Film and Television Studies and American Studies BA

This module engages with the narrative histories of film and television, from their origins to the present day, a period involving many significant transitional moments in production histories. You will explore the coming of sound, the rise and demise of the Hollywood studio system, and the emergence of the TV network system. By raising questions such as: what are the industries producing at these moments, and how are cultural products marketed and distributed? this module also asks what transition means at different historical moments. It provides examples of different critical approaches to film and television history and interrogates the key debates around the periodisation of that history. This module is worth 20 credits.

This module asks questions surrounding the consumption — viewing and listening, in public and private environments including theatres, homes and more — of film, television and other screen media.

It addresses viewing contexts including public spaces such as cinemas, private spaces such as homes, and emerging hybrid spaces.

For you to understand not only consumption environments but also media users, the module also investigates constructions of screen audiences, through historical as well as contemporary cases.

You will complete the module with an understanding of how screen media offer components of experiences dependent on consumption environments and on audiences' attitudes, cultural backgrounds and other activities.

This module is worth 20 credits.

An essential introduction to the key:

• stylistic and narrative elements in films, television programmes and streaming media

• roles that are involved in creating these elements

• language used to analyse these media

Decisions around lighting, sound, scripts and edits all affect how an audience understands and reacts to what they are seeing and hearing. Using case studies across periods and genres you'll develop an ability to "read" these decisions and why they've been made.

You'll also become familiar with who's making and implementing these decisions.

Over the course of the module we'll build a common understanding of the language used when analysing film and television. This will help you both understand the analysis of others and make sure your own voice is clearly understood.

You'll watch plenty of film and television as case studies and work with your fellow students in small groups to tackle questions and present your findings.

Recent films students have worked with include:

• Nosferatu - a classic black and white horror movie from 1922

• Vertigo - one of Alfred Hitchcock's most talked about movies from 1958

• Deadpool - superhero comedy from 2016

By the end of the module you'll have the knowledge, skills and confidence to explain what's happening in what you see, ready for more specialised study in the rest of your degree.

This module is worth 20 credits.

This module will support you in your first year as you make the transition into degree level work. You will gain a variety of skills in independent and collaborative learning with the aid of guided and self-directed learning tasks and individual and group research projects. All of which will prepare the ground for subsequent research training and your final year dissertation. This module is worth 20 credits.

Examine literary, film and visual texts in their historical, political, regional and national contexts.

You will explore debates about cultural definition and the construction and deconstruction of Canada. We mainly focus on the 20th century.

Possible topics include:

• The wilderness
• Migration and multiculturalism
• Indigenous cultures
• Canadian and Québécois nationalisms
• Popular culture
• Canada’s relationship to the US

This module is worth 20 credits.

Discover the history of North America, from European contact through to the start of the 20th century.

You will explore how the interactions of European colonizers with Native Americans shaped the future of the region, as well as the rise of Atlantic slavery, its development over time and the eventual emergence of distinctive African-American cultures.

We cover a broad chronological period, which includes European colonization, independence and Civil War. You will also examine the influence and development of attitudes towards race, class, gender, democracy and capitalism.

This module is worth 20 credits.

Discover the history of the United States in the 20th century.

You will explore the changes in the lives of American people, focussing on:

• Prosperity
• Depression
• War
• Liberal reform
• Political conservatism
• Minority protests
• Multicultural awareness
• International power

This module is worth 20 credits.

Gain an introduction to major American literature and culture.

You will explore a wide range of 19th and early 20th century American writers of fiction and poetry.

You will also:

• Address questions about the nature of the American ‘canon’, raised by critics
• Explore related developments in visual culture and music

This module is worth 20 credits

This module follows on from ‘American Literature and Culture 1: 1830-1940’.

You will explore a wide range of 20th and 21st century American writers, including Richard Wright, Flannery O’Connor, Shirley Jackson, Thomas Pynchon, Toni Morrison, Cormac McCarthy, and Colson Whitehead.

