Classical Civilisation and Philosophy BA

These two modules are for complete beginners. They are also suitable if you have already done some study of Latin or Classical Greek (up to GCSE level). They cover the same material as ‘Beginners’ Latin or Greek 1’ and ‘Beginners’ Latin or Greek 2’. They just let you start your chosen language at a later point in your degree.

You’ll get an introduction to the grammar and vocabulary of your chosen language and you will be supported to analyse and understand basic sentences and to translate short passages.

There is no speaking and listening element - the main focus will be on reading text.

If you take these modules in your second year, you can continue onto the ‘Intermediate’ modules in your third year. Note: this is mandatory for Classics BA students.

This module is worth 20 credits.

Continue your study of Latin or Classical Greek, following on from the beginners’ level modules.

You will thoroughly consolidate the vocabulary and grammar of your chosen language and begin the detailed linguistic and literary study of an unadapted Latin or Greek text.

In Latin, you will typically read a text such as Cicero’s Pro Archia, or a book of Virgil or Ovid.

In Greek, the text might be a complete speech by Lysias or selections from a longer text such as the Odyssey or a Greek tragedy.

The assessment for these modules emphasises comprehension and analysis of grammatical structures over memorisation and translation.

Each module is worth 20 credits.

This module examines, in the original Greek, a text representative of an author, genre, period or theme of Greek literature, paying special attention to matters of language and style. Literary appreciation and linguistic skills are developed through detailed analysis of the original Greek. The position of the text in the development of the genre will be explored, as well as its relationship with its social context. Students will also develop their understanding of the Greek language more generally.

This module examines, in the original Latin, a text or texts representative of an author, genre, period or theme of Latin literature, paying special attention to matters of language and style. Literary appreciation and linguistic skills are developed through detailed analysis of the original Latin. The position of the text in the development of the genre will be explored, as well as its relationship with its social, political and cultural context.

Get creative and build your knowledge on an aspect of Classics or Archaeology which interests you.

Your aim in this module is to communicate your chosen topic to the general public. How you choose to do that is entirely up to you. You might explore different types of writing, perhaps for children or in the style of a magazine, or you might experiment with a different medium of communication, such as video, website or phone app.

For example, past students have:

• Created a museum exhibition
• Reconstructed an ancient artefact
• Designed a new public engagement strategy for a historic site
• Developed a board game
• Created a marketing campaign

The module convenor will support you to design an appropriate topic and format for your project.

You will develop vital research, project design and communication skills, which are excellent preparation for a range of careers, as well as your third-year dissertation.

This module is worth 20 credits.

“I designed several T-shirts and hoodies which conveyed information about the site’s art and architecture, history, and its eventual ruination by ISIL in 2015. I wanted to combine my interest of fashion with my love for the classical world, and this project gave me the opportunity to do so.”

- Alexander Gadd, Created a clothing brand based on Palmyra 

Read more student experiences about this module.

This module focuses on the history and development of the scholarship on ancient Greece and Rome and on specific theories, approaches and methods used by modern scholarship. The aim is to sharpen your engagement with and understanding of scholarship, and to give a deeper appreciation of the ways the ancient world has been appropriated. Studying the history of scholarship in its socio-political context will show you how the questions we ask depend on the situations we live in; it will also allow you to judge the merits and limitations of scholarly approaches and will develop your skills of research and analysis, as preparation for your third-year dissertation. As with the Extended Source Study, you will choose a work-sheet relating to an area of the ancient world which particularly interests you; the module is assessed by an oral presentation and a 4,500-5,000 word essay.

This module is designed to develop your skills of research, analysis and written presentation as preparation for a third year dissertation in classical civilisation. You will write a 5,000 word essay chosen from a range of topics, each focusing on a single piece of ancient source material. You will be provided with a topic for investigation, starter bibliography and tips on how to approach the question. The questions will suggest a range of possible approaches, from evaluation of historical source material to exploration of literary effects, relationships with other material, discussion of context or reception. For this module you will have a mixture of lectures and four 2-hour seminars over a period of 10 weeks.

This is a discipline-bridging cross-campus module, involving colleagues from across the School of Humanities.

The Silk Road will be presented as a range of archaeological, historical and scientific themes. Broad cultural themes will be balanced with the presentation of specific case studies, such as:

• The definitions of the Silk Roads
• Byzantine, Islamic and later medieval Silk Roads
• Luxury production
• Trade and exchange from the Roman and later periods
• Ming Dynasty links with the West

Scientific techniques for the analysis of materials, and their role in the interpretation of trade and exchange along the Silk Roads, will also be considered. This could be between, for example, China, central Asia, Scandinavia and the Middle East.

