American Studies and English BA

Examine literary, film and visual texts in their historical, political, regional and national contexts.

You will explore debates about cultural definition and the construction and deconstruction of Canada. We mainly focus on the 20th century.

Possible topics include:

• The wilderness
• Migration and multiculturalism
• Indigenous cultures
• Canadian and Québécois nationalisms
• Popular culture
• Canada’s relationship to the US

This module is worth 20 credits.

Gain an introduction to major American literature and culture.

You will explore a wide range of 19th and early 20th century American writers of fiction and poetry.

You will also:

• Address questions about the nature of the American ‘canon’, raised by critics
• Explore related developments in visual culture and music

This module is worth 20 credits

This module follows on from ‘American Literature and Culture 1: 1830-1940’.

You will explore a wide range of 20th and 21st century American writers, including Richard Wright, Flannery O’Connor, Shirley Jackson, Thomas Pynchon, Toni Morrison, Cormac McCarthy, and Colson Whitehead.

You will also explore related developments in late 20th and early 21st century American culture, including, for example, the films of Alfred Hitchcock and Robert Altman, abstract expressionist art, and the emergence of digital media.

This module is worth 20 credits

Studying Literature

The module Studying Literature introduces you to some of the core skills for literary studies, including skills in reading, writing, researching and presentation. The module addresses topics including close reading, constructing an argument, and handling critical material, as well as introducing you to key critical questions about literary form, production and reception. These elements are linked to readings of specific literary texts, focused on poetry and prose selected from the full range of the modern literary period (1500 to the present).

Across the year you will learn about different interpretive approaches and concepts, and will examine literary-historical movements and transitions.

Learning objectives:

• To introduce you to selected literary texts, to deepen your imaginative engagement and analytic response.
• To provide you with a basis of knowledge, working methods and appropriate terminology for subsequent work at university level.
• To provide you with knowledge and understanding of the literary, cultural and historical contexts for literature from the period 1500 to the present, and the relationship between period and genre.

Studying Language

This module teaches you about the nature of language, as well as how to analyse it for a broad range of purposes, preparing you for studies across all sections of the school.

During the weekly workshops you will learn about levels of language analysis and description, from the sounds and structure of language, through to meaning and discourse. These can be applied to all areas of English study, and will prepare you for future modules. In the lectures you will see how the staff here in the School of English put these skills of analysis and description to use in their own research. This covers the study of language in relation to the mind, literature, culture, society, and more. The seminars will then give you a chance to think about and discuss these topics further.

Learning objectives:

• To provide you with methods of language analysis and description for each linguistic level (phonology, morphology, syntax, semantics, pragmatics, discourse)
• To prepare you for conducting your own language research across your degree
• To introduce you to the areas of research and study within the school, with particular focus on psycholinguistics, literary linguistics, and sociolinguistics

Beginnings of English

The module Beginnings of English introduces you to the varied languages, literatures and cultures of medieval England (c.500-1500). You will read a variety of medieval texts which were originally written in Old English, Middle English and Old Norse. We study some texts in translation, but we also introduce you to aspects of Old and Middle English language to enable you to enjoy the nuance and texture of English literary language in its earliest forms. 

We will read texts in a variety of genres, from epic and elegy, to saga, romance and fable. We will discuss ideas of Englishness and identity, and learn about the production and transmission of texts in the pre-modern period. 

Learning objectives:

• To introduce you to linguistic vocabulary and terminology.
• To enable you to become proficient in reading Old English and Middle English.
• To give you an understanding of the complexities of English grammar, past and present.
• To give you an understanding of the origins of English, and its development over the medieval period.
• To familiarise you with the themes and genre of medieval English literature. 

Who makes theatre? Where does performance happen, and who is in the audience? How is society represented on stage?

These questions are at the heart of this module, and we will explore the extraordinary variety of drama in the Western dramatic tradition. You will examine dramatic texts in relation to their historical context, spanning:

• ancient Greek tragedy
• medieval English drama
• Shakespeare and his contemporaries
• the Restoration stage
• 19th century naturalism
• political theatre of Brecht
• drama and performance, for example the West End hit Emilia by Morgan Lloyd Malcolm (2018), a celebration of women’s voices and history, inspired by the life of the trailblazing 17th century poet and feminist Emilia Bassano

Alongside texts, you'll also consider the extra-textual features of drama, including the performance styles of actors, the significance of performance space and place, and the composition of various audiences.