You will also explore related developments in late 20th and early 21st century American culture, including, for example, the films of Alfred Hitchcock and Robert Altman, abstract expressionist art, and the emergence of digital media.

This module is worth 20 credits

For this year-long core research module you'll spend two hours a week in lectures and workshops to become familiar with different approaches to investigating research topics which interest you. This will include learning about and trying out first-hand a range of research methods and techniques commonly applied in ethnographic, historical and textual study, and determining their suitability for different projects. You’ll learn about the kinds of research that a range of industry professionals from diverse sectors within the media, creative, entertainment and heritage industries pursue, and have opportunities to reflect on how you could incorporate that learning into your own research. You'll also investigate the interdisciplinary nature of culture, film, media, the arts and critical digital studies and demonstrate this knowledge by choosing your own research project and methods. This module is worth is 20 credits.

This module will deploy the concept of "region" and, more broadly, “place” to explore key North American texts— drawn primarily from the spheres of film, television and literature. The notion of the "regional" will be applied expansively as well as conventionally to incorporate everything from the urban to the suburban/exurban; border territories; the transnational. Possible areas of study may include the American West; the Pacific North-West; New York City; the black inner city “ghetto”; "mountain" people and the Appalachians; Hispanic-America; first nations; French-Canada; Texas; Chicago; New Orleans; California; and the transnational impact of extensive US military occupations (post-war Japan; South Vietnam; twenty-first century Iraq). 

In this module you'll learn about the concepts of ‘transnational’ and ‘postnational’ media, taking into account the movement and interactions of people, finance, technology and ideas around the world. The module addresses in particular global media interactions emerging from tensions between forces of cultural homogenisation and heterogenisation. You'll also develop a foundation of theoretical knowledge to be applied to case studies in global film, television and other screen and print media. This module is worth 20 credits.

In this module you'll learn how show business is broken down into 'show' and 'business' in film, television and promotional industries and examine how creative decision-making, technology and legislation influence those industries. You'll also learn about how advertising and market research influence the design and production of media in certain regions and how film and television industries have developed in different contexts and periods. This module is worth 20 credits.

During this year-long module you'll:

• think about industries, audiences and surrounding debates from a social and cultural viewpoint
• learn about the way that social and cultural meaning is produced by film and television programmes​
• explore the social practices that surround the consumption of media, such as movie going and television viewing

Some of the specific questions we might look at together include:

• How do value judgements shape the way in which movies and television programmes get made
• What is "good" television?
• What challenges are public service broadcasters, like the BBC, facing and how should they address these?
• How have writers and producers attempted to use television drama to enact social change?
• What kind of TV programmes are preferred by streaming services and why?
• How might binge watching impact on the viewer's experience and social communication?

This module is worth 20 credits.

This module develops critical modes of attention to the mediation of identity. On our screens and in our headphones, we shape and reshape our selves. Media do not reflect identities but play an active role in bringing them into being. This module takes up the question of 'identity politics', enhancing students' knowledge and understanding of key identity categories that have been advanced and problematized by media scholars, such as gender and sexuality, race and ethnicity, national, regional and local belonging, age, ability and disability, and more. The module also interrogates the mediated forms these identities take, considering the politics of looking and visual culture, the politics of hearing and auditory culture, and the politics of affect, emotions and embodiment. The module encourages historical as well as contemporary perspectives.

Described variously as an era of dissent, revolution and experiment, the 1960s offers a unique vantage point from which to explore a range of issues and topics pertinent to media and cultural studies. The art of the period brings into view a volatile world where distinctions between different media were becoming blurred (as in performance art, for instance) and where inherited ideas, hierarchies and values were contested, if not exploded. Notions such as the Establishment, the underground, celebrity, obscenity, mass culture, alongside those of personal identity (gender, race, class, sexuality) were all subject to radical questioning in an era where events, such as those of the Civil Rights Movement and the Vietnam War, challenged the received order of things. This module critically evaluates the idea of the 1960s, starting with its status as a fabled decade that is said to cast its shadow today. Historiographical and geographical questions structure the module.  When and, crucially, where were ‘the Sixties’? Was it primarily an Anglo-American phenomenon? Was it the 1950s until 1963? Did it end in the early 1970s, as some believe, with the Oz Trials?  These and other questions will help us to demythologise the period and begin investigating it anew.