This module is worth 20 credits.

Module description to be confirmed.

This module explores the urban image and visual culture of the best-preserved ancient Roman city, Pompeii, throughout the early imperial period and to its end in AD 79. It examines its history and topography, and analyses individual urban structures, architectural choices, sculptural and other artistic displays and monuments, their place in Roman urban development, their political, social, economic or religious function and their subsequent use and influence, including in the modern reception of ancient Pompeii. 

Topics include:

• problems of studying "urban fabric"
• Pompeii as a melting pot of different cultural traditions
• public and religious spaces in a Roman town (fora and temples, routes through the city, trade and commerce, sculptural/pictorial displays)
• entertainment and hygiene (theatres, baths and brothels)
• the domestic context (intra- and extra-mural living, interior decoration and wall-painting)
• the funerary sphere (self-representation and cultural traditions).

This module examines a fascinating and tumultuous period of Roman history: from Diocletian’s seizure of power (A.D. 284) to the sack of Rome by a Visigothic army (A.D. 410). In the 126 years which separated these two events, the Roman world was fundamentally transformed, by (amongst other things) the rise of Christianity and the decline of imperial power. This transformation is documented for us by a range of captivating sources: from St. Augustine’s disarmingly frank autobiography, his Confessions, to Zosimus’ savage indictment of the damage he alleged Christianity had done to the empire.

Over the semester, we will work our way through the period, looking at key political, social, religious, and cultural developments and analysing the source material for this absorbing chapter in Rome’s imperial story.

This module involves a detailed study of Virgil's Latin epic poem, the Aeneid, in English translation, and focuses on its interactions with the epic genre.

The Aeneid was always and immediately characterised as a 'great' poem: how does Virgil react against his predecessors to carve out his own literary territory? How is the Aeneid received and re-used by poets and other artists down the ages?

Themes will include:

• career and poetics
• Homer and Apollonius
• reception in later epic (Roman imperial, Neo-Latin, Milton)
• politics and identity
• games and reality
• gender and genre
• vision and spectacle.

This module will explore the ancient evidence for the myth of Oedipus and selected representations of the myth in the post-Classical world.

In terms of evidence, students will have the opportunity to explore ancient drama and other poetry as well as visual culture and mythographic writings.

In terms of post-Classical representations, there will be a particular focus on performance and on modern popular culture, including (but not necessarily limited to) film, popular mythology books, material aimed at children, on-line representations, and humour.

This module explores the representation of animals in ancient Greek and Roman literature and culture. Core questions include:

• What criteria did the Greeks and Romans use to distinguish humans from animals?
• What responsibilities were human beings said to have towards the natural world?
• How were animals used to explore ideas about ‘nature’, ‘culture’, and ‘civilisation’?
• How close are these ideas to our contemporary attitudes toward non-human beings?

While incorporating discussion of material evidence and the day-to-day realities of animal life in the ancient world, the module focuses primarily on the ways in which animals were perceived, analysed, and represented in ancient texts, from philosophy and natural history to satire, fable, and tales of metamorphosis. Both ancient and modern theoretical approaches will be considered, and all material will be read in translation.

During the period 800-500 BC the Greek world transformed from a collection of relatively small communities led by local strongmen to complex city-state societies with elaborate institutions, magistracies, and systems of public finance. Law shifted from an oral to a written basis; Greek settlements spread across the Mediterranean basin and Black Sea; and Greek individuals travelled to Egypt and the east, fuelling a process of dynamic cultural fusion. This period was, too, the crucible from which emerged remarkable works of literature, art, and the beginnings of Greek philosophy.

But it was an era of conflict and disruption as much as cultural and economic progress. Major inequalities in wealth between rich and poor led to social breakdown in many communities. The solutions were various: in Attica, Solon attempted to reshape Athenian institutions to place the poor in a stronger position and curb some of the more egregious abuses inflicted by the wealthy. In Sparta, a culture of material austerity emerged that hid from plain sight the visible aspects of inequality whilst maintaining the economic structures that underpinned elite dominance. For some Greek communities, the answer to these problems lay in entrusting one man with the direction of the community, that is, tyranny, which led to disaster in places like Athens and the emergence of the institutional outlines of the classical democracy. And warfare was rife: the archaic age saw the emergence on land of the tactics of the hoplite phalanx, and at sea the development of the trireme and the fiscal structures that underpinned the first state-owned navies.