You will study selected plays in workshops, seminars and lectures, where we will explore adaptation and interpretation of the texts through different media resources. You can also take part in practical theatre-making, exploring extracts from the selected play-texts in short, student-directed scenes in response to key questions about performance.

This module is worth 20 credits.

This module will deploy the concept of "region" and, more broadly, “place” to explore key North American texts— drawn primarily from the spheres of film, television and literature. The notion of the "regional" will be applied expansively as well as conventionally to incorporate everything from the urban to the suburban/exurban; border territories; the transnational. Possible areas of study may include the American West; the Pacific North-West; New York City; the black inner city “ghetto”; "mountain" people and the Appalachians; Hispanic-America; first nations; French-Canada; Texas; Chicago; New Orleans; California; and the transnational impact of extensive US military occupations (post-war Japan; South Vietnam; twenty-first century Iraq). 

This module examines the form and content of North American cinema and television in the 21st century and the forces and trends shaping the nature of American and Canadian films and television programmes. Topics for discussion will include the different film and broadcasting industries in the US and Canada, representation of the past in contemporary cinema and television, representations of technology, identity, gender, and race, and the Canada-US border. If you study this module you'll spend around two hours in lectures and seminars, and two and a half hours in film workshops, per week.

This module surveys the history of American popular music in the 20th century, focusing on the major genres and exploring the artistic, cultural and political issues they raise. In addition to examining the music’s aesthetic qualities genre by genre, the focus will be on key developments within the music industry, on the ways in which commercial and technological changes have influenced the production and consumption of music, and on the ways in which musicians and audiences use pop music to engage with American culture and society. We’ll spend quite a bit of time listening to and analysing music, but you do not need any specialist musical expertise or knowledge to take the module.

This module will consider the contexts and development of contemporary fiction and the novel in the United States and Canada since the 1990s. It will do so by positioning literary works within their wider historical, political and cultural context. You will examine the dominant ideas and concerns of a number of fictions and novels by writers from a range of ethno-cultural backgrounds. Our discussions will include the impact of race, ethnicity, gender, class, generation and sexuality on North American fiction and the novel; the bearing of technology on contemporary fiction; and various debates about the nature of the historical novel in the twenty-first century.

This module examines African American history and culture from slavery to the present through a series of case studies that highlight forms of cultural advocacy and resistance and thus indicate how African Americans have sustained themselves individually and collectively within a racist, yet liberal society. These will illustrate the resilience of African American culture via music, literature, art and material culture. Examples may include the persistence of African elements in slave culture, the emergence of new artistic forms in art, religion and music during the segregation era, and the range and complexity of African American engagement with US public culture since the 1960s across art, literature and popular culture. Weekly topics might include material culture in the Gullah region of South Carolina; or the growth of urban black churches in the North during the period of the Great Migration highlighted by the development of Gospel choirs and radio preaching.

American radicals have been dismissed as impractical, wild-eyed, and subversive - even "un-American"- although many of their most visionary aims have been realized. This module will consider these paradoxes, beginning with the American Revolution in the late 18th century. 19th century subjects will include the abolitionists, early feminism, utopian socialism, anarchism, and farmer populism. 20thcentury subjects will include the Socialist Party in the 1910s, the Communist Party and the anti-Stalinist left in the 1930s, opponents of the Cold War, the 1960s New Left, Black Power militancy, and more recent radicalisms, including the gay liberation movement, women's liberation, and resistance to corporate globalisation.

How can we understand the evolution of America's relationship with the wider world? What interests have been behind the execution of American power?

This module offers a critical introduction to understanding America's place in the world. From the war of 1898, to the conflicts of the early 21st century, we examine how America's involvement abroad has changed over time.

Through historical and political analyses of US foreign relations, we will look at the themes that have shaped America's increasing influence in global affairs.

We consider:

• traditional political and diplomatic issues
• the link between foreign and domestic policies
• the role of foreign actors and private organisations, from religious groups, to citizen organisations, to NGOs that have served to shape America's actions abroad

We will also explore contemporary trends in the history of US foreign policy, including race, gender, emotions, and religion.

This module is worth 20 credits.

This module seeks to analyse the patterns and prevalence of violence in the USA. You will consider theories such as its origins in frontier settler societies and this may allow comparative study of Canada. You will understand the relationship between violence and the gun control debate and the related issue of American ideological antipathy to state power. You will also look at the celebration of violence as a source of conflict resolution and examine the US government’s use of violence as an instrument of foreign policy. Possible topics include violence incidental to settler-native people contact or plantation slavery, the right to bear arms in the Constitution, the resort to force within US foreign policy including atomic weaponry, ‘state terrorism’, and the military-industrial complex.