Explore how film can be regarded as an art form through the study of avant-garde cinema in early 20th century Europe.

We’ll start by looking at what is meant by the term ‘avant-garde’, and consider the development of experimental filmmaking in the context of artistic movements such as:

• Futurism
• Cubism
• Dada
• Surrealism
• Constructivism

The focus will be on developments in Germany, France and the Soviet Union and consider key trends from abstract animation to Cinema Pur.

We’ll also explore some key concerns of non-mainstream cinema such as:

• Narrative
• Abstraction
• Reflexivity
• Spectatorship
• movement, time and space

You’ll examine how experimental film engaged with modernity, including the aesthetic and political strategies of the European avant-gardes.

By the end of the module you’ll be able to:

• contextualise the avant-garde in relation to broader artistic and historical developments
• understand the relationships between film and other media

This module is worth 20 credits.

Digital communication and media are significantly transforming the ways our societies operate. In this module you will critically explore key issues behind this transformation, and investigate theoretical and practical foundations of digital communication and media and their relationship to contemporary culture. You will study the cultural, political, economic, technical and regulatory contexts from which digital communication and media have emerged and in which they continue to operate. To link conceptual frameworks to real-life experiences and situations, the module also provides opportunities for you to explore the interactive forms and practices that result from the use of digital communication and media through a range of both individual and group activities. This module is worth 20 credits.

Media, TV, film and visual culture play a central role in forming our knowledge of the past. There is no memory without its representation in language or images. Using a range of case studies, you will explore how different forms of remembrance add weight to what they represent. Who remembers what, when, where, why and to what purpose? Why do screen and other media retell certain stories over and over again, and how is such remembrance linked to the erasure of other pasts? What is the relationship between national and transnational memories, when set against memories of enslavement and its visualisations? These, and other questions, will guide our approach to an interdisciplinary field of media, film and visual studies. The module will also encourage you to reflect critically on regimes of visibility and narration, and on the distinct ways that memories of certain events are communicated via different genres, institutions, and artefacts. This module is worth 20 credits.

This module introduces a number of artistic and architectural practices that emerged in Southern California after 1945. Exploring their cultural and historical context, we will consider the role of Los Angeles in the development of post-1945 American art and architecture, including mid-century modernism, Pop Art, Conceptual Art and Light & Space Art. Central to this module is the question of whether all art made in Los Angeles can be classified as “Los Angeles Art” – that is, the extent to which the art and architecture of the region necessarily reflected the geographical location, climate, and expansive urban layout of Los Angeles. To this end, we will consider the critical reception of art of this period, investigating, amongst other critical constructs, the notions of centre and periphery, regionalism and the cultural construction of the American west that shaped much writing on California during the period.

This module surveys the history of American popular music in the 20th century, focusing on the major genres and exploring the artistic, cultural and political issues they raise. In addition to examining the music’s aesthetic qualities genre by genre, the focus will be on key developments within the music industry, on the ways in which commercial and technological changes have influenced the production and consumption of music, and on the ways in which musicians and audiences use pop music to engage with American culture and society. We’ll spend quite a bit of time listening to and analysing music, but you do not need any specialist musical expertise or knowledge to take the module.