This module will enable students to chart continuity and change during the epoch in which the contours of classical Greek society were firmly established. It will focus in particular on the interpretative strategies required in evaluating a highly diverse body of evidence and the methodological problems that challenge historians when reconstructing an era whose evidence is far more lacunose that that which survives for the ensuing periods

This module will consider:  

• the Persian Empire, and in particular contacts between Persians and Greeks in the approximate period 560-330 BC  
  
• major events including: the foundation of the empire by Cyrus the Great; the consolidation of the empire by Darius; the Ionian Revolt and the invasions of Greece; the Delian League and the Peace of Callias; the Peloponnesian War; the Peace of Antalcidas; Alexander’s conquest of the Persian Empire  
  
• major themes regarding the interactions between Greeks and Persians, including military and political conflict, but also trade and cultural engagement  
  
• Greek literary evidence, and the diverse representations of Persians and the Persian Empire presented in it  
  
• non-Greek evidence for the Persian Empire, including cuneiform writings, inscriptions, and visual evidence. 
  

This module will be questioning how various film presentations of the ancient world can be used to better understand both the ancient world itself and our relationship to it.

This will involve a critical understanding not just of the content of certain films but also of the related theories of cultural studies, reception studies, film theory, queer theory, semiotics, race and colonialism, sexuality and morality in both the ancient and modern world. As such this module will be heavily theoretical and will expect the students to be able to deal with complex issues not just about the ancient world, but of modern film production too. This also means that the module will have more teaching hours attached to it than other optional modules to accommodate the extra viewings for discussions.

Amongst the themes to be discussed will be the use of Greek mythology, Greek and Roman historical events, ancient religion, ancient sexuality, morality, special effects, new technologies and comparative cultural studies; all the while dealing with such case-studies as post-War European cinema, British Art House cinema, Hollywood Blockbusters and comedy and animation.

The module will be assessed by a source-analysis commentary and an exam. 

The Roman Empire was a mad, mad place! How else would you call an empire where any individual city can decide it wants to start issuing its own money – and the authorities let them do it? A place where hundreds of cities produced hundreds of currencies of local bronze coinage, each city with its own weight standards, and each using its coinage for self-promotion, celebrating local gods, temples, festivals and any other attractions that made their hometown special.

According to one calculation, some 500 cities across the Roman Empire minted coins in the 350 years from Caesar to Diocletian, churning out approximately 100,000 different coin types. This module is all about this city or ‘civic’ coinage. We won’t have quite enough time in this life to discuss 100,000 coin types, so we focus especially on what we call the Near East, i.e. Roman Syria, Phoenicia, Judaea and Arabia (30 BC to AD 270). Dozens of Near Eastern cities produced coins during this time, contributing to an immensely rich and varied tapestry of local cultures.

We will first grapple with the historical circumstances which put cities in a position to issue their own money despite being subject to Rome. The local autonomy the cities enjoyed was not a consequence of Roman folly, negligence, or administrative malpractice, but a deliberate and well-advised hands-off approach whose wisdom is proven by hundreds of years of stable and successful rule over the provinces.

In Coins, Cults and Cities, you will learn how the coins can shed light on the life of the issuing city in all its facets:

1. World of art: reception of Classical models; Greek-inspired art forms vs. local traditions; stylistic developments over time
   
2. Religious life, cults and gods: significance of religious imagery, local cult images, ‘icons of difference’
   
3. Civic pride, local identity: coins as vehicles for expressions of patriotism and public self-congratulation
   
4. Ideology and propaganda: coins as the only mass medium of the ancient world, as tools for collective self-promotion.
   
5. Complex dynamics between audience and authority: Who was responsible for text and image on coins? Who was the target audience?
   

You will get your hands on actual ancient coins of Damascus, Palmyra, Tyre, Sidon and many other cities (you get to choose which ones). Holding actual 2,000-year-old pieces of history in your own hands and examining them will teach you how to apply the knowledge and understanding you’ve gained in class to get the most out of the evidence. You will learn how to observe, analyse and interpret the evidence, and how to turn your thoughts and observations into building blocks for arguments when addressing questions or engaging in scholarly debate.

The civic coins of the Roman Near East have been the focus of my research for close to 20 years. Like me, you will find that these coins are inexhaustible fonts of insight and inspiration. There is no other kind of evidence from the Roman Near East even remotely as rich and deep as this coinage, and yet this precious source is unknown to the general public and under-appreciated even by historians and archaeologists.

This module introduces map-making for the Arts and Humanities. You will be introduced to the field of spatial humanities and will learn how to carry out spatial analyses of humanities datasets and present their findings to a high standard.

You’ll be introduced to the key principles of spatial analysis and digital cartography using open-source Geographic Information Systems (GIS) software. We will also explore the broad and exciting applications of spatial analysis.

