Triangle

In First Year, all units are centred around building foundational skills such as hand drawing, model-making, and critical thinking.

 

Megan Smith

Since beginning the MEng Architecture course in September 2024, I have developed a comprehensive set of architectural skills, including technical drawing and model making, alongside highly transferable skills such as graphic design and iterative, critical thinking. My technical understanding has grown significantly through rigorous study in tectonics, history, and mathematics of architecture alongside the design module, equipping me with the knowledge to realise architectural visions that are not only innovative but also sustainable and effective.

Megan Smith, MEng Architecture

 
 

 


Transition and Transformation: Boathouse Bike Centre

In First Year, all units are centred around building foundational skills such as hand drawing, model-making, and critical thinking. These are developed through the design of a range of buildings from small one-person dwellings in Semester 1 to more ambitious, larger community centres and retrofit designs in semester 2 on a range of sites, providing us with a broad array of essential tools to progress confidently into the subsequent years of study.

As the final project in semester two, students complete a ‘Transition and Transformation’ Project, teaching us the principles behind working with existing buildings, transitioning us smoothly into year two projects involving retrofit tasks. I chose the ‘ReCycle’ brief of the 3 available, and the ‘Boathouse’ site:

My proposal outlines the design of a bike centre that is sensitively integrated into its woodland setting, aiming to harmonise with the natural environment both aesthetically and ecologically. The centre is conceived as a structure that feels nestled within the landscape, with tall ebony timber pillars framing both the existing and new buildings. These vertical elements echo the surrounding trees, allowing the architecture to blend organically into its environment.

The extension adopts a 'shadow gap' approach, ensuring the preservation and respectful treatment of the original building. A smaller, mirrored structure sits alongside it, carefully designed to complement the existing architecture. These two volumes are connected by a suspended, enclosed glass bridge- symbolically minimal and transparent- serving as a near-invisible threshold between past and present.

Boathouse Bike Centre
 

The extension is envisioned as a lightweight, elevated timber construction to minimise the need for intrusive foundations, thereby protecting the mature trees on site. This strategy reflects a broader commitment to sustainability and ecological sensitivity.

The spatial journey through the bike centre draws inspiration from the experience of a woodland bike trail. Key moments, such as the café positioned at the summit of a ramp with panoramic views of the adjacent lake, create an engaging and explorative sequence. The use of a natural material palette- wood, stone, and textured finishes- further immerses visitors in the surrounding landscape. The internal layout encourages movement through a series of winding paths and reveals, inviting discovery and interaction with both the architecture and its setting.

Despite a tight four-week development window, this project was approached with thoroughness and care. Site analysis, client ergonomics, sustainable material selection, and environmentally conscious construction techniques were all considered and integrated into the design, resulting in a concept that is both functional and contextually responsive.

Design work

 

 

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