This course will consider the contexts and development of contemporary fiction and the novel in the United States and Canada since the 1990s. It will do so by positioning literary works within their wider historical, political and cultural context. The course will examine the dominant ideas and concerns of a number of fictions and novels by writers from a range of ethno-cultural backgrounds. Issues for discussion will include the impact of race, ethnicity, gender, class, generation and sexuality on North American fiction and the novel; the bearing of technology on contemporary fiction; and various debates about the nature of the historical novel in the twenty-first century.

This module examines African American history and culture from slavery to the present through a series of case studies that highlight forms of cultural advocacy and resistance and thus indicate how African Americans have sustained themselves individually and collectively within a racist, yet liberal society. These will illustrate the resilience of African American culture via music, literature, art and material culture. Examples may include the persistence of African elements in slave culture, the emergence of new artistic forms in art, religion and music during the segregation era, and the range and complexity of African American engagement with US public culture since the 1960s across art, literature and popular culture. Weekly topics might include material culture in the Gullah region of South Carolina; or the growth of urban black churches in the North during the period of the Great Migration highlighted by the development of Gospel choirs and radio preaching.

American radicals have been dismissed as impractical, wild-eyed, and subversive - even "un-American"- although many of their most visionary aims have been realized. This module will consider these paradoxes, beginning with the American Revolution in the late 18th century. 19th century subjects will include the abolitionists, early feminism, utopian socialism, anarchism, and farmer populism. 20thcentury subjects will include the Socialist Party in the 1910s, the Communist Party and the anti-Stalinist left in the 1930s, opponents of the Cold War, the 1960s New Left, Black Power militancy, and more recent radicalisms, including the gay liberation movement, women's liberation, and resistance to corporate globalisation.

How can we understand the evolution of America's relationship with the wider world? What interests have been behind the execution of American power?

This module offers a critical introduction to understanding America's place in the world. From the war of 1898, to the conflicts of the early 21st century, we examine how America's involvement abroad has changed over time.

Through historical and political analyses of US foreign relations, we will look at the themes that have shaped America's increasing influence in global affairs.

We consider:

• traditional political and diplomatic issues
• the link between foreign and domestic policies
• the role of foreign actors and private organisations, from religious groups, to citizen organisations, to NGOs that have served to shape America's actions abroad

We will also explore contemporary trends in the history of US foreign policy, including race, gender, emotions, and religion.

This module is worth 20 credits.

This module seeks to analyse the patterns and prevalence of violence in the USA. You will consider theories such as its origins in frontier settler societies and this may allow comparative study of Canada. You will understand the relationship between violence and the gun control debate and the related issue of American ideological antipathy to state power. You will also look at the celebration of violence as a source of conflict resolution and examine the US government’s use of violence as an instrument of foreign policy. Possible topics include violence incidental to settler-native people contact or plantation slavery, the right to bear arms in the Constitution, the resort to force within US foreign policy including atomic weaponry, ‘state terrorism’, and the military-industrial complex.

This module examines the history of immigration to the United States from Europe, Asia, and Latin America. We trace the making and remaking of immigrant communities, cultures, and identities from the nineteenth century to the present day. You will analyse models of race, ethnicity, culture, and nation by focusing on the perception and reception of immigrant groups and their adjustment to US society. We will ask questions such as: How have institutions and ideologies shaped the changing place of immigrants within the United States over time? How have immigrants forged new identities within and beyond the framework of the nation state? And how has immigration transformed US society?

In this module you'll learn about the concepts of ‘transnational’ and ‘postnational’ media, taking into account the movement and interactions of people, finance, technology and ideas around the world. The module addresses in particular global media interactions emerging from tensions between forces of cultural homogenisation and heterogenisation. You'll also develop a foundation of theoretical knowledge to be applied to case studies in global film, television and other screen and print media. This module is worth 20 credits.

American history, from the period of colonisation to the nation's emergence as a global superpower, has always involved intense social and political debate.

This module analyses key texts in the history of American political and social thought, from the settlement period to the present day.