This module examines the history of immigration to the United States from Europe, Asia, and Latin America. We trace the making and remaking of immigrant communities, cultures, and identities from the nineteenth century to the present day. You will analyse models of race, ethnicity, culture, and nation by focusing on the perception and reception of immigrant groups and their adjustment to US society. We will ask questions such as: How have institutions and ideologies shaped the changing place of immigrants within the United States over time? How have immigrants forged new identities within and beyond the framework of the nation state? And how has immigration transformed US society?

This module will explore the history of crime and punishment in British Colonial North America and the United States. It looks at the shift from public to "private" punishments, including the early nineteenth century "invention" of the penitentiary, the emergence of regional differences in rates of violent crime and official reponses, and the origins of federal responses during the 1920s and 1930s. There is particular emphasis on how race, gender, class and region have shaped responses to violence, crime and disorder, and attitudes toward offenders. This module will pay particular attention to the history of crime and punishment in the nineteenth-century American West.

Studying Literature

The module Studying Literature introduces you to some of the core skills for literary studies, including skills in reading, writing, researching and presentation. The module addresses topics including close reading, constructing an argument, and handling critical material, as well as introducing you to key critical questions about literary form, production and reception. These elements are linked to readings of specific literary texts, focused on poetry and prose selected from the full range of the modern literary period (1500 to the present).

Across the year you will learn about different interpretive approaches and concepts, and will examine literary-historical movements and transitions.

Learning objectives:

• To introduce you to selected literary texts, to deepen your imaginative engagement and analytic response.
• To provide you with a basis of knowledge, working methods and appropriate terminology for subsequent work at university level.
• To provide you with knowledge and understanding of the literary, cultural and historical contexts for literature from the period 1500 to the present, and the relationship between period and genre.

Studying Language

This module teaches you about the nature of language, as well as how to analyse it for a broad range of purposes, preparing you for studies across all sections of the school.

During the weekly workshops you will learn about levels of language analysis and description, from the sounds and structure of language, through to meaning and discourse. These can be applied to all areas of English study, and will prepare you for future modules. In the lectures you will see how the staff here in the School of English put these skills of analysis and description to use in their own research. This covers the study of language in relation to the mind, literature, culture, society, and more. The seminars will then give you a chance to think about and discuss these topics further.

Learning objectives:

• To provide you with methods of language analysis and description for each linguistic level (phonology, morphology, syntax, semantics, pragmatics, discourse)
• To prepare you for conducting your own language research across your degree
• To introduce you to the areas of research and study within the school, with particular focus on psycholinguistics, literary linguistics, and sociolinguistics

Beginnings of English

The module Beginnings of English introduces you to the varied languages, literatures and cultures of medieval England (c.500-1500). You will read a variety of medieval texts which were originally written in Old English, Middle English and Old Norse. We study some texts in translation, but we also introduce you to aspects of Old and Middle English language to enable you to enjoy the nuance and texture of English literary language in its earliest forms. 

We will read texts in a variety of genres, from epic and elegy, to saga, romance and fable. We will discuss ideas of Englishness and identity, and learn about the production and transmission of texts in the pre-modern period. 

Learning objectives:

• To introduce you to linguistic vocabulary and terminology.
• To enable you to become proficient in reading Old English and Middle English.
• To give you an understanding of the complexities of English grammar, past and present.
• To give you an understanding of the origins of English, and its development over the medieval period.
• To familiarise you with the themes and genre of medieval English literature. 

Depending on your module choices in your first and second year, you will choose three modules in your final year in English that cover at least two areas of study.

• Theatre Making
• Changing Stages: Theatre Industry and Theatre Art
• Modern Irish Literature and Drama
• Performing the Nation: British Theatre since 1980
• Reformation and Revolution: Early Modern literature and drama 1588-1688
• Writing for Performance

This module involves in-depth independent study of a subject in American and Canadian Studies. It encourages both student-centred and student-initiated learning. The topic you choose must be appropriate for your course and must be approved by the module convenor. You are assigned a supervisor with expertise in your chosen area of study.

The completed dissertation should be 5,000-7,000 words in length for the 20 credit module and 10,000-12,000 words in length for the 40 credit module. The 20 credit dissertation is for one semester only and the 40 credit version is year-long.

