinch,

at every inch

of my exposed flesh,

like it’s poisonous.

Whether they see the subtle dark rings

beneath my eyes

and assume I lie awake at night and cry.

Or just that I’m aging,

or burned out,

that I have stories to tell,

or that i’m just tired.

Whether I seem weathered.

Whether they see I’ve been fighting forever.

Whether they know I never say never.

Whether it looks like I have my shit together,

or whether I’m clever.

Whether they see the teenage girl who flashed her chest and said - whatever.

I don’t know who they see.

I’m loud,

I’m quiet.

I’m powerful,

I’m weak.

I’m trapped,

I’m free.

I’m thirteen thousand, four hundred and fifty five days and counting.

I’m every memory I’ve recounted.

 

'Let me feel'

Let me feel.

Let me feel heart wrenching anguish,

and cascading despair,

because to this,

all my physical pain can’t compare.

Let me cry.

Let me sob uncontrollably,

like a scene from a play,

as I fantasise,

about the suffocating grasp of dismay.

Let me break.

Let me crumble to pieces,

let me slide to the floor,

as panicked hands pound,

against my barricaded door.

Let me fear.

Let me know how it feels,

to be desperately afraid,

remind me that hurt,

comes from more than a blade.

Get me help.

Replace my disconnecting numbness,

this emotional anaesthesia,

guide me away,

from my self-inflicted amnesia.

Let me care.

Let me go over it again in my mind,

let me indulge,

in the sorrows of the memories I find.

Let it hurt.

As I’m hypnotised by red tumbling drops,

let the pain reach a place,

where this hopelessness stops.

Let me rage.

As I fill up half-empty ouzo with water,

let me continue this quest,

of apparent self-slaughter.

Watch me.

As I creep across the cobbled border of the gravelled drive,

seeking comfort,

from medicines far from prescribed.

Ask me.

Ask if the damage I’m causing,

is just a distraction,

in a world seemingly concerned,

with only my actions.

Let me speak.

Though my words to most considered disfavour,

see that this runs deeper,

than adolescent behaviour.

Let me feel.

Let me feel that I wasn’t to blame,

can I connect to emotions,

that aren’t guilt or shame.

Read my diary;

‘I left my childhood there, I want it back.

teddy bears,

nobody cares,

broken toys on the footpath.’

Let me feel.

As I lie still on this hospital bed,

wounded arms,

blankly starring,

at the textured ceiling above my head.