You will be introduced to debates over issues such as:

• religion
• race
• class
• capitalism
• gender
• sexuality
• war

We analyse primary sources by a diverse range of thinkers and writers to interpret these debates, showing how they continue to shape American society and politics in the present.

This module is worth 20 credits.

This module introduces students to the conflicting views about business that can be heard echoing through American literature and culture in the last two centuries. These views are evident when literature and culture directly represent the business culture-its executives, managers and employees, or the physical and mental conditions of employment and entrepreneurship; they are also evident in the narrative unconscious of works appreciated for qualities other than their treatment of business. This module aims to try and understand not only what drives American culture's preoccupation with business, but also to study the various strategies used as literature and culture represents what the module calls the discourses of business: the way that business as a theme is written and talked about in the United States by presidents, by social critics, by journalists, and by writers and other cultural producers; the way that the historical accumulation of this collective input has fashioned a set of rules that govern the way successive generations can think about business; the way that specialised and professionalised languages of business become tropes and metaphors to be used outside of a strictly business environment. The module examines these discourses in a variety of representational forms from the mid-nineteenth century through to the present day: shorts stories and novels; newspapers, magazines and illustrations; speeches, autobiographies and memoirs; film and television.

This module examines developments in American presidential rhetoric.

It begins with early presidents who set the generic conventions (Washington’s Farewell Address) or became models (Lincoln: Second Inaugural/Gettysburg Address) and established the President as an international leader (Woodrow Wilson).

But the core of the module is the impact of changing media from FDR’s radio “fireside chats” through JFK and Reagan’s use of television to Barack Obama’s and Donald Trump’s use of social media.

Much of the focus will be on speeches and press conferences and the interaction between the White House press corps and the President, his speech writing staff, and press secretary.

This module involves in-depth independent study of a subject in American and Canadian Studies. It encourages both student-centred and student-initiated learning. The topic you choose must be appropriate for your course and must be approved by the module convenor. You are assigned a supervisor with expertise in your chosen area of study.

The completed dissertation should be 5,000-7,000 words in length for the 20 credit module and 10,000-12,000 words in length for the 40 credit module. The 20 credit dissertation is for one semester only and the 40 credit version is year-long.

Recent dissertation titles include:

• To Ban or Not to Ban: Changing Motivations Behind Efforts to Censor African American Literature in America’s Public Schools, 1976-2018
• The Development of Television in the Canadian North and its Role in the Preservation of Inuit Culture
• The Feminist Justification for the Afghanistan War: The Cooperation Between the Bush Administration and the Feminist Majority Foundation
• "The Teeth of the World are Sharp”: James Baldwin’s Protest Novels
• Towards Humane Borders: Activist and NGO Responses to the Militarisation of the US-Mexico Boundary
• “A Blended World … A Safe Space for Everybody”: A Case Study of Underground Ballroom Culture
• “Wild Women Don’t Have the Blues”: The Empowerment of Black Female Blues Singers - Romance or Reality?
• “Older Arts and Newer Technology”: Cultural Recoding in Bharati Mukherjee’s Desirable Daughters

Throughout your degree you'll come across topics that really engage you and you wish you had more opportunity to explore in greater depth. The dissertation is that opportunity!

You'll agree a topic with your supervisor who'll be there to support and advise you throughout the entire project.

This individual support will be matched by more general sessions that develop your research and writing skills.

By the end of the year you'll submit a well researched and written project of 8,000 - 12,000 words.

The project will not only demonstrate your subject knowledge but also your ability to:

• critically assess evidence and sources
• argue coherently
• work independently

Essential skills any employer wants to see.

 

This module is worth 40 credits.

Many films share common traits. Together they might be classed as “action”, “made for television” or “low budget”. But how does as film get assigned a genre? Who does the assigning? And what impact does this assigning have?

During the module we’ll delve deep into a particular genre. We’ll examine it’s:

• key concepts and texts
• development
• influence and influences

Building on what you’ve learnt in years one and two you’ll also look at the genre in the context of production and consumption.