Recent dissertation titles include:

• To Ban or Not to Ban: Changing Motivations Behind Efforts to Censor African American Literature in America’s Public Schools, 1976-2018
• The Development of Television in the Canadian North and its Role in the Preservation of Inuit Culture
• The Feminist Justification for the Afghanistan War: The Cooperation Between the Bush Administration and the Feminist Majority Foundation
• "The Teeth of the World are Sharp”: James Baldwin’s Protest Novels
• Towards Humane Borders: Activist and NGO Responses to the Militarisation of the US-Mexico Boundary
• “A Blended World … A Safe Space for Everybody”: A Case Study of Underground Ballroom Culture
• “Wild Women Don’t Have the Blues”: The Empowerment of Black Female Blues Singers - Romance or Reality?
• “Older Arts and Newer Technology”: Cultural Recoding in Bharati Mukherjee’s Desirable Daughters

This module explores the main developments in North American drama from the late-18th century to the present day. It examines how different theatrical movements - melodrama, minstrelsy, the 'freak' show, expressionism, social realism, the musical - connect with major historical events such as the American Revolution, the Civil War, the Great Depression and the Cold War. The module includes practical workshops around the staging, acting, directing and promotion of specific plays. You will spend four hours per week studying this module.

Why did National Prohibition officially begin in the United States in 1920?

What were the goals and intentions of the powerful women's reform movements and religious pressure groups calling for dramatic restrictions on alcohol?

Why was there so much political support for state and national restrictions, particularly during the First World War? Why was prohibition so hard to police during the 1920s?

The restrictions on what and how you could drink reshaped American society, politics, and culture during the 1920s and 1930s. Prohibition transformed alcohol consumption, opened up new leisure activities, and increased bootlegging, smuggling, and other criminal activities. However, popular histories and media representations of the prohibition years are full of myths and stereotypes. On this module, you will challenge these to build a better understanding of an important period in the 20th century United States.

This module is worth 20 credits.

This module will consider the development of ‘ethnic’ and new immigrant literature in the United States from the late 19th century to the contemporary era.  You will examine a range of texts from life-writing to short fiction and the novel by writers from a range of ethno-cultural backgrounds, including Irish, Jewish, Caribbean and Asian American. Issues for discussion will include the claiming of the United States by new immigrant and ‘ethnic’ writers; race and ethnicity; gender, class and sexuality; labour and economic status; the uses and re-writing of American history and ‘master narratives’; the impact of US regionalism; how writers engage with the American canon; multiculturalism and the ‘culture wars’; and the growth of ‘ethnic’ American writing and Ethnic Studies as academic fields.

This module examines Americans' differing attitudes toward sexuality over time. Representative topics may include marriage and adultery, homosexuality and heterosexuality, nudity, abortion, birth control, prostitution, free love, and rape. The module covers a range of debates about sexuality from colonial America's family-centred production and Puritanism to slavery, "miscegenation" and interracial sexuality, and contraceptive technologies including the pill. You will spend three hours per week studying this module.

Latino cultural expression will be examined, exploring genres, forms and sites involved in the production and consumption of Latino culture and its positioning within mainstream US society. You'll spend around three hours per week in lectures and seminars studying this module.

Focusing on Canadian authors, this module examines literature published since 2000. It examines how the Canadian nation is imagined through key literary texts in an increasingly globalised world. Discussions will include contemporary Canadian literature's relationships to postcolonialism, globalisation, multiculturalism, Indigeneity, genre, and the US and 9/11. You will spend four hours per week studying this module.

This module examines the role played by American popular music in countercultural movements. We focus on the ways in which marginalised, subordinate or dissenting social groups have used popular music as a vehicle for self-definition and for re-negotiating their relationship to the social, economic and cultural mainstream. We explore how the mainstream has responded to music countercultures in ways that range from repression to co-optation and analyse how the music and the movements have been represented and reflected on in fiction, film, poetry, journalism and theory.  Among the key moments examined are the folk revival and the 1930s Popular Front, rock 'n' roll and desegregation in the 1950s, rock music and the 1960s counterculture, and postmodernism and identity politics in the music of the MTV age.