We will also work with you to help you understand the role of GIS in digital humanities, the role of this in research and practice more widely, and the employability value of GIS as a skill.

This module addresses issues in social metaphysics and social epistemology. We will examine the metaphysics of social kinds and explore different accounts of social kinds that have been offered. We will also examine how the fact that we are situated in a social world can affect what we can or cannot know or understand about ourselves, each other, and the social world itself. We will also address ethical and/or political issues that arise once we take account of social metaphysics and social epistemology.

In particular, we might consider whether there are special kinds of injustices that arise due to our social reality. What is epistemic injustice and how does it relate to social injustice? How do certain privileged groups structure the social world that create and maintain privilege and patterns of ignorance that perpetuate that privilege? What are some obligations that we have, given metaphysical and epistemological concerns we have explored? 

The module begins with an exploration of various theories of naming, paying particular attention to the works of Frege, Russell (including the theory of descriptions), and Kripke. We then turn our attention to various puzzles concerning the nature of meaning, including the distinction between analytic and synthetic sentences.

In the final part of the module, we move on to a discussion of some of the mainstream theories of meaning; particularly, a truth-conditional semantics, and we explore how this might be developed to take into account indexical terms such as 'I', 'now', and 'here'. Some of the skills acquired in Elementary Logic will be applied in this module.

• Are you obliged to obey the law even when you disagree with it?
• What features must a state have in order to be legitimate?

In this module we will approach these classic questions of political philosophy by examining the work of a number of important past political philosophers. This might include Thomas Hobbes, John Locke, and Jean-Jacques Rousseau but this isn't a fixed list - it may vary according to particular issues and student input.

We will look at both:

• why the thinkers' works have been open to different interpretations
• evaluate their arguments under these different interpretations

This module is worth 20 credits.

Where does the mind meet the world? In sensory perception.

By perceiving, we become conscious of a reality beyond our minds. Or do we?

Mind and Consciousness explores perception and perceptual consciousness.

It asks question such as:

• Do we really perceive a world beyond our minds?
• What are the theories of perception and perceptual consciousness?
• How do we distinguish different senses – what makes seeing different from hearing?
• Can our perceptions be biased? Do our prejudices change the way we see things?
• Is dreaming perceiving, or does it belong to another category of mind like imagining?

By the end of this module, you'll be able to:

• understand the main positions in the philosophy of perception
• analyse and evaluate rival views on these topics

This module is worth 20 credits.

Aristotle declared that “All men by nature desire to know”. But we apparently live in a ‘post-truth’ era characterized by fake news, alternative facts, and scorn for expertise. These are major dangers to our way of life and dealing with them requires epistemology—the study of such topics as knowledge, evidence, justification, and reliability.

In this module, we will explore issues such as: the nature and value of knowledge, the relationship between knowledge and justification, the threat of skepticism, the role of testimony in acquiring knowledge, and various intellectual virtues and vices. Some questions we will tackle include: What is knowledge? Why should we care about it? What is our justification for believing things? Do we know that we’re not brains in vats? Do we know anything at all?

We all have opinions about moral matters. But for most of us, our moral opinions are not very well-organised. Indeed, upon reflection we may discover that some of our beliefs about morality are inconsistent.

Normative ethics is the branch of moral philosophy that attempts to systematize everyday judgements about the rightness and wrongness of actions.

It's a wide area of study and we'll focus on two traditions within it:

• contractualism - which holds that the rightness and wrongness of acts depends on principles no one could reasonably reject
• character ethics - which emphasises the relationship between right action and good and bad character

By the end you'll have a clear understanding of:

• the aims and methodologies of involved
• some of the main theories, such as consequentialism, deontology, contractualism and virtue ethics (and some of their influential variants)

You'll also be able to:

• reason to a well thought-out position on various topics in ethics
• develop your own views, drawing upon the sources on which the module focuses

This module is worth 20 credits.

We look at some fundamental metaphysical questions about the cosmos. A selection of the following topics will be studied:

• Objects: concrete vs. abstract; existence and nothingness
• Sets and mereology
• Properties, Property bearers, Relations
• States of affairs and non-mereological composition
• Modality (including counterfactuals) and possible worlds
• Time, persistence, change, and the non-present

• What is art?
• Is there a relationship between art and ethics?
• What is the relationship between art and emotion?

Together we'll explore these philosophical issues and more. By the end of the module you'll:

• have a good awareness of many of the critical debates in the philosophy of art
• recognise and judge for yourself the strengths and weaknesses of arguments on the issues

This module is worth 20 credits.