As well as knowledge of a specific genre you’ll also develop the skills to apply your learning to other genres.

This module is worth 20 credits.

Develop and expand your understanding of the relationship between screen media and their most important component – the audience.

We’ll explore widely across history including:

• pre-cinema moving images
• the changing nature of cinema space
• the impact of domestic television and VCRs
• the playing of games and use of smartphone apps
• experimental forms of screen media

You’ll also consider the impact social and political factors, and changes in daily living, have on screen media’s relationship with its audience.

Alongside the theory you’ll also get practical experience by using questionnaires and focus groups to conduct your own audience research.

This module is worth 20 credits.

This module combines the historical and theoretical knowledge you have gained with the practical task of video production. You'll investigate the ways that production activities contribute to videomaking through recording and editing techniques, and experience the many decisions that must be made through the production process. You'll spend time in media labs and in the field making a collaborative video production, alongside four hours a week in lectures and seminars.

Almost every country has a cinema industry. Yet what’s shown, and why, varies wildly.

We’ll look at how films outside Hollywood are made, distributed and received globally, and how these reflect local, regional and international trends.

We’ll ask how these cinemas:

• reflect past and current international film industries setups and audiences’ tastes
• are driven by local cultural specifics and global changes
• might benefit different institutions and structures in society

We will also try to untangle categories such as national cinema, transnational cinema and world cinema, as well as to make sense of different filmic traditions, genres and modes around the world. Who creates these categories and who do they serve?

With an entire global cinema to draw from, the focus will narrow in any year to particular regions, filmic genres or movements.

This module is worth 20 credits.

The cultural and creative industries are at the forefront of government strategies across the world for developing post-industrial economies, are seen as exciting places to work, and regularly feature at the top of graduate employment destinations.

• But what are these industries, and what is it like to work in them?
• How do you gain entry to these competitive, highly skilled jobs?
• What is ‘creativity’ and why is it so important to modern economies?
• And what does the future hold for cultural and creative sectors?

We’ll examine the structure, organisation and working patterns in the creative and media industries alongside more practical exercises designed to help you to identify and evaluate your own skills and interests. This combination of industry knowledge and personal reflection is aimed to help you to find a rewarding and exciting career when you leave university.

You’ll also examine key aspects of contemporary work including:

• the concept of creativity, the knowledge economy and precarious labour
• important issues such as internship culture, exploitation and inequality

There will be plenty of opportunity to discuss and build upon your own experiences and aspirations, and to conduct independent research on areas of creative and media work that interest you.

This module is worth 20 credits.

This module considers the main processes and people involved in the development and production of screen content. In particular, it will cover the following areas: People (talent development and management); Ideas (development and content creation); Money (financing and assets); Places (global production trends).

 

This module is worth 20 credits.

This module examines the development of photography in America from roughly 1945 onwards. The module breaks the period down into themes and considers:

1. the transformation of ‘documentary’ photograph;

2. the emergence and importance of colour photography;

3. experimental, conceptual and post-conceptual photography;

4. issues of serialism and seriality;

5. landscape photography;

6. the photobook

7. analogue/digital

The module will draw on the work of a diverse range of photographers, including Walker Evans, Robert Frank, Harry Callahan, Aaron Siskind, Ed Ruscha, Lewis Baltz, Robert Adams, Robert Heinecken, Stephen Shore, Todd Hido, William Eggleston and Doug Rickard.

This module is part of the nationwide Undergraduate Ambassadors Scheme, which works with universities to provide academic modules that enable students to go into local schools to act as inspiring role models. You will split your time between the university-based seminar and your allocated school, where you will be placed in an appropriate department as a teaching assistant. You will design and deliver a teaching project aimed at improving pupil understanding of selected aspects of media studies. You will be supported by the module convenor, the education specialist on campus, and the school's contact teacher. The module typically includes fortnightly seminars and seven half-days spent in school. Placements are in secondary schools and Sixth Form or FE colleges.