This module explores lesbian, gay, transgender and queer writing, focusing especially on the search for agency and the representation of gender and sexuality in selected contemporary texts. The majority of writers studied will be Canadian, although some American examples will also be included. The module is multi-generic, engaging with forms including novels, short fiction, life writing, poetry, drama and graphic narratives. Topics for discussion will include: 

• LGBTQ sexuality;
• constructions of masculinity and femininity;
• the politics of representation: the extent to which writing can enable agency as subjects or citizens;
• intersections between race, ethnicity, class, nationality, religion, and the construction of gender and sexual identites
• writing for LGBTQ youth
• literature studies will be contextualized in relation to relevant debates in feminist, queer, post-colonial and transnational theories

Representative authors for study may include James Baldwin, Jane Rule, Dionne Brand, Dorothy Allison, Shyam Selvadurai, Tomson Highway, Leslie Feinberg, and Ivan Coyote.

This module seeks to understand the course of American involvement in Vietnam — to explain why the nation ended up fighting a ruinous war there, to chart the long involvement of the US in Vietnamese life and politics after World War Two, and to assess its long-standing legacy in American politics and culture. It does so by looking at US policy, the reasons influencing US thinking, and the role that other international actors — the Vietnamese, the French, the British, the Soviets, the Chinese — played in the unfolding of events. It focuses on the decisions taken by a range of American presidents from FDR through to Lyndon Johnson and Richard Nixon. It also looks at the wider context, including the emergence of the Cold War, the onset of decolonization, domestic political pressures, public protests and the powerful anti-war movement. We will also look at the war’s legacy and how the memory of Vietnam has shaped perceptions of the use of American force overseas and how it has informed the nation’s politics and culture.

This module examines a range of documents and scholarly controversies pertaining to the Civil Rights Movement between 1940 and 1970. Documents will include public and organisational records, photo-journalism, speeches, memoir and personal papers.

Controversies will include those relating to the chronological limits, spatial dynamics, and gender politics of the movement, as well as those relating to the movement’s goals and achievements.

Studying Literature

The module Studying Literature introduces you to some of the core skills for literary studies, including skills in reading, writing, researching and presentation. The module addresses topics including close reading, constructing an argument, and handling critical material, as well as introducing you to key critical questions about literary form, production and reception. These elements are linked to readings of specific literary texts, focused on poetry and prose selected from the full range of the modern literary period (1500 to the present).

Across the year you will learn about different interpretive approaches and concepts, and will examine literary-historical movements and transitions.

Learning objectives:

• To introduce you to selected literary texts, to deepen your imaginative engagement and analytic response.
• To provide you with a basis of knowledge, working methods and appropriate terminology for subsequent work at university level.
• To provide you with knowledge and understanding of the literary, cultural and historical contexts for literature from the period 1500 to the present, and the relationship between period and genre.

Studying Language

This module teaches you about the nature of language, as well as how to analyse it for a broad range of purposes, preparing you for studies across all sections of the school.

During the weekly workshops you will learn about levels of language analysis and description, from the sounds and structure of language, through to meaning and discourse. These can be applied to all areas of English study, and will prepare you for future modules. In the lectures you will see how the staff here in the School of English put these skills of analysis and description to use in their own research. This covers the study of language in relation to the mind, literature, culture, society, and more. The seminars will then give you a chance to think about and discuss these topics further.

Learning objectives:

• To provide you with methods of language analysis and description for each linguistic level (phonology, morphology, syntax, semantics, pragmatics, discourse)
• To prepare you for conducting your own language research across your degree
• To introduce you to the areas of research and study within the school, with particular focus on psycholinguistics, literary linguistics, and sociolinguistics

Beginnings of English

The module Beginnings of English introduces you to the varied languages, literatures and cultures of medieval England (c.500-1500). You will read a variety of medieval texts which were originally written in Old English, Middle English and Old Norse. We study some texts in translation, but we also introduce you to aspects of Old and Middle English language to enable you to enjoy the nuance and texture of English literary language in its earliest forms. 

We will read texts in a variety of genres, from epic and elegy, to saga, romance and fable. We will discuss ideas of Englishness and identity, and learn about the production and transmission of texts in the pre-modern period. 

Learning objectives:

• To introduce you to linguistic vocabulary and terminology.
• To enable you to become proficient in reading Old English and Middle English.
• To give you an understanding of the complexities of English grammar, past and present.
• To give you an understanding of the origins of English, and its development over the medieval period.
• To familiarise you with the themes and genre of medieval English literature. 

Depending on your module choices in your first and second year, you will choose three modules in your final year in English that cover at least two areas of study.

• Theatre Making
• Changing Stages: Theatre Industry and Theatre Art
• Modern Irish Literature and Drama
• Performing the Nation: British Theatre since 1980
• Reformation and Revolution: Early Modern literature and drama 1588-1688
• Writing for Performance