This module takes formal logic beyond the basics (as covered in first year Reasoning, Argument, and Logic). We’ll cover Propositional Logic, First-Order Logic, and Modal Logic (going into more detail where these were covered in first year).

We’ll learn about existence, identity, possibility, and necessity, and we’ll learn formal techniques for testing the validity of arguments. We’ll apply these logical techniques to help us make sense of challenging concepts and arguments in metaphysics and philosophy of language.

Can we understand the world as an integrated whole? Is modern society ultimately a prison? Is philosophy, history, language, or life in general is established on masculine values? This module aims to provide in-depth and critical understanding of the important themes that surrounds Arthur Schopenhauer’s philosophical pessimism, Michel Foucault’s political anthropology, and Luce Irigaray’s feminine project.

Metaethics is about how ethics works. It's not about judging whether something is morally good or bad in any particular instance but critiquing the foundations used to make the judgements. Some of the questions we might ask are:

• Are there moral facts?
• What is moral truth?
• Do psychopaths really understand moral language?

Like many areas of philosophy metaethics has several branches and by the end of this module you'll be able to:

• understand the main positions in contemporary metaethics
• analyse and evaluate rival views on these topics

This module is worth 20 credits.

For a good pre-module introduction to the subject have a read of chapter six of Ethics for A level by Mark Dimmock and Andrew Fisher. It's an open-source resource so free to access.

This module examines how Muslims have addressed fundamental theological and philosophical questions relating to their faith. These questions concern the foundations of religious knowledge and authority, God's unity and attributes, God's relationship to the world, divine determinism and human freedom, prophecy, and human destiny beyond death.

Key figures will include the Mu'tazili and Ash'ari philosophical theologians, the philosophers Ibn Sina (Avicenna) and Ibn Rushd (Averroes), Isma'ili esotericism, and the influential medieval intellectuals al-Ghazali, Ibn al-'Arabi, and Ibn Taymiyya. Selections from primary sources will be read in translation, and special attention will be given to the integration of late antique philosophical traditions into Islamic thought about God, God's relation to the world, and human destiny. 

We'll examine the Asian philosophical traditions, especially those of India, China, and Japan.

These Asian traditions address familiar philosophical themes - in ethics, epistemology, and aesthetics - but often approach them in ways that seem unfamiliar.

You may well find your culturally inherited presuppositions challenged. This is good! As global power relationships change understanding culture is vital to meaningful communication.

Topics we may cover include:

• Confucianism, Mohism, Daoism, Buddhism, and Hinduism the relationship between morality and religion
• etiquette, ethics and aesthetics
• the family and moral life
• social and political philoosophy
• animals, natural environments, and human flourishing
• the nature of ultimate reality and the good life
• the relation of Asian philosophies to the Western tradition

This module is worth 20 credits.

This module brings together philosophical, historical and sociological approaches to Buddhism. Students will learn about Buddhism as a philosophical and religious tradition – or set of traditions – with particular attention to the relation of Buddhist doctrines and teachings to the contemporary world. They will also learn about Buddhism as a living community, with particular attention to Buddhist life and practice.

What is the nature of space, time and motion? Is space/time/motion relative or absolute? How can we come to know? These are some central questions in the philosophy of space and time which this module explores.

This module will discuss how thinkers such as Descartes, Newton, Leibniz, Du Chatelet, Mach and Einstein have used philosophical arguments to try to answer the question about the nature of space, time and motion.

Module description to be confirmed.

This module involves employability skills training in the Autumn semester followed by a part-time placement (one day a week, or equivalent, up to eight weeks) in an external organisation in the spring semester. The module is aimed at developing hands-on work experience and enhancing employability skills in a workplace relevant to arts graduates. Skills developed during the placement will be intrinsically relevant to various work environments.  

Students will apply for placements in relevant local organisations from an established list created by the faculty placement team, but may also use personal contacts to arrange their own placement, subject to approval. Placements will be provided across a range of sectors relevant to the arts including the creative and cultural industries, media, marketing, heritage and museums, the music industry, education, charitable and third-sector organisations, but are subject to change each year. In the autumn term lectures and workshops will be organised across the faculty, with input by the Careers and Employability Service to provide learning support on professional development and skills assessment, networking, successful applications and interviews, self-presentation and self-reflection.   

Assessment will comprise an online portfolio of materials, including application materials, reflective writing and a research report situating the work and function of the placement organisation in the context of the wider sector of which it is a part. Throughout, students will be encouraged to reflect individually and in groups on their own employability, and plan for their ongoing professional development.