Examine how issues of gender and sexuality relate to media and popular culture.

Using the intersectional fields of feminism, queer theory, and media and cultural studies we'll ask some crucial questions such as:

• How are gender and sexuality represented in media and popular culture?
• How do media and cultural industries structure gender and sexual inequalities?
• How are identities and practices of media audiences and users gendered and sexualised?
• How can gender and sexual norms be challenged in creative and radical ways?

This module is worth 20 credits.

Explore the relationship between public space, politics and technology using overlapping and interdisciplinary fields, including:

• cultural studies
• cultural geography
• digital studies
• urban sociology
• cultural politics

You will engage in debates about the changing nature and uses of public space, with an emphasis on urban environments and digital space.

A range of protest movements will also provide case-study material and offer a central focus for your theoretical and practical explorations of the role of new technologies in:

• controlling space
• resisting control
• enabling new forms of civic participation.

This module is worth 20 credits.

This module will examine cultural production during Italy’s fascist regime. There will be an emphasis on the experience of visual culture in public settings such as the exhibition space, the cinema, and the built environment. A wide range of cultural artefacts will be examined, paying attention to material as well as visual aspects. Visual material will be situated in the social, cultural and political circumstances of the period. Topics will include: Fascism’s use of spectacle, fascist conceptions of utopia, the regime’s use of the past, the relationship between Fascism and modernism, Fascism as a political religion, the cult of Mussolini, urban-rural relations, and empire building. The module will also consider the afterlife of fascist visual culture and the question of ‘difficult’ heritage.

Why did National Prohibition officially begin in the United States in 1920?

What were the goals and intentions of the powerful women's reform movements and religious pressure groups calling for dramatic restrictions on alcohol?

Why was there so much political support for state and national restrictions, particularly during the First World War? Why was prohibition so hard to police during the 1920s?

The restrictions on what and how you could drink reshaped American society, politics, and culture during the 1920s and 1930s. Prohibition transformed alcohol consumption, opened up new leisure activities, and increased bootlegging, smuggling, and other criminal activities. However, popular histories and media representations of the prohibition years are full of myths and stereotypes. On this module, you will challenge these to build a better understanding of an important period in the 20th century United States.

This module is worth 20 credits.

Explore US foreign policy in the post-Cold War period.

You will examine the historical narratives of American international relations, considering the drivers behind the foreign policies of Presidents George H W Bush, Bill Clinton, George W Bush, Barack Obama and Donald Trump.

More specifically, we will consider:

• Whether the post-1989 period constituted a break from previous traditions in US foreign policy, or whether there has been an essential continuity through the war on terror and beyond
• The impact of economics, geopolitics, ideology and security issues on post-1989 strategy in different regions of the world
• The impact of a new international environment, marked by the demise of bipolarity and the rise of globalisation

You'll spend around three hours per week in lectures and seminars on this module.

This module is worth 20 credits.

This module examines the role played by American popular music in countercultural movements. We focus on the ways in which marginalised, subordinate or dissenting social groups have used popular music as a vehicle for self-definition and for re-negotiating their relationship to the social, economic and cultural mainstream. We explore how the mainstream has responded to music countercultures in ways that range from repression to co-optation and analyse how the music and the movements have been represented and reflected on in fiction, film, poetry, journalism and theory.  Among the key moments examined are the folk revival and the 1930s Popular Front, rock 'n' roll and desegregation in the 1950s, rock music and the 1960s counterculture, and postmodernism and identity politics in the music of the MTV age.

This module examines a range of documents and scholarly controversies pertaining to the Civil Rights Movement between 1940 and 1970. Documents will include public and organisational records, photo-journalism, speeches, memoir and personal papers. Controversies will include those relating to the chronological limits, spatial dynamics, and gender politics of the movement, as well as those relating to the movement's goals and achievements.

This course will consider the development of ‘ethnic’ and new immigrant literature in the United States from the early twentieth century to the present day. It will do so by positioning literary works within their wider historical, political and cultural context.

The course will examine the dominant ideas and concerns of a range of texts from life-writing and poetry to drama, short fiction and the novel by writers from a range of ethno-cultural backgrounds, including Irish, Jewish, Italian, Caribbean and Asian American.

Issues for discussion will include:

• the claiming of the United States by new immigrant and ‘ethnic’ writers
• race and ethnicity
• gender, class and sexuality
• labour and economic status
• the uses and re-writing of American history and ‘master narratives’
• the impact of US regionalism
• the ways in which writers engage with the American canon
• multiculturalism and the ‘culture wars’
• the growth of ‘ethnic’ American writing and Ethnic Studies as academic fields.

The course will analyse works by such writers as:

• Jacob Riis
• Mario Puzo
• Philip Roth
• Jamaica Kincaid
• Bharati Mukherjee
• Sandra Cisneros.

This is an optional module worth 20 credits.

 

This module examines North American short stories and novels and their film adaptations, paying attention to the contexts in which both the literary and the cinematic texts are produced as well as to the analysis of the texts themselves. In particular, the module takes an interest in literary texts whose film adaptations have been produced in different national contexts to the source material.

What is a film, television or literary classic? How has this term come under pressure and fractured over the past half century or so? In this module you will consider the concept of the mid and late twentieth century American “classic” in a variety of contrasting and overlapping contexts. These contexts will be elaborated on the basis of their formal, generic, period and/or cultural designations that will cover university and exam curricula reading lists, popular opinion and widespread critical consensus (such as the currently prevalent view, for instance, that the early twenty-first century constitutes a ‘golden age’ of US television).

This module explores lesbian, gay, transgender and queer writing, focusing especially on the search for agency and the representation of gender and sexuality in selected contemporary texts. The majority of writers studied will be Canadian, although some American examples will also be included. The module is multi-generic, engaging with forms including novels, short fiction, life writing, poetry, drama and graphic narratives. Topics for discussion will include: 

• LGBTQ sexuality;
• constructions of masculinity and femininity;
• the politics of representation: the extent to which writing can enable agency as subjects or citizens;
• intersections between race, ethnicity, class, nationality, religion, and the construction of gender and sexual identites
• writing for LGBTQ youth
• literature studies will be contextualized in relation to relevant debates in feminist, queer, post-colonial and transnational theories

Representative authors for study may include James Baldwin, Jane Rule, Dionne Brand, Dorothy Allison, Shyam Selvadurai, Tomson Highway, Leslie Feinberg, and Ivan Coyote.

Experiences of and ideas about madness, insanity, and mental illness have varied and changed radically within American history and culture. This module will survey and analyse these changes from the mid-19thcentury to the present. We will consider how and why medical authority, gender, and class have all impacted the way in which mental illness is understood, and consider the significance of changing approaches to treatment. Sources used on this interdisciplinary module range from medical accounts and psychiatric theory to memoir, fiction and film. The aim is to place representations of mental illness in their historical context, and to ask what they reveal about related ideas about identity, conformity, social care and responsibility.

From the Puritans to Playboy, sexuality has been a focal point in the culture, politics, and society of the United States. This module will examine Americans' differing attitudes over time toward sexuality. Representative topics covered may include marriage and adultery, homosexuality and heterosexuality, nudity, abortion, birth control, prostitution, free love, and rape.

Reassess the Anglo-American relationship, during an era of major upheaval in both nations.

Spanning from the American Revolution through to the end of the Reconstruction era, you will be challenged to examine how events and ideas forced Britons and Americans to reconceptualize their relationship.

You will engage with concepts that are crucial in the formation of the modern world, including:

• race
• ethnicity
• liberty
• republicanism
• class
• gender
• manners
• reform

This module is worth 20